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WIDAI Japanese Journal 2nd Floor English Department, Universitas Widyatama Street of Cikutra No. 204A, Bandung
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Widai Japanese Journal
Published by Universitas Widyatama
ISSN : 2797118X     EISSN : 27743896     DOI : https://doi.org/10.33197/widai
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
WIDAI Japanese Journal is peer-reviewed journal published by Japanese Language Study Program of Widyatama University, Bandung. Published twice a year at March and September, the articles published in WIDAI Japanese Journal will mainly cover research and survey results concerning the topics of Japanese Linguistic, Japanese applied Linguistics, Japanese Language Education, and Japanese Culture. The mission and purpose of WIDAI Japanese Journal is to promote and increase the Japanese language research quality in order to achieve answers and solutions to all topics and problem concerning Japanese language linguistics, education and culture.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 20 Documents
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ANALISIS KANJI JUKUJIKUN DALAM MANGA KIMETSU NO YAIBA Gina Purnamasari; Hety Nurohmah
WIDAI Japanese Journal Vol. 2 No. 1 (2022): WIDAI Japanese Journal
Publisher : Universitas WIdyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (460.862 KB) | DOI: 10.33197/widai.vol2.iss1.2022.875

Abstract

This research is entitled The Analysis of Jukujikun in Manga Kimetsu no Yaiba. The aim of this research is to describe the process of kanji jukujikun form contained in the manga Kimetsu no Yaiba and to identify the relationship of form meaning of kanji jukujikun. This manga of Kimetsu no Yaiba Vol. 6-8 was used in obtaining the data. The process theory of kanji jukujikun form used was the theory of Todo (1986:74), and the theory of relations in meaning of kanji jukujikun used was Tsuchiya’s (1986:58). The type of the research used was descriptive qualitative. The methods used in collecting the data in this study were observation and note-taking methods. The analysis method used was referential match. Furthermore, the presentation used in data analysis was informal presentation. The result of this research indicated that there were 12 data from the process of forming eight data with the giver relation, and two data with matched relation, one data with certainty relation, and one data with the subject predicate relation. From the relationship of the format meaning based on the combination of two kanji that belonged to the fourth structure, there was seven data, and the one that belonged to the seventh structure, therein lied one data. Moreover, based in the combination of three kanji that belonged to the first structure, there was one data, and the ones that belonged to the third structure had three data.
Contrastive Analysis of The Meanings of Japanese and Indonesian Kanyouku Using Body Names Elfa Regita Utami; Felicia Aprilani
WIDAI Japanese Journal Vol. 2 No. 1 (2022): WIDAI Japanese Journal
Publisher : Universitas WIdyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (315.258 KB) | DOI: 10.33197/widai.vol2.iss1.2022.876

Abstract

Idioms are figurative utterances often found in everyday life. Idioms apply the names of body parts in humans as forming lexical elements. Idioms in Japanese are called kanyouku. Japanese and Indonesian idioms, although they have the same meaning in common, yet the idioms of these two languages have differences. When comparing Indonesian and Japanese idioms, you will find similarities and differences, both in terms of lexical meaning, idiomatic meaning, and the constituent elements of the two idiom languages. The author obtained data from Japanese kanyouku videos, Indonesian phrasebooks, and social media Instagram. The data were collected by means of the listening method using note-taking techniques, then the data were analyzed by the meaning and structure. The authors used the referential method using the specific element sorting technique. Based on what the author had analyzed, there were 15 data kanyouku applied the names of body parts, 6 data that had the same meaning and words used, and 9 kanyouku data that had different words but propertied the same meaning as Indonesian idioms.
ANALYSIS OF HYPERBOLE MAJAS IN THE LYRICS OF THE SONG LEMON BY KENSHI YONEZU AND NEKO BY TAKUMI KITAMURA Fitrah Magfirah Marwah Zainal
WIDAI Japanese Journal Vol. 2 No. 1 (2022): WIDAI Japanese Journal
Publisher : Universitas WIdyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (407.782 KB) | DOI: 10.33197/widai.vol2.iss1.2022.877

Abstract

Music is a beautiful tone and voice that contains rhythm, song, and the harmony of sound. In every song, there must be a figurative language. Majas (figurative language) is a medium in language that is useful in the process of delivering messages or presenting a certain idea. One of the figurative language types is hyperbole. Hyperbole is a figurative language which is an exaggerated expression. After being researched, the author found many hyperbole in various forms. This study used the theory by Sato to analyze hyperbole figurative language. The source of the data in this study is a Japanese song, namely Lemon by Kenzi Yonezu and Neko by Takumi Kitamura. The method of data collection used in this study is the observational method using a note-taking technique. Whereas the analysis used the referential method with the PUP technique (Teknik Pilah Unsur Penentu). Based on the results of the analysis of the hyperbole found in the song Lemon by Kenzi Yonezu and Neko by Takumi Kitamura, it can be concluded that there are 57 data of hyperbole, including in Lemon by Kenzi Yonezu with 27 data of hyperbole figurative language were found, and in Neko by Takumi Kitamura with 30 data of hyperbole figurative language were found. In this study, the hyperbole which is widely used in songs Lemon and Neko is the hyperbole that is related to feelings with 21 data found.
ANALYSIS OF TRANSLATION TECHNIQUES OF 'UCHIAGE HANABI' SONG AND COVERSONG BY ANDI ADINATA Sean Annisa Rakanti; Raden Novitasari
WIDAI Japanese Journal Vol. 2 No. 1 (2022): WIDAI Japanese Journal
Publisher : Universitas WIdyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (360.046 KB) | DOI: 10.33197/widai.vol2.iss1.2022.878

Abstract

The aims of this research is to describe the single translation technique and the multiple translation technique applied to the lyrics of the song 'Uchiage Hanabi' covered by Andi Adinata's song into Indonesian. In this research, the data are taken from video of Andi Adinata. The theories of translation technique used is the theory of Molina and Albir . The method used a descriptive qualitative method which consists of three stages, namely, the data collection stage, the data analysis and the presentation of the data analysis results. The data collection methods and techniques used are the listening method and the note-taking technique. Data analysis methods and techniques used are intralingua matching methods and determining element sorting techniques. The method used in presenting the results of data analysis is an informal presentation method. The results of this study indicate that there are 5 types of single translation techniques, namely 1 data literal translation technique, 2 data of modulation translation techniques, word to word is 5 data translation techniques, common equivalent translation techniques 2 data and 2 data amplification translation techniques, and the types of multiple translation techniques, namely amplification translation techniques with 4 data literals, amplification translation techniques with 1 data modulation, modulation translation techniques with 3 literals data and modulation translation techniques with the usual equivalent 2 data.
ANALYSIS CODE-SWITCHING AND CODE-MIXING ON JEROME POLIN’S VIDEOS ON NIHONGO MANTAPPU’S YOUTUBE CHANNEL (SOCIOLINGUISTICS) Nurul Zati Hanani; Raden Novitasari
WIDAI Japanese Journal Vol. 2 No. 1 (2022): WIDAI Japanese Journal
Publisher : Universitas WIdyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (497.41 KB) | DOI: 10.33197/widai.vol2.iss1.2022.879

Abstract

The tittle of this research is "Analisis Alih Kode dan Campur Kode Pada Video Jerome Polin di Saluran Youtube Nihongo Mantappu (Kajian Sosiolinguistik)”. The purpose of this reasearch is to identify the types of code-switching and code-mixing used by Jerome Polin's video on Nihongo Mantappu's youtube channel. In this study, researcher implemented three videos of Jerome Polin on Nihongo Mantappu’s youtube channel as researched data. The code-switching theory used by Hoffman's theory and the code-mixing theory used by Muysken's theory. The method used in this research was descriptive qualitative with method consisting of three stages; the data collection stage, the data analysis stage and the presentation stage of data analysis results. The methods and techniques of data collection used in this research were listening to video downloaded from youtube. Researcher listened to the video repeatedly until found the code-switching and code-mixing in the conversation, then wrote in a notebook. The methods and techniques of data analysis used were intralingual method and determining element sorting technique. The method used in the presentation of data analysis results was an informal method. The results of this research showed that there were three types of code-switching; inter-centential (8 data), intra-centential (28 data) and emblematic / tag switching (6 data). And three types of code-mixing; insertion (17 data), alternation (5 data) and congruent lexicalization (10 data).
Analisis Video Wawancara Fenomena Solo Wedding pada Mayarakat Jepang Nabiilah Putri Tarigan; Rani Arfianty
WIDAI Japanese Journal Vol. 3 No. 2 (2023): WIDAI Japanese Journal
Publisher : Lembaga Penelitian, Pengabdian Kepada Masyarakat dan Modal Intelektual, Universitas Widyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33197/widai.vol3.iss2.2023.2455

Abstract

A wedding is a sacred event that is generally carried out by a couple, where they make a sacred promise before God to live together for life. But the solo wedding trend emerged in Japan and continues to grow until it is increasingly accepted among women aged 20-30 years. Solo wedding is a concept where women celebrate marriage without a partner. They will wear wedding dresses, have a photo session and experience a wedding similar to traditional ceremonies. In this research, a qualitative approach was used to explore the phenomena surrounding solo weddings. The researchers collected data through listening and note-taking techniques. Researchers will watch video interviews, collect data and then record the data for analysis. The collected data was then analyzed using reduction and grouping techniques. The research results show that there are 8 reasons why Japanese women choose to have solo weddings, 1) want to experience wearing a wedding dress 2) increase self-confidence 3) get married at a late age and to take photos 4) because they feel happy 5) having children 6) happier alone 7) too tired from work and 8) want to retake wedding photos.
Cosplay sebagai Representasi Budaya Pop Jepang di Medan waode anggi anggraini waode; irwan
WIDAI Japanese Journal Vol. 3 No. 2 (2023): WIDAI Japanese Journal
Publisher : Lembaga Penelitian, Pengabdian Kepada Masyarakat dan Modal Intelektual, Universitas Widyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33197/widai.vol3.iss2.2023.3293

Abstract

This study aims to analyze cosplay as a representation of Japanese pop culture in Medan City. Using a descriptive qualitative method, data were collected through observation, interviews, and documentation involving local cosplayer communities. The results show that cosplay in Medan is not merely a form of entertainment but also a medium of self-expression, creativity, and identity formation among young people. This phenomenon reflects the process of glocalization — a blend of Japanese culture with local Indonesian values. Therefore, cosplay serves as a cultural interaction medium that enriches the dynamics of popular culture in Medan and strengthens the role of youth in the development of global culture at the local level.
TINDAK TUTUR EKSPRESIF MENGELUH DALAM ANIME ANI NI TSUKERU KUSURI WA NAI SEASON 4 Dena Fath Malik
WIDAI Japanese Journal Vol. 3 No. 2 (2023): WIDAI Japanese Journal
Publisher : Lembaga Penelitian, Pengabdian Kepada Masyarakat dan Modal Intelektual, Universitas Widyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33197/widai.vol3.iss2.2023.3483

Abstract

Speech acts refer to utterances expressed by speakers while performing an action and purpose with a specific meaning to elicit an expected response from the interlocutor. They can be categorized into various types according to the speaker's intention. Speech acts are divided into three types: locutionary, illocutionary, and perlocutionary. Within illocutionary acts, there are five types: assertive, directive, expressive, commissive, and declarative. Expressive speech acts can also be found in anime, along with various complaining strategies and other functions. The purpose of this research is to explore the functions of commissive speech acts and the complaining strategies used in a Japanese animated series titled "Ani ni Tsukeru Kusuri wa nai Season 4." The research methodology employed is descriptive qualitative using the observation method. The findings of this research revealed a total of 30 data instances. Commissive speech acts were represented by 12 instances, including 3 refusals, 3 promises, 5 offers, and 1 threat. Complaining strategies encompassed 18 instances, consisting of 1 indirect accusation, 8 expressions of annoyance, 4 descriptions of negative consequences, 1 gesture, 2 explicit blaming attitudes, 1 direct accusation, and 1 modified blaming attitude.
ANALISIS TEKNIK HUMOR PADA CHANNEL YOUTUBE MARYMARYMARY: KAJIAN PRAGMATIK Putri Dwiyana Maulani
WIDAI Japanese Journal Vol. 3 No. 2 (2023): WIDAI Japanese Journal
Publisher : Lembaga Penelitian, Pengabdian Kepada Masyarakat dan Modal Intelektual, Universitas Widyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33197/widai.vol3.iss2.2023.3557

Abstract

The purposes of this research are to describe verbal humor techniques based on the Berger’s theories (2017), in the humor utterances at the Youtube Channel MaryMaryMary (マリマリマリー). The humor utterances are identified based on the contexts and theory of incongruities to avoid subjectivity of humor data. This research is categorized into descriptive qualitative research using pragmatic approach. The coverage of research object at the channel Youtube MaryMaryMary (マリマリマリー) is reduced based on the characteristics of the chracters as needed in this research. The total data found are 32 data which consist of single and intersectional data. 32 data are distributed in 15 verbal humor techniques from Berger (2017). From the anasysis, it can be concluded that misunderstanding humor techniques and violation of relevance maxim are most frequently appered in humor utterances in the research object.
ISTILAH GAIRAIGO PADA BUKU MANUAL AIRSOFT TYPE 89 OLEH TOKYO MARUI (KAJIAN MORFOFONEMIK) Muhammad Isfarani
WIDAI Japanese Journal Vol. 3 No. 2 (2023): WIDAI Japanese Journal
Publisher : Lembaga Penelitian, Pengabdian Kepada Masyarakat dan Modal Intelektual, Universitas Widyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33197/widai.vol3.iss2.2023.3576

Abstract

This research aims to describe the types of gairaigo based on Ishikawa and Rubrecht's theory (2007) and to explain the process of gairaigo formation in accordance with Suzuki's theory (1975) within the manual book of airsoft type 89 by Tokyo Marui, using a morphophonemic approach. This research is of a qualitative descriptive nature, employing the method of translational equivalent analysis. Out of a total of 19 gairaigo data, three types of gairaigo were identified, consisting of 16 instances of direct borrowing, 2 instances of combined abbreviation, and 1 instance of truncation based on the understood reference.Furthermore, in the process of morphophonemic word formation, four processes were identified, including 16 types of phoneme addition, 16 types of phoneme alteration, 7 types of phoneme elision, and 2 types of phoneme truncation. From this analysis, it can be concluded that the direct borrowing type of gairaigo, along with the phoneme addition and alteration processes, were the most frequently encountered.

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