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koko hari pramono
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Terob : Jurnal Pengkajian dan Penciptaan Seni
Published by sekolah tinggi kesenian wilwatikta surabaya
ISSN : 2087314X     EISSN : 27214869     DOI : https://doi.org/10.20111/terob.v12i1
Core Subject : Art,
Arts
jurnal terob merupakan jurnal dari Sekolah Tinggi Kesenian Wilwatikta Surabaya, adapun fokus dari jurnal terob pada pengkajian dan penciptaan seni. kami menerima berbagai macam artikel yang memiliki latar belakang seni tari, seni teater, seni musik dan seni rupa
Arjuna Subject : Seni dan Humaniora - Klasik
Articles 5 Documents
 1 
Search results for , issue "Vol. 13 No. 2 (2023): April" : 5 Documents clear
An Analysis Of The Structure Of The Performance Of Traditional Arts Jheren Kencak Probolinggo Indra Tjahyadi; Koko Hari Pramono; Abdurrahman Abdurrahman
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.42

Abstract

This research focuses on the performance structure contained in the Jheren Kencak traditional art that developed in Probolinggo Regency. The purpose of this study was to describe the structure of the traditional Jheren Kencak performing arts that developed in Probolinggo Regency. The method used in this research is descriptive qualitative method. Data collection techniques were carried out using interview techniques, observation, and literature study. Based on the analysis conducted, it was found that the Jheren Kencak traditional art that developed in Probolinggo Regency has a performance structure consisting of the following elements: (1) giro ketipungan, (2) jheren kember, (3) jheren tonggel, (4) tapel-napel (5) lawakan, (6) rak-arakan, and (7) mang-temang
Denotation and Connotation of Mandau, A Weapon of Kanayatn Dayak Tribe in West Kalimantan Iwan Pranoto; Nur Iksan; Ika Yuliati
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.43

Abstract

The culture and the cultural product itself that develop in today’s society cannot be separated from the recognition and agreement of some community groups, the philosophical values, or the natural signs that are embedded in everyday life, or usually called myths. One of them is Mandau, a weapon of the Kanayatn Dayak tribe, in Sebetuk village, Ngabang sub-district, Landak district, West Kalimantan. The Mandau is a weapon owned by the Kanayatn Dayak people and is often used for many purposes such as cutting the grass, chopping the wood, cutting the meat from hunted animals, protecting themselves from wild animals, conducting traditional rituals and as weapons of war. This Mandau is differentiated into two categories, the one that has sacred value and another one that does not. In this study, the object of research was the one with a scared value. The Mandau that developed in the Kanayatn Dayak community has its own a message and meaning. The denotation and connotation of the Mandau were discussed in this study based on semiotic of Roland Barthes's thought. By employing a qualitative approach, the fine art elements of the Mandau such as the decorative motifs, colors, and shapes became the main discussion. Each of them has its own meaning and thus it is trusted by the local community.
Teachers’ Role In Introducing Sexual Education Through Art To Early Childhood At RAB Perwanida Bendunganjati Pacet Mojokerto (Efforts To Prevent Sexual Harassment In Early Childhood) Jihan Kusuma; Amalia Rahmawati
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.45

Abstract

Sexual harassment is a serious matter that will damage a child's future both in the short and long term. The consequences do not only affect the victims, but also their parents, families and economics. Indonesia’s current condition about this is very concerning where every year there is a lot of data that collects cases of sexual harassment and is not taken seriously. This has become a concern for parents and the public. Sexual harassment occurs due to the lack of knowledge of parents regarding sexual education for children and they only rely on sexual education in schools. However, sexual education in schools is rarely considered and implemented. Based on the background, this study discusses teachers’ role in introducing sexual education to early childhood at RA B Perwanida Bendunganjati Pacet Mojokerto (Efforts to Prevent Sexual Harassment in Early Childhood). The purposes of this study were to analyze (1) parents’ role in sexual education for early childhood. (2) Teachers’ role in introducing sexual education to students. (3) The media used by the teacher to facilitate the sexual education material. By employing qualitative research, this study was conducted in RA Purwanida group B with 18 students as subjects, one student guardian, and two teachers. The data in this study were carried out through 3 stages: Reduction, Data Presentation, and Documentation. The results of this study indicate that (1) Parents have provided sexual education to early childhood when they are at home. (2) The teacher has played a role in introducing sexual education through the media of images and singing methods. (3) Learning the sexual education in early childhood is more effective if it is explained concretely.
Dance Arrangement Through Child Psycology Lilik Subari
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.46

Abstract

Art, especially dance as an expression of beauty is one of the universal human needs. It does not only belong to the rich and the all-sufficient, but also belong to everyone. When compared with the economy, art can be considered a luxury and is often seen as secondary need. However, in fact art can be found in every layer of society, human beings, whenever and wherever they live. Culture is always attached to human life, both individually and with the surrounding community. The art problem approach should be understood. It is impossible for people to talk about art without paying attention to the messages contained symbolically, in addition to the artistic activities themselves being the embodiment of the functions of certain cultural subsystems. As a dance teacher, the job is not only to provide dance material, but also to take responsibility for students’ behavior which has an impact on the development of learning in class and their psychological. There are a number of things that must be considered, including: the dance teacher must understand the purpose, content, function; the dance teacher must take into account the weight of the material to be taught; the dance teacher must take into account the psychological influence of children. Realizing all of these things, demands are not only on students to be able to understand teaching material but more than that.
Responding to Social Unrest Through Punjari Kumoro Traditional Ritual In Banyuwangi, East Java, Indonesia Mochamad Maskur
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.47

Abstract

This research aims to raise public awareness of the importance of social life by prioritizing the noble values contained in the principles of local culture. The packaging of this work is more focused on creating an atmosphere by combining several types of music from Banyuwangi. The music mentioned are angklung paglak, music on Gandrung arts, and Kunthulan which are worked on optimally so that they can strengthen the desired atmosphere and create new nuances on the musical side. Kumarajana's musical work also presents elements of the values embodied in the Punjari Kumoro art. The content and meaning of the Punjari Kumoro Ritual itself are implied by the values of life in a social context. These values are religious values as a means to pray and ask God to give guidance. The value of togetherness, in this case the people of Aliyan village mingle and unite their hearts and minds for the same goal. Other values include the value of mutual respect as an effort by the community to respect nature as a source of life for them.

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