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Humaniora

jurnal-humaniora
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Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 10 Documents

Search results for , issue "Vol 21, No 1 (2009)" : 10 Documents clear

ANEKA TEKNIK PENYINGKATAN DALAM BAHASA SHORT MESSAGE SERVICE (SMS) Ana Rosmiati
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The aim of this research is to find out the formal characteristics of SMS language. The population of this research was all of the utterances discovered in SMS language discourse from 2004 up to 2008. The utterances in SMS discovered in some cellular phones in Surakarta area were used as a sample for this research. The data were collected by listening to and interviewing some informants endorsed with a noting technique. SMS messages were directly sent to some participants to validate the data. The data were analyzed by using the equivalence (padan) pragmatic method to identify the forms and structures of the SMS language. The identity method was used to identify and classify lexical and grammatical aspects found in this discourse endorsed with deletion and substitution techniques. The results of the research showed that SMS language was a written discourse in the form of a dialogue between a speaker and an interlocutor making use of the facilities in cellular phones. The special characteristics of shortened words in SMS language included : (1) the omission of vowels, (2) the omission of consonants, (3) the omission of initial syllable, (4) the omission of final syllables, (5) contractions, (6) changes of diphthongs to vowels (‘monophthongization’), (7) the replacement of words by numbers, (8) the replacement of words by letters, and (9) the replacement of words by initial letters.

REKONSTRUKSI SISTEM SOSIAL DALAM CERPEN PENGARANG BALI I.B Putera Manuaba
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The findings of this study: first, in their short stories was offered a revision to the existing Balinese social system, that is, an egalitarian and democratic; they also offer a construct of ordinary people without any hierarchy. Second, the change that make in their short stories is still concerned with experimentations in peripheral areas, which are subjective, tend to be disfunctional, and do not seem to touch the essential. Third, there is influence of the social world of the authors on the social world of their works; the social system in which they live strongly determines the construction of the social world in the short stories.

AN OVERVIEW OF JAPANESE MODALITIES AND THEIR DEGREE OF PROPOSITION Najih Imtihani
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Tulisan ini mengulas sepuluh kata modalitas dalam bahasa Jepang, yaitu hazu, ni chigainai, kamoshirenai, daroo, yoo, soo, rashii, beki, nakereba naranai, dan temo ii. Kesepuluh modal tersebut dikelompokkan berdasarkan sifat dan jenisnya menjadi dua kelompok, yaitu modalitas epistemik dan modalitas deontik. Modalitas epistemik adalah modalitas yang berisi ungkapan keperluan dan kemungkinan, sedangkan modalitas deontik adalah modalitas berhubungan dengan kewajiban dan kebolehan. Yang termasuk dalam modalitas epistemik adalah hazu, ni chigainai, kamoshirenai, daroo, yoo, soo, rashii, sedangkan yang termasuk dalam modalitas deontik adalah beki, nakereba naranai, dan temo ii.

PERAN PENDIDIKAN TARI PUTRI KLASIK GAYA YOGYAKARTA BAGI PEREMPUAN JAWA, DULU DAN KINI Tati Narawati
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This paper is a research report concerning Rama Sas, one of the great classical master dancers and choreographers of the court of Yogyakarta. As a boy, he had to master the female dancing because of the court rule that women of the aristocrat cannot appear in public in a wayang wong dance drama production. So because of his beautiful face, slender body, and delicate appearance, Rama Sas became a court dancer specializing in female characters. Women of the aristocrat concentrated on bedhaya and srimpi female dances. Due to the court restriction, women of the aristocrat were not allowed to move and act freely like men. This is a problem of gender of course. Rama Sas knew this problem and successfully tried to choreograph dances for women.

SŪRYA DALAM PRATIṢṬHĀ DAN RASAVYAÑJAKA: HERMENEUTIK BHĪṢMA DALAM KAKAVIN AMBŚRAYA MENURUT TEORI DHVANI ĀNANDVARDHANA Manu J. Widyaseputra
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article explores the existence of Bhīṣma in theAmbâśraya Kakavin with applying the Dhvani theory ofĀnandavardhana in his book Dhvanyāloka. Dhvani isbasically a hint, a silent suggestion, and works merethrough evocation than through implication. Whatever isimplied can be arrived at merely from an analysis of theimplying statement or gesture. Not so with dhvani. Noamount of analysis can be lay bare the dhvani-effect, ifthe hearer/reader does not have a special qaulity thatattunes him to it. Whereas an implication can be pin-pointed, and even expressed, dhvani can never be pin-pointed, much less can it be expressed in words. It can atbest be merely pointed at through figures speech of OldJavanese kakavin but its precise content evadesformulation.

ROMAN PERGAOELAN, PENULISAN SEJARAH, DAN KANONISASI SASTRA INDONESIA Sudarmoko Sudarmoko
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The history of Indonesian Literature mainly based on canonical works established by scholars and critics. In this condition, literary works published by private and periphery publishers are ignored from the history of Indonesian literature. This paper discusses a private publisher, Penjiaran Ilmoe (1938-42), which published a series of literary works called Roman Pergaoelan in correlation with the writing of the historyIndonesian literature. The discussion presented in this paper is based on the sociology of literature, exploring the extrinsic and intrinsic aspects of Roman Pergaoelan. The discussion is hoped to give a contribution in the development of writing the history of Indonesian literature by considering literary works published in out side centre of authority and categorized as popular or dime literature.

TRANSFORMASI LINTAS GENRE: DARI NOVEL KE FILM, DARI FILM KE NOVEL Heru S. P. Saputra
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article is aimed at scrutinizing the ecranisation in thetransformation across genre, that is from novels to films, and viceversa. It was found that the ecranisation process from novels tofilms is a process envolving the reactualisation from the writtenlanguage to the audio visual language. The implication of thatprocess is that there are some efforts to shrink, add, or alter partsof the story for various goals. Seen from the perspective of thesociology of literature, this effort could initiate the low readingmotivation to the high watching motivation. In the context ofaesthetic idealism, ecranisation actually exposes an author’sdepression due to his lack of ability to articulate his audio visuallanguage in representing the written language. In contrast, filmshas been de-ecranised into novels. An across genre transformationprocess is thus made, that is from the audio visual tradition,wrapped by advanced technology, to the reading-writing tradition.The latter tradition phenomena is different from the former,specifically in its perspective of the social function of literature.Unfortunately, both cannot avoid the hegemony of industrialisation.Literature and films are no more concerned with easthetic values.Rather they mingle in industrialisation, in particular theentertainment industry.

GENDER DI SEPUTAR PERGELARAN WAYANG JEKDONG DALAM BUDAYA JAWA TIMURAN Wisma Nugraha Christianto
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Using an ethnographic research technique, within aninterpretive framework, this study sought to understand genderrelations in some wayang Jekdong performances from the perspectiveof the members themselves. Using interviews and observation, theresearch was carried out continuously over a period several months.Having developed categories and established themes, the data wereinterpreted using the analytic narrative. The entry of women into thefields of wayang Jekdong performances has affected gender roles anddivision of labor within households. Men argue that, while manywomen can try to "have it all," societal expectations placed uponwomen preclude them from devoting themselves fully to domesticactivities and child-rearing. Several themes were identified from themass of raw data: (a) attitudes towards participation, (b) socialinteraction and communication, (c) organisation and compliance withrules and regulations, (d) age, (e) female and male voice. Womansand childrens gave a multitude of reasons for supporting some eventsof wayang Jekdong performance those were reflected in theirbehaviour within the communities. 'The atmosphere during women'sactivities preparing and enjoy to watching wayang Jekdongperformance is very light-hearted because all the women want is tohave fun and enjoy each other's. Women are able to laugh atthemselves and enjoy the experience.

DARI KERATON KE PASAR: INDUSTRI PRIBUMI DI DAERAH YOGYAKARTA 1830 – 1930-AN Anton Haryono
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article deals with the development of theindigenous industry in Yogyakarta during the colonialperiod (1830s – 1930s). It is concerned with three aspects:the diversity, absorptive power, and achievement of theindigenous industry. The results showed that theindigenous industry of the colonial era in Yogyakarta had avast spectrum and was capable of developing dynamicallyalthough it never constituted the main stream of thesociety’s economic life. In 1930, its ability to absorbworkers was the highest in Java and Madura, and not muchdifference was found from that of the agriculture. Besides,some branches of the indigenous industry in Yogyakartafound wide markets for their products. The longestablished manufacturing tradition and the increase ofmoney circulation since 1830 were found to be factorsaffecting the dynamics of the Yogyakarta’s indigenousindustry.

UPAH BURUH ONDERNEMING KARET DI ACEH TIMUR, 1907-1939 Mawardi Umar
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study aims at investigating the correlation between thewage level and the well being of the rubber plantation enterpriseworkers in East Aceh in the period of 1907 to 1939. It is of highsignificance in the historiography of Aceh because no studies onAceh have been found that examine plantation enterpriseworkers. The major source of this study is the annual reports ofthe Labor Inspectorate from 1907 to 1939, the collection ofNational Library, Jakarta. The results of the study indicate that the wage of theplantation enterprise workers in East Aceh was very low andworth only for subsistence and determined unilaterally by theenterprise. The workers contributed nothing to the wagedetermination. The wage level was adjusted to the living cost,especially the price of rice, and the financial condition of theenterprise. Therefore, the living standard of the rubber plantationworkers in East Aceh never changed although their wageincreased.

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Elan Ardri Lazuardi,

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humaniora@ugm.ac.id

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humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

Phone -

Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

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Abstract

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA