cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Sugih Nugroho
Contact Email
paradigmafib@gmail.com
Phone
+62217863528 ext. 107
Journal Mail Official
paradigma@ui.ac.id
Editorial Address
Faculty of Humanities, Universitas Indonesia Gd 2, Lt 2, Depok 16424, Indonesia
Location
Kota depok,
Jawa barat
INDONESIA
Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol. 4, No. 2" : 6 Documents clear
Batik dan Industri Kreatif: Sebuah Proses Kreatifitas Manusia dalam Kajian Studi Humaniora Meliono, Irmayanti
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper would like to discuss that batik has three types consist of kain batik tulis, kain batik print and batik fabrics and their variety of motifs. The scope of research on batik originated from the area of Bandung, Cirebon, Pekalongan and Yogyakarta-Surakarta (Solo) . This research analyzed with Peirce’s triadic semiotic approach with a sign that has an icon, index, and symbol. Analysis a sign motif of batik is related to with an icon in the form of of cloth, and the index element in the form of color motifs of batik. Symbol is always related to with the naming of batik , such as Parang Barong, Sida Mukti, Mega Mendung and the Indonesian cultural background. The results of this research indicate that the batik has egalitarian value, functional value, economic value, and symbolic value. These four values are used by industry to improve the community through the creative industries and innovative creativity in the face of the global market. Through the imaging of batik will be formed social harmony for the global community.
Hubungan Kekuasaan pada Tokoh Superhero dan Supervillain dalam Film Iron Man 3 (2013): Sebuah Kajian Tematik Tobing, Marco Alexandro
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research discusses how superhero and supervillain characters in the fi lmIron Man 3 (2013) shows a power relation as a form of superhuman superiority. The power relation that occur through the confl ict between characters are seen as an establishment of social stratifi cation among superhuman and normal human / society as cultural study. This study is conducted thematically through characterizations analysis method by comparing the defi nition and ideology on the superhero and supervillain in superhero characters, Iron Man and the Iron Patriot, and supervillain character, Mandarin. This study aims to fi nd the root of power relation to the establishment of class structures in the society. By reviewing the defi nition and ideology on these characters, this study is expected to give a broader view of superhuman characters and help the reader to understand the value delivered from superhero character. As a conclusion, the potrayals of the superhero and supervillain characters in the fi lm Iron Man 3 (2013) as the highest power owner have a function to limit and control the values in the society.
Ambiguitas yang Mencerminkan Rasisme dalam Film The Princess and The Frog Oktarina, Rizki Nurmaya
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Princess fairy tales have made the Disney Corporation so famous. At fi rst, Disney princesses were white skinned. As time goes by, Disney started fi lming animated movies with colored princesses. In 2009, Disney released a movie based on an African-American princess named Tiana in ‘The Princess and the Frog’ (2009). Ambiguities in terms of understanding black appear in the fi lm. To help analyzing this movie, Barthes’ semiotics theory will be used. By using that theory, the writer proposes that on one hand, Disney conveys that America has become “color blind,” but on the other, blacks are positioned as lower class. This movie refl ects Disney’s belief in what is true and ideal about the American society, but here we see that the notion “all men are created equal” writt en in the declaration of Independence is not fully implemented in the American society.
Narsisme sebagai Wujud Eksistensi Diri dalam Novel “My Name is Red” Karya Orhan Pamuk Irnawan, Raden Dibi
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper discusses about socio-psychological dimension in paintings pictured in Orhan Pamuk’s novel My Name is Red. The novel shows us fi ne examples about how paintings can be a media of painters who lived in a repressive era of Sultan Murat III which established rigid rules adopted from Islamic principles of how a painting should be done. This idea manifested in the characters’ behaviour, especially Velijan Eff endi, who hold the Islamic or East principles, but dilemmatically fond of Western principles as an aesthetic way of painting. This kind of dilemma born from the presence of East and West principles intertwined in Turkey at the era pictured in the novel. Results determined that Velijan Eff endi is narcistic as a result of his needs to be acknowledged, to exist in his repressed life. He uses his paintings as the media of expressing his needs.
The Death Of Captain America Represents The Failure Of The American Dream Anggara, Dimas
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

American Dream is a concept that plays an important role in the American history and its society. The main values of the American Dream are life, liberty, and pursuit of happiness. These are represented in Captain America, carrier of the spirit of America to the world. Captain America, the main character in a comic, also preserved the values in the American Dream, so it is proven that there is a relation between Captain America and the American Dream. The problem is that there are changes in the way people see the concept of the American Dream today. It is because many people tend to simplify the values in which the concept off ers. This paper examines the relation between the change of perspective and the way the people in the U.S in applying the American Dream with the death of Captain America as the representation of the American Dream. This paper argues that the Death of Captain America can be a representation of the failure in the concept because Captain America died defending what he believed as the true American Dream that all the people in the U.S should preserve. Thus, many people believe the values which Captain America preserved are no longer suitable in the society today.
Representasi Tokoh Wanita pada Kisah Fiksi Kriminal: Serial Televisi Sherlock BBC (2010) Maully, Gevintha Karunia
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Sherlock BBC (2010) is one of the latest adaptations of Sherlock Holmes. By using the modern era as its sett ing, Sherlock off ers something diff erent compared to previous Sherlock Holmes adaptations. This research focuses on the representation of female characters on Sherlock according to an issue that already chosen which is women and crime. The theories and concepts which are used on this research are gender construction in Victorian Era, the concept of femme-fatale and crime fi ction characteristics. I argue that there are some substantial diff erences of female characters’ representation in Sherlock compared to the original story. Despite those diff erences, female characters in Sherlock are still represented in a similar manner as the crime fi ctions characteristics in which women are always put in an inferior position and the one who need men’s help.

Page 1 of 1 | Total Record : 6

 1 

Filter by Year

2014 2014


Reset
Filter By Issues
All Issue Vol. 15, No. 2 Vol. 15, No. 1 Vol. 14, No. 3 Vol. 14, No. 2 Vol. 14, No. 1 Vol. 13, No. 3 Vol. 13, No. 2 Vol. 13, No. 1 Vol. 5, No. 1 Vol. 12, No. 3 Vol. 12, No. 2 Vol. 12, No. 1 Vol. 11, No. 3 Vol. 11, No. 2 Vol. 11, No. 1 Vol. 10, No. 3 Vol. 10, No. 2 Vol. 10, No. 1 Vol. 9, No. 3 Vol. 9, No. 2 Vol. 9, No. 1 Vol. 8, No. 2 Vol. 8, No. 1 Vol. 7, No. 2 Vol. 7, No. 1 Vol. 6, No. 2 Vol. 6, No. 1 Vol. 5, No. 2 Vol. 4, No. 2 Vol. 4, No. 1 Vol. 3, No. 2 Vol. 3, No. 1 Vol. 2, No. 2 Vol. 2, No. 1 Vol. 1, No. 2 Vol. 1, No. 1 More Issue