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Wacana: Journal of the Humanities of Indonesia
Published by Universitas Indonesia
ISSN : 14112272     EISSN : 24076899     DOI : https://doi.org/10.17510/wacana
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Wacana, Journal of the Humanities of Indonesia is a peer-reviewed, open-access journal published by the Faculty of Humanities, University of Indonesia. It invites original articles on various issues within humanities, which include but are not limited to philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, arts, library and information science focusing on Indonesian studies and research. Wacana seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, exploratory papers, and book reviews. All accepted manuscripts will be published both online and in printed forms. The journal publishes two thematic issues per year, in April and October. The first thematic issue consists of two numbers.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 16 Documents
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Search results for , issue "Vol. 12, No. 1" : 16 Documents clear
The performance of Panggung Bangsawan in Riau Lingga; A reconstruction of a theatrical process Arybowo, Sutamat
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

Panggung Bangsawan is a popular folk theatre in Riau Lingga. The ups and downs in its performance are atributed to changes in social, political, and cultural conditions. This article is a reconstruction of a near extinct Panggung Bangsawan group in the Teluk village in the islands of Riau Lingga. First, I have attempted to describe the staging process; second, to endeavour to understand the phenomenon of change which occurs when a folk tale is transformed from written work into a performance; and third, to expose the transformation of a script (text) divided into scenes into a performance. This is an attempt to explain the relation between the audience's response to a text when it is staged. This article is expected to give a more profound understanding on how the society supporting Panggung Bangsawan remember their past and their ideal views while comprehending how the shift in life values emerges in a staged folk tale.
The impact of the West Sumatran regional recording industry on Minangkabau oral literature Suryadi, S.
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

Due to the emergence of what in Indonesian is called industri rekaman daerah 'Indonesian regional recording industries', which has developed significantly since the 1980s, many regional recording companies have been established in Indonesia. As a consequence, more and more aspects of Indonesian regional culture have appeared in commercial recordings. Nowadays commercial cassettes and Video Compact Discs (VCDs) of regional pop and oral literature genres from different ethnic groups are being produced and distributed in provincial and regency towns, even those situated far from the Indonesian capital of Jakarta. Considering the extensive mediation and commodification of ethnic cultures in Indonesia, this paper investigates the impact of the rise of a regional recording industry on Minangkabau oral literature in West Sumatra. Focussing on recordings of some Minangkabau traditional verbal art genres on commercial cassettes and VCDs by West Sumatran recording companies, this paper attempts to examine the way in which Minangkabau traditional verbal art performers have engaged with electronic communication, and how this shapes technological and commercial conditions for ethnic art and performance in one modernizing society in regional Indonesia.
Oral tradition in the study of ulayat land disputes in West Sumatra Dewi, Susi Fitria
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

Land is a society's potent symbol of wealth, social power, and culture. A long time ago, when extensive jungles and forests still abounded, there were probably no serious conflicts over land ownership. Groups were free to roam about and to open up land to extend their farming area in accordance to their needs. Groups in society marked the land they had cultivated to proclaim their ownership. These marks could be very simple and could simply be a tree, a big stone, or a piece of iron hammered into the soil, or they used the physical condition of the land itself such as rivers, lakes, hills etcetera as borders to distinguish their land from that of others. Minangkabau traditional society never recorded these borders in writing on paper, leaves, or stones or any other means as many peoples in other parts of the world do. Rather, they deemed it sufficient to use natural symbols to demarcate the important agreements they had made between them orally.
The revitalization of Mak Yong in the Malay world MPSS, Pudentia
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

Culture can only be revitalized when a cultural tradition is considered of significant importance by its owning community. How important it is for the identity of that community or in how far it symbolizes that community can only be established after in-depth study. It is crucial that revitalization activities involve the community. If not, efforts would be pointless. Mak Yong is one of the Malay performing art traditions that has been revitalized over the last five years. It is an art form that originates in southern Thailand and was brought to Bintan in the Riau Islands (Kepulauan Riau, Kepri) via Singapore. It combines dialogue, dance, singing, music, and stories and may still be found in the Riau Islands in Indonesia. It is interesting to show how Mak Yong has represented and expressed Malay dynamics by means of revitalizations efforts.
Oral literary traditions in North Sumatra Papenhuyzen, Clara Brakel
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

This article deals with traditional literature of the Pakpak-Dairi and Karo peoples in North Sumatra, who are speakers of closely related Batak languages and have many common features in their language and culture. Their traditional life-style, based on agriculture and the use of forest products, requires the regular performance of community rituals featuring songs, dance, music and other oral traditions including storytelling. The songs, prayers, and stories belonging to their literary tradition have characteristic features that are intimately connected with the social context in which they are created and performed. Karo and Pakpak-Dairi oral genres often contain information about the natural environment, local customs and religious concepts. They may also reflect perceptions of relationships with neighbouring groups, such as the Minangkabau and the Malays who live in the coastal areas.
The myth about the origin of the Karo House Ginting, Juara R.
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

The Karo people in North Sumatra (Indonesia) consider areas in the Karo regency and those in other regencies as part of Taneh Karo (the Karolands), despite the fact that these areas comprise different administrative territories. This paper focuses on how the idea of Taneh Karo is articulated in a special Karo myth. Scholarly research has discovered that the notion of Taneh Karo originated in pre-colonial times, but an analysis of a local myth which established the concept of Taneh Karo remains an interesting anthropological study. This study is significant as it endeavours to comprehend the traditional ways of life of the Karo people, and it is a crucial attempt to map out the inter-group relations in the Karo area, where the Acehnese, the Batak, and the Malay people take part. It is interesting to note that the myth of Karo has positioned the Karo community and land in a distinctive site within the network of inter-related groups. This is precisely the position which would determine the formation of the Karolands.
Peter Carey, The power of prophecy; Prince Dipanagara and the end of an old order in Java, 1785-1855. Second Edition. Leiden: KITLV Press, 2008, xx + 970 pp. [First Edition in 2007; Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenku van der Meij, Dick
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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That mighty "pantun" river and its tributaries Ming, Ding Choo
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

Known as pantun to the Malays in Brunei, Malaysia, Pattani, Riau, Singapore, and Southern Phillipines, it is called peparikan to the Javanese, sesindiran to the Sundanese and many other different names in different ethnic groups in the different parts of the Indo-Malay world, which is made up of Brunei, Indonesia, Malaysia, Singapore, Pattani in southern Thailand, and Mindanao in the southern Philippines. In almost every settlement that sprang up along the major rivers and tributaries in the Indo-Malay world, the pantun blend well with their natural and cultural surroundings. In this article, the geographical extent of the pantun family in the Indo-Malay world is likened to a mighty river that has a complex network of tributaries all over the Indo-Malay world. Within the Indo-Malay world, it is the movement of the peoples help the spread of pantun from one area to the other and makes it an art form of immensely rich and intricate as can be seen from the examples given.
The effect of oral performances in audiences' minds and behaviour Santosa, Santosa
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

As a means of communicating thoughts, gamelan performances affect the way audiences construct their worldview. More than that, listeners in villages believe that performances can affect people's behaviour. Performances may be deeply influential in the creation of fundamental social values such as in-group integrity, feelings of unity and peace in the community. All this demonstrates that in villages, arts are not autonomous entities; people value the arts as an integral domain with other social activities.
Lirasniara, the sung language of Southwest Maluku (East-Indonesia) van Engelenhoven, Aone
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
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Abstract

This paper discusses a highly endangered sung style in Maluku Barat Daya along the lines of Sasse's (1992) theory of language death and focusses on structural consequences, the speech behaviour, and the external setting of this oral tradition. It is concluded that if it really has existed and not only in local folklore, Lirasniara must have been a jargon that was replaced by Malay. Only because it already occurred in sung texts during the latter's introduction prevented its total disappearance from the region thus far. The fear remains that in the process of the modernization of Indonesia, it may undoubtedly disappear after all in the near future.

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