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Regina Veronica Edijono
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Wacana: Journal of the Humanities of Indonesia
Published by Universitas Indonesia
ISSN : 14112272     EISSN : 24076899     DOI : https://doi.org/10.17510/wacana
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Wacana, Journal of the Humanities of Indonesia is a peer-reviewed, open-access journal published by the Faculty of Humanities, University of Indonesia. It invites original articles on various issues within humanities, which include but are not limited to philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, arts, library and information science focusing on Indonesian studies and research. Wacana seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, exploratory papers, and book reviews. All accepted manuscripts will be published both online and in printed forms. The journal publishes two thematic issues per year, in April and October. The first thematic issue consists of two numbers.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
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Search results for , issue "Vol. 21, No. 1" : 8 Documents clear
The significance of the Inao during the reign of King Chulalongkorn; A transitional period in the Thai Panji tradition Jatuthasri, Thaneerat
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 1
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There are two main versions of the Panji story in the Thai literary tradition, entitled Inao and Dalang respectively. Both versions were first composed at the Thai court in roughly the eighteenth century and have provided inspiration for Thai arts ever since. Of the two stories, the Inao has become much more popular than the Dalang. The most influential Inao work was composed by King Rama II (r. 1809-1824) and his reign is widely accepted as the heyday of Inao. There was also another period of time in which the Inao theme was popular: the reign of King Chulalongkorn (r. 1868-1910). This article is an examination of the presentation of the Inao story during the reign of King Chulalongkorn and also presents an assessment of the significance of these Inao works to the Inao tradition. The findings of this article reveal that, during this period, the Inao story was presented in an increasingly diversified number of art and cultural works in both traditional and new styles. These Inao works marked a significant turning-point in the Inao culture and indicate that not only was the reign of King Chulalongkorn “a Golden Age” of the Inao in Thailand, but it was also “a transitional period” in the Thai Panji tradition.
The figure of <i>pañji</i> in Old Javanese sources; What is in a name? Jákl, JiŘí
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 1
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Literary and epigraphic references to the figure of pañji in Old Javanese texts are analysed, and contextualized with much better-known references to the figure of Pañji in Middle Javanese texts. A hypothesis is offered that Old Javanese term pañji is best rendered as “court-name”. It is argued that young boys from elite families obtained their familiar court-name (pañji) at the very onset of their career at the court, where they served as pages and attendants of the royal family. They were also trained in arms, religious lore, and arts. Being since their childhood close to the king, they were trusted persons, and some of them made careers as high-ranking court officials, such as Dəmuṅ or Kanuruhan. Others, denoted ācārya, were trained as “masters of divine weapons”, Tantric ritual specialists, who were in charge of the so-called “divine weaponry“ (diwyāstra), mantra- infused ordinary weapons, an arsenal well-known in Old and Middle Javanese texts. Vestiges of this ritual lore have survived in Java until modern times.
Masked Panji plays in nineteenth-century Java; The story of <i>Kuda Narawangsa</i> Brakel-Papenhuyzen, Clara
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 1
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This article discusses the Javanese Panji-story Kuda Narawangsa, which I first watched as a masked performance in a village south of Yogyakarta in 1977. The play featured Galuh Candra Kirana, spouse of Prince Panji of Jenggala, in the masculine form of “Kuda Narawangsa”. Historical information on this play in archival manuscript sources, found mainly in the collections of Leiden University Libraries, proves that it was well-known in Java during the nineteenth century. In this article, descriptions of performances in manuscripts or printed publications are combined with historical play-scripts (pakem) from Surakarta and Yogyakarta, which have not been investigated so far. Special attention is paid to the script of a masked performance of the Kuda Narawangsa story in a manuscript from the Mangkunegaran palace, investigating what this historical pakem can tell us about the meaning and context of a masked performance of this story in nineteenth century Java. A story which according to recent publications remains relevant in Indonesian society to this day.
Panji and Sekartaji on the move Kieven, Lydia
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 1
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Since the millenium, the Panji tradition has undergone an increasing process of revitalization and transformation in Java. It shows a broad spectrum of concepts and forms: benefit of a long forgotten cultural heritage, academic approach, popularization, innovation, and its use for strengthening cultural identity. Starting on a grass-roots and community level of artists, intellectuals, and villagers, focusing on the manifestation of values and symbolism, the Panjimania has entered governmental and institutional level throughout recent years, focusing on popularization of art and entertainment in big formats. This boom is also reflected in research and publications on an academic and semi-academic level. The paper discusses the complexity within the state-of-the-art discourse on cultural heritage, for example the risks of instrumentalization, and its major trajectories and potential of this living heritage for the future.
On the war-episodes in <i>Hikayat Kuda Semirang Sira Panji Pandai Rupa</i> Koster, Gijs L.
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 1
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This paper, based on the text of the Jakarta MS C. St. 125 published by Lukman Ali and M.S. Hutagalung (1996), shows by a comparative reading of selected samples of war-episodes in the hikayat, that, in spite of the countless differences between them, all ultimately tell one and the same underlying story. This story is in each war-episode retold in a process of constant variation within identity. This is done by combining “pre-fab” units that each form a slot in an already predetermined narrative structure. Each of these slots is filled with a selection of type-scenes, made from the particular string of type-scenes that is available for that particular slot. In order to shed light on the question where the hikayat’s author may have found the models and inspiration for its composition, the numerous intertextual echoes of Javanese and Malay literary genres and individual works audible in these war-episodes are also traced.
Panji in Javanese court literature and beyond Kumar, Ann
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 1
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This article deals with Panji stories from Java, their original home. It begins with an examination of Panji as he appears in the Wangbaŋ Wideya, one of the earliest extant Panji stories, representing the culture of Majapahit and its successor states. It then goes on to survey a number of Panji compositions written by Pakubuwana IV, Sunan of Surakarta from 1788-1820, which reveal that Pakubuwana clearly identified with Panji, as opposed to say, Islamic models, or Western models, for the political realm possibly available at that time. The article goes on to look at the somewhat later writings of Yasadipura II (1756-1844) and Dipanagara, who led the 1825-1830 Java War against the Dutch. The former has a markedly bureaucratic, non-mythic approach to government. The latter does draw heavily on mythic validation, for instance from indigenous Javanese deities and from Islamic figures, but here too there is a notable lack of reference to Panji as an ideal. Panji theatre across Java and at the popular level is briefly surveyed, as is the extensive export of Panji stories to Malaysia, mainland Southeast Asia, and even possibly to Japan – which would suggest that they are far older than hitherto suspected.
Traces of language contact; The Flores-Lembata languages in eastern Indonesia Fricke, Hanna
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 1
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Bòsò Walikan Malangan; Structure and development of a Javanese reversed language Yannuar, Nurenzia
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 1
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