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Dr. Mochamad Aviandy, S.Hum., M.Hum
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INDONESIA
International Review of Humanities Studies
Published by Universitas Indonesia
ISSN : 25279416     EISSN : 24776866     DOI : https://doi.org/10.7454/irhs
Core Subject : Humanities, Science, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 24 Documents
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Search results for , issue "Vol. 8, No. 1" : 24 Documents clear
THE TREND OF DAGESTAN’S YOUNG MOSLEM GENERATION TOWARDS DIGITAL PLATFORMS AND THE RESPONSIBILITY OF LOCAL ULAMA THROUGH SOCIAL MEDIA Mumtazah, Yasmin; Fahrurodji, Ahmad
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

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Abstract

This study discussed the tendency of the young moslem generation of Dagestan in using social media such as YouTube, Instagram, and VKontakte. The goal of this research was to answer the responsibility of related ulama on the digital platform used by Dagestan's young generation. The netnographic method was employed as a tool to assist researchers in communicating via digital platforms. According to the findings of the netnographic research, social media is not a solution to the problems of Dagestan Muslims. Although social media was a gathering place for the younger generation to learn about Islam, this did not guarantee that all activities carried out by Muftiyat RD through digital platforms would be approved by users. Therefore, social media was only a tool to facilitate the spread, not to solve the problems of the people.
AMBIVALENCE IN GENDER PORTRAYALS IN GOOSEBUMPS (2015) AND GOOSEBUMPS: HAUNTED HALLOWEEN (2018) Kardono, Tyasyifa Wimahavinda; Hapsarani, Dhita
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

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Abstract

The horror genre is notorious for sexist depictions of female heroines, which heavily imposes traditional gender stereotypes. This paper analyses Goosebumps (2015) and Goosebumps: Haunted Halloween (2018), which are the movie adaptations of R.L Stine’s horror book series. It aims to see the possibility of the female heroines and male heroes to defy conventional gender stereotypes and determine the female heroines’ agency as horror movies tend to objectify the female characters. This paper uses the Cult of True Womanhood (Welter, 1966), Male Gender Role Identity (Pleck, 1981) and representation theory (Hall, 1997) to analyse the dialogues and interaction of the characters, and the agencies of the female heroines in the two movies. This research shows the apparent ambivalence portrayals as the text often contradicts the characters’ depiction in the earlier part of the film and the ending. In the beginning of the movies, the female heroines are depicted as empowered and independent, but as the story progresses, they become characters that need male heroes’ help and support to overcome problems.
DIASPORA IN INDONESIA-CHINA RELATIONSHIP AT THE COMPREHENSIVE STRATEGIC PARTNERSHIP ERA Muas, R. Tuty Nur Mutia Enoch
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

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Abstract

Diaspora is a potential non-state actor as a driver of people-to-people connections between the country of origin and the country of residence. People-to-people connections are part of public diplomacy, increasing in importance with information and communication technology. Indonesia-China relations have existed for more than seven decades, experiencing dynamic ups and downs. Since the inauguration of the Strategic Partnership between Indonesia and China in 2005 and then in 2013, it has increased to become a Comprehensive Strategic Partnership, and bilateral and multilateral relations have tended to increase. Bilateral and multilateral relations have managed to grow. However, from the Indonesian side, there are still classic obstacles in the relations between the two countries, namely the suspicion of China's good intentions and the role of the Tionghoa (Chinese Ethnic Group). The Tionghoa is an Indonesian citizen but culturally is a part of the Chinese diaspora. Despite that, along with the rapid progress of China, the number of Indonesian citizens (WNI) and descendants of Indonesian citizens living and-/or settling in China is also increasing rapidly and can be categorized as the Indonesian diaspora. How can the Indonesian diaspora play a role in people-to-people connection to increase mutual understanding between the two nations and reduce suspicion? that is the subject of this article. This research uses a historical approach to look at the role played by the diaspora, especially the Indonesian diaspora in China, in helping to improve Indonesia-China diplomatic relations.
THE CINEMATIC OTHERING OF SITTING BULL IN THE ADAPTATION OF BURY MY HEART AT WOUNDED KNEE Nurcahyo, Rachmat; Hapsarani, Dhita; Budianta, Melani; Kristianto, Bayu
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

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Abstract

The marginalization of particular groups or people as a result of the idea that one group or person is better than another is known as the "othering" process. This article discusses how a film adaptation of Dee Alexander Brown’s book on Native American history, Bury My Heart at Wounded Knee (BMHWK) performs this act of othering. First of all, it is done by negatively portraying the heroic figure in the book. Sitting Bull, a Teton Dakota Chief who united the Sioux tribes in North America, the Great Plains, in mid 19th century is reduced in the film into a weak figure. The Native American chief is overshadowed by White figures like Elaine Goodale and Senator Henry Dawes. In the film adaptation, the social hierarchy-building process, which put the Whites on top, educated natives in the middle, and the rest of Native American population in the bottom, serves as a vehicle for a further process of othering. The film represents Native Americans as people who need to be governed and who can only survive if they abide by White people's laws.

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