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Suray Agung Nugroho
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East Asian Review
Published by Universitas Gadjah Mada
ISSN : -     EISSN : 29879817     DOI : https://journal.ugm.ac.id/v3/ear
Core Subject : Religion, Economy, Humanities, Education, Art, Social,
Religion Arts Humanities Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Social Sciences
East Asian Review is a scientific journal platform publishing articles on East Asian studies with a current focus on Japan and South Korea. East Asian Review publishes articles discussing linguistics, literature, culture, and history. Contributors are encouraged to submit either empirical, methodological, theoretical, or conceptual articles on East Asia from an interdisciplinary perspective. Contributors can also focus on individual country analyses (Japan or South Korea) or comparative case studies involving Japan and/or South Korea.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 5 Documents
 1 
Search results for , issue "Vol 1 No 1 (2023): First Half-Year" : 5 Documents clear
Pandangan Dunia Yi Munyol dalam Novel Our Twisted Hero Elkhoiriyah, Mar’ah Mukhbita
East Asian Review Vol 1 No 1 (2023): First Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.v1(1).28-47

Abstract

This study aims to find the author's worldview on the novel, Our Twisted Hero. The worldview is examined using Lucien Goldmann's genetic structuralism theory which views a literary work from the structure that builds it. The structure is in the form of homology between the structure of the novel and the social structure in society. According to Goldmann, the structure of the novel is centered on the relationship between characters and between characters with objects. The author's social group is also a material consideration behind the formation of his worldview. The result of this research shows the author's view toward struggle for democracy in South Korea in the 1980s including the attitude of the people involved. Through the conflict between the problematic hero Han Byeongtae and Eom Seokdae, his classmate, and homeroom teacher, this research reveals the view of the author who thinks that the lack of concern for some people towards the struggle for democracy actually helps authoritarian governments strengthen their power. However, the author's main goal is not to judge the right or wrong of it but to reveal the hard reality that actually happened back then through Yi Munyol's point of view as the author of the novel.
Representasi Han dalam Drama Mystic Pop-Up Bar Nurjanah, Sindy Novi; Young, Hwang Who
East Asian Review Vol 1 No 1 (2023): First Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.v1(1).48-62

Abstract

Han (한恨) is a complicated Korean sociocultural concept which related to unresolved resentment, pain, grief, and anger. This han concept is often used in Korean cultural productions, for instance JTBC Korean drama, “Ssanggappocha (쌍갑포차), Mystic Pop-up Bar (MPUB)”. It tells about the characters’ han stories along with the process of how they resolve it. Therefore, this research used MPUB drama as research object to see the representation and finding the types of han. The theory used in this research is Andrew Sung Park’s theory (1993) about the structure of han. This research uses a qualitative descriptive method to analyze the data which is the dialogues of related scenes. The result of this research is out of nine forms of han according to Park, there are five forms of han discovered in the drama. Those forms are: (1) the han of individual: conscious-passive; (2) the han of individual: unconscious-active; (3) the han of individual: unconscious-passive; (4) the han of group: unconscious-passive; and (5) the han of nature. Generally, the dominant form found in the drama is han of individual expressed in passive way since the characters showed their process of accepting the han rather than being aggressive toward it.
Antara Ie dan Dadia: Perbandingan Nilai Budaya dalam Upacara Soushiki pada Masyarakat Jepang dan Upacara Ngaben pada Masyarakat Bali Ariani, Putu Krisna; Wibowo, Robi
East Asian Review Vol 1 No 1 (2023): First Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.v1(1).1-16

Abstract

Penelitian ini membahas mengenai perbandingan pada upacara kematian soushiki yang dilakukan oleh masyarakat Jepang dan upacara ngaben yang dilakukan oleh masyarakat Hindu Bali. Tujuan dari penelitian ini adalah untuk mengetahui rangkaian prosesi serta menjabarkan perbedaan dan persamaan dari kedua upacara tersebut, dilihat dari nilai budaya yang terkandung di dalamnya, yakni ie dan dadia. Penelitian ini menggunakan metode deskriptif kualitatif dengan data yang diperoleh dari buku, jurnal, serta data kepustakaan yang menunjang penelitian. Hasil dari penelitian ini menunjukkan bahwa upacara soushiki dan upacara ngaben masing-masing memiliki tiga rangkaian prosesi utama, meliputi persiapan upacara, pelaksanaan upacara, dan kegiatan setelah upacara. Selain itu, upacara soushiki dan ngaben memiliki persamaan dan perbedaan yang dapat dilihat dari rangkaian prosesi serta sistem kekerabatan ie dan dadia yang melandasi berlangsungnya upacara soushiki dan ngaben. Pada intinya, peneliti menemukan tiga poin utama dalam perbandingan nilai budaya pada upacara soushiki dan ngaben. Pertama, pelaksanaan upacara soushiki dan ngaben memiliki kaitan yang erat dengan kepercayaan, yaitu Buddha pada upacara soushiki dan Hindu pada upacara ngaben. Kedua, pelaksanaan soushiki dan ngaben sebagai upacara kematian memiliki fungsi yang serupa, yakni mengembalikan arwah ke tempat asalnya. Ketiga, pelaksanaan upacara soushiki dan ngaben dilandasi oleh ie dan dadia sebagai suatu konsep yang menyangkut hubungan kekerabatan pada masyarakat, khususnya masyarakat Jepang dan Bali.
Fokalisasi dalam Cerpen Unsu Joeun Nal karya Hyeon Jin Geon Fitri, Humaira Achirul
East Asian Review Vol 1 No 1 (2023): First Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.v1(1).63-81

Abstract

This study discusses the form of focalization used in the short story titled Unsu Joeun Nal written by Hyeon Jin Geon. This study aims to identify and analyze the form of focalization used in the short story Unsu Joeun Nal. The data for this study are parts of the text in the short story Unsu Joeun Nal which are considered to show the form of focalization. To achieve the research objectives, this research utilizes Genette (1980) focalization theory as an approach to conduct the research. The analysis results of the focalization forms in the short story Unsu Joeun Nal resulted in the finding that Unsu Joeun Nal showed characteristics of zero focalization and internal focalization form, while the characteristics of external focalization form could not be found. The result also show that the utilization of zero focalization form is more dominant in the storytelling of the short story Unsu Joeun Nal. This is shown through the presence of the narrator who shows all the narrator's characteristics in the form of zero focalization. The utilization of zero focalization has a role in making the reader understand the story conveyed through the various elements in it.
Analisis Pragmatik Adverbia Kekkou dan Verba Sumimasen Bahasa Jepang Suyana, Yayan
East Asian Review Vol 1 No 1 (2023): First Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.v1(1).17-27

Abstract

Bahasa Jepang dikenal sebagai bahasa yang memiliki keambiguitasan, baik dalam tataran fonetik, leksikal maupun gramatikal. Diperlukan cara untuk memahami makna apa yang dikandung oleh sebuah ungkapan dalam bahasa Jepang. Sehingga pemahaman tentang konteks atau situasi tutur secara keseluruhan sangat diperlukan. Dalam penelitian ini penulis mengangkat ambiguitas pada tataran leksikal, berupa pemakaian adverbia kekkou dan verba sumimasen bahasa Jepang. Kedua leksikal ini apabila berdiri sendiri memiliki berbagai makna. Melalui pendekatan pragmatik berupa telaah dalam berbagai situasi tutur, akan dicari kategori pragmatik dan makna pragmatik dari adverbia kekkou dan verba sumimasen. Setelah diadakan analisis pada 15 situasi tutur yang mengandung adverbia kekkou dan 15 situasi tutur yang mengandung verba sumimasen, didapatkan kategori makna pragmatik adverbia kekkou bahasa Jepang adalah ilokusi asertif, sedangkan kategori makna pragmatik verba sumimasen adalah ilokusi asertif, ekspresif dan direktif. Adapun makna pragmatik adverbia kekkou menunjukkan persetujuan, penolakan, menyatakan pilihan, dan menyatakan kesanggupan. Sedangkan makna yang dikandung dalam kategori ilokusi asertif verba sumimasen menunjukkan penolakan dan memastikan. Kategori ilokusi ekspresif menyatakan penyesalan dan terimakasih, serta kategori ilokusi direktif menyatakan permintaan tolong dan sapaan untuk menghentikan lawan tutur.

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