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Cultural Narratives
ISSN : -     EISSN : 30466350     DOI : https://doi.org/10.59066/cn
Cultural Narratives publishes high-quality articles in the field of social sicences, cultural studies, linguistics, and Literature. The journal invites scientists, lecturers, teachers, and practitioners throughout the world to disseminate topics of cultural studies celebrate minorities and majorities, diversity, individual and group studies, that cover but are not limited to Area or Regional Studies, Literary criticism, Literary theory, Language studies, Linguistics, Translation, Discourse Analysis, Language Acquisition, humanities and social studies, but limited to language teaching. Cultural Narratives  is a blind peer-reviewed, scientific journal published three times annually – every April, August, and December by CV Era Digital Nusantara
Articles 41 Documents
Gender Role and Patriarchal Ideology in Maleficent: Mistress of Evil (2019) Khika Adistiadiva
Cultural Narratives Vol. 3 No. 3 (2026): April
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v3i3.2282

Abstract

While contemporary cinema increasingly features dominant female figures to seemingly challenge patriarchal norms, these representations often harbor underlying traditional biases. This study investigates this ideological complexity in Maleficent: Mistress of Evil (2019) by analyzing the portrayals of Maleficent and Queen Ingrith. This research uses the theory of character and characterization by Boggs & Petrie and feminist film theory by Haskell. This research finds the characteristics of Maleficent and Queen Ingrith, such as being powerful, rational, heroic, leadership and independent. Both of them are protector and queen in their respective kingdoms. Although the two female main characters are described as equally dominant, they are described as having significant differences. Maleficent as a woman, although she is described as a dominant woman, but she supports a traditional gender role. Meanwhile, Queen Ingrith is also portrayed as a dominant woman in the film, but she opposes traditional gender roles. This makes the film challenge the ideas of patriarchal ideology. Due to the different gender roles that both of them have, they get different treatment from other characters in the film; Maleficent gets good treatment, while Queen Ingrith gets bad treatment. This study concludes that rather than fully dismantling patriarchal ideology, the film subtly reinforces it by rewarding dominant women who align with traditional maternal roles, while punishing those who reject them. Consequently, this implies that mainstream media's portrayal of female empowerment often remains confined within patriarchal boundaries, highlighting the need for a more critical consumption of modern pseudo-progressive narratives.