Indonesian Journal of Music Research, Development, and Technology
Focus: Interlude: Indonesian Journal of Music Research, Development, and Technology seeks to provide a forum for scholarly exploration, exchange, and progress in the fields of music research, development, and technology. The journal focuses on a multidisciplinary approach to comprehending and enhancing various aspects of music, including both traditional and modern practices. It aims to cultivate collaboration and innovation among music and technology researchers, practitioners, and technologists. Scope: Music Research: Interlude embraces original research articles that delve into diverse areas of music scholarship, such as musicology, ethnomusicology, music theory, music history, and inter-disciplinary studies. It is encouraged that researchers investigate the historical contexts, cultural influences, and theoretical frameworks that shape the world of music.Music Development: The journal encourages submissions that investigate the creative process, composition, arrangement, and performance aspects of music development. This includes studies into musical forms, styles, genres, and techniques, as well as the function of music in social and cultural contexts.Music Technology: The purpose of Interlude is to highlight advancements in music technology, including but not limited to digital music production, sound synthesis, virtual instruments, audio processing, music software, interactive installations, and multimedia applications. It encourages research on the design, implementation, and impact of technological instruments and solutions in the domain of music.Music for Media: This area focuses on the creation, application, and impact of music in various forms of media, including but not limited to film, television, video games, advertising, virtual reality, and other multimedia platforms. Music and Society: The journal provides a forum for discussions regarding the societal and cultural implications of music. This may include analyses of the role of music in identity formation, activism, education, healing, and well-being, as well as examinations of how technology has transformed the consumption and distribution of music.Interdisciplinary Approaches: Interlude encourages research that bridges the divide between music, technology, and other disciplines such as psychology, neuroscience, anthropology, sociology, computer science, and engineering. It endeavors to investigate how the intersection of diverse disciplines can enhance our understanding of music and its relationship to technology.Innovation and Collaboration: The journal promotes articles that spotlight innovative music and technology projects, collaborations, and initiatives. It endeavors to foster a dialogue between academia, industry, and the broader artistic community in order to propel the development and application of innovative concepts and technologies.
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<![CDATA[Analyzing aesthetic values in Stella Jang’s "Villain" lyrics ]]>
<![CDATA[Agung Ridho Widhiatmoko]]>;
<![CDATA[Khoridatun Laila Al Ayuni]]>
<![CDATA[ Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 2, No 1 (2022): Interlude: November 2022 ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/interlude.v2i1.68146
<![CDATA[K-pop is a generic label which is currently the main strength of South Korea whose culture has spread to almost all countries in the world both in the fields of fashion, culinary, entertainment and even in the field of music. K-pop music can be very popular not only because of the hype music, but they also present a fun dance with the visuals of the idols which are more attractive and much enjoyed by consumers. However, not a few consumers are concerned with and pay more attention to music videos and interesting lyrics, which are a benchmark for how total K-pop is in the music industry. This study analyzes the music and lyrics of the song Villain by Stella Jang, a solo singer from South Korea as one of the songs that emphasizes interesting meaning and content.]]>
<![CDATA[The effect of hip-hop songs on fat burning through zumba exercise: Case study in “Mic Drop” by BTS as zumba accompaniment ]]>
<![CDATA[Puput Meinis Narselina]]>;
<![CDATA[Delya Putri Ananda]]>
<![CDATA[ Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 2, No 1 (2022): Interlude: November 2022 ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/interlude.v2i1.68113
<![CDATA[This essay examines the correlation between hip-hop music and Zumba, with a specific focus on how the tempo of the music affects calorie burning and the overall workout experience. The study used a qualitative approach to examine the impact of participating in Zumba sessions with hip-hop genre music, namely "Mic Drop" by BTS, on calorie expenditure and exercise enjoyment. This investigation is based on current literature and audio-visual content available on YouTube. The results demonstrate that integrating fast-paced hip-hop music into Zumba workouts can burn roughly 1,440 calories each week. It is consistent with prior studies showing the beneficial impact of fast- paced music on heart rate and perceived physical exertion. Additionally, the research emphasizes the significance of choosing songs with appropriate tempos, such as hip-hop, to improve the exercise experience and facilitate more effective calorie expenditure during Zumba sessions. Nevertheless, it emphasizes the necessity for additional research to comprehensively comprehend music's influence on physical performance and physiological reactions during exercise. This study enhances our comprehension of the impact of music tempo on exercise motivation and outcomes by incorporating knowledge from academic literature and audio-visual materials available on platforms such as YouTube. This study provides a basis for future research and highlights the potential of using fast-paced music in Zumba exercise to maximize the advantages of physical activity.]]>
<![CDATA[Innovating musical composition through urban noise: A case study in experimental sound ]]>
<![CDATA[Gilang Rahdianando]]>;
<![CDATA[Faza Sadikin Permana]]>
<![CDATA[ Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 2, No 1 (2022): Interlude: November 2022 ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/interlude.v2i1.68154
<![CDATA[The journey from concept to finished product is fascinating and intricate. It begins with a spark of inspiration, an idea that ignites the creative fire within. This concept serves as the foundation upon which the entire project is built. This research used a qualitative method with a case study approach. This research uses two types of data, including audio data of musical compositions and literature sources from articles and journals. The first step is to collect audio samples. This involves scouring libraries, recording sessions, and creating custom sounds to fit the project's vision. Each sample is carefully chosen for its timbre, texture, and emotional impact, which adds depth and richness to the final composition. The steps used are (1) audio data collection; (2) audio editing; (3) composing has four themes: exposition, development, recapitulation, and experimental; and (4) mixing and mastering, for blending all the elements of the track to create a polished and professional sound, and prepares the final blend for distribution, ensuring it sounds great on all playback systems. This involves applying EQ, compression, and limiting to maximize the loudness and clarity of the track.]]>
<![CDATA[Analyzing experimental music performance in "AquaSonic" by Between Music ]]>
<![CDATA[Robi Rusdiana]]>;
<![CDATA[Shivani Ramadhanty]]>
<![CDATA[ Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 2, No 1 (2022): Interlude: November 2022 ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/interlude.v2i1.68188
<![CDATA[This essay analyzes the performance of experimental music in Between Music’s Aquasonic Project using a qualitative approach. We investigate the creative combination of music and underwater performance art by analyzing various sources such as literature and audio-visual information found on platforms like YouTube. The essay explores the distinctive difficulties and artistic opportunities that arise from performing music underwater, focusing specifically on Between Music’s Aquasonic Project. The project explores the ways in which it challenges the conventional norms of music performance by combining avant-garde music, visual arts, and scientific investigation. The study reveals the complex and diverse aspects of the Aquasonic Project, emphasizing its dependence on specialized instruments, the acoustic characteristics of water, and the physical interactions between the performers and their underwater surroundings. The essay offers a detailed analysis of the experimental music performance landscape in the Aquasonic Project by combining insights from study literature and analysis video on YouTube. It highlights need to work together across several disciplines, using advanced technology and exploring new artistic ideas to expand the limits of musical expression. Moreover, the study proposes possible areas for future investigation and artistic development in the field of underwater music performance, highlighting its capacity to evoke wonder, stimulate contemplation, and alter traditional concepts of musical engagement.]]>
<![CDATA[Analyzing micro-level changes and minimalist techniques in Steve Reich’s "Piano Phase’" ]]>
<![CDATA[Sailendra Bedantara Gunawan]]>
<![CDATA[ Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 2, No 1 (2022): Interlude: November 2022 ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/interlude.v2i1.68195
<![CDATA[In the historical development of Western music in the 20th century, a related interesting phenomenon of the minimalist music genre developed in America. Minimalist music is a style of music based on limited materials and micro changes in those materials. Among the composers who fall into this musical genre category iscomposer Steve Reich, who wrote a work for two pianos entitled "Piano Phase." This writing aims to reveal the limitations of musical material and changes at a micro level that occur in the work "Piano Phase" throughmusical analysis. The method used is content analysis based on two documents: sheet music and examplesof audio recording. From the analysis results, there are short melodic sentences with micro changes throughrhythm shifts using the accelerando technique. The changes made occur in three parts that have a pleasanttexture difference. The work "Piano Phase" has a unique composition technique, namely through Accelerandotempo changes can cause changes in the melody texture indirectly expected.]]>
