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Arty: Jurnal Seni Rupa
Published by Universitas Negeri Semarang
ISSN : 25527516     EISSN : 27218961     DOI : -
Core Subject : Art,
Arts
Arty: Jurnal Seni Rupa focuses on the research of visual art studies through the experiences exchange among educators, artists, and researchers. Its primary goals is to promote quality research on conceptual ideas, studies, application of theories, and visual art reviews. Topics of special interest to Arty include scholarly reports that enhance knowledge regarding art in general, Fine Art, Art History, Visual Culture, Design Methodology, Design Process, Design Discourse, Design and Culture, Art Critism, Anthropology of Art, Artifact Design, Visual Communication Design, Creative Industry, and other historical, critical, cultural, psychological, educational and conceptual research in visual art and design.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol. 14 No. 3 (2025): Regular Issue" : 8 Documents clear
DESIGNING A MASCOT FOR PT. ARTERIA DAYA MULIA CIREBON CITY Annisa, Tri
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.31672

Abstract

Arteria Daya Mulia is a fishing net manufacturing company established in 1982 in Cirebon. In the face of the challenges of globalization and market competition, companies need more modern visual strategies to strengthen brand identity. This research designs mascots as an effective visual communication medium through the IDEO (Inspiration, ideation, implementation) design thinking model. Mascots are designed to represent the company's core values such as quality, strength, and loyalty, while also increasing employee engagement and brand appeal. Implementation is carried out through merchandise media such as t-shirts, hats and totebags to expand market reach and build the company's image. The results show that appropriately designed mascots are able to increase brand awareness, strengthen visual identity, and become a strategic communication tool between companies and audiences.
THE USE OF CEMENT PAPER IN THE CREATION OF BANYUMAS STYLE WAYANG PURWA PUPPETS FOR THE STORY OF GATOTKACA'S BIRTH Supena, Jimmy Supena
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.32474

Abstract

The study project entitled “Utilization of Cement Paper in Making Wayang Purwa Gagrag Banyumas in the Gatotkaca Born Story” aims to introduce to the public that alternative materials for making puppets can utilize cement paper and introduce one of the stories in the puppet character Raden Gatotkaca. The form of wayang with Banyumas gagrag which is rarely used in wayang performances is one of the efforts to preserve the Banyumas gagrag. The author took the initiative to visualize the portrait of the character in the Gatotkaca Lahir story in the wayang purwa artwork. In visualizing the subject, the author focuses on the form of puppets that are specially made using tatah and sungging techniques. The author chooses to utilize alternative cement paper waste as a form of environmental conservation. Twelve works are presented with titles including: Raden Werkudara, Dewi Arimbi, Jabang Tetuka, Dewi Suprobo, Sang Hyang Manikmaya, Sang Hyang Narada, Sang Hyang Indra, Sang Hyang Bromo, Raden Gatotkaca, Kresna, Naga Pracona, Patih Sekipu.
THE ROLE OF GRAPHIC DESIGN IN STRENGTHENING URBAN ART BRANDING IN THE SOLO IS SOLO ART COMMUNITY Abiyoga, Taufan Amirullah
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.35308

Abstract

  This study examines the role of graphic design in strengthening identity with urban art styles in the Solo Is Solo community in Solo City. In the context of acculturation of modern culture and local traditions, graphic design serves as a visual communication medium that articulates the vision, mission, and unique character of the community through elements such as logos, murals, typography, and digital content. The research method is qualitative descriptive with an in-depth analysis of artworks that reflect the character of urban art. The results show that graphic design not only strengthens the identity of the community internally as a forum for solidarity, but also builds positive recognition and perception in the eyes of the wider public. Graphic design acts as a creative bridge that connects Solo's cultural traditions with modern styles of expression, maintaining cultural relevance through innovation and attractive aesthetics in public spaces. The application of graphic design in urban art also enriches the aesthetic value of the city while opening up opportunities for the development of cultural tourism. This research emphasizes that graphic design is a strategic tool that supports the sustainability and existence of the urban art community in the ever-evolving socio-cultural dynamics. These findings can serve as a reference for other art communities in building a strong and sustainable visual identity.
CREATION OF ECO-ART BASED ARTWORKS USING LOCAL BAMBOO MATERIALS IN SEMARANG Sanjaya, Bangkit
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.36216

Abstract

Bamboo is a primary raw material in Indonesian society. Bamboo is used for everyday needs because it is easy to process. Bamboo is one of the most frequently used raw materials in rural communities. Bamboo needs to be utilized and processed more optimally. This is in line with the conditions in Plalangan Village, which has abundant bamboo reserves. Research on bamboo-based products requires alternatives. The purpose of creating this artwork is to find the best option for processing bamboo into other alternatives to maximize the product. One solution is to make bamboo-based products using weaving techniques. This is important as the main capital so that the artwork/product can be included in the management of surrounding natural resources. The methods used in creating this work are reflection, exploration, elimination, realization, and awareness. The techniques used are cross weaving with a choice of square, pentagonal, and hexagonal shapes. These techniques can be used to form tubes, cubes, or other shapes according to product needs, such as living room and bedroom lamps, displays, or contemporary installations.
ILLUSTRATED STORYBOOK TO IMPROVE TEENAGERS’ UNDERSTANDING OF FUTURE CAREER ASPIRATIONS: A SYSTEMATIC REVIEW Salsabila, Diandra Zahra; Juhana, Agus
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.36780

Abstract

Planning a future career according to one's desires and skills is a hope for many people. This study was conducted to systematically review what influences adolescents in planning their future careers and whether illustration-based books can be a medium that can help them in achieving success in future career planning. The method used was a Systematic Literature Review (SLR) with reference to the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) guidelines with data sources originating from international publishers and resulting in 51 articles that meet the inclusion and exclusion criteria. The results of the review found that future career planning is influenced by various factors both internally and externally, both of which have the same line in influencing motivation and emotions in individuals. Technology-based counseling guidance is needed, and interactive digital books can be a medium in conveying information in a fun way. Further research is recommended to focus more on emotions by designing fun interactive digital book media to increase adolescents' confidence in future careers that suit their desires.
STUDY OF MURAL ART STYLE IN PUBLIC SPACES OF THE HYSTERIA COMMUNITY IN SEMARANG Hermalita Siwi, Vini
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.37331

Abstract

This study aims to analyze the style, values, meaning, and educational function of the mural works of the Hysteria Community in public spaces in the city of Semarang, while also examining the public's acceptance of the social messages conveyed through these murals. A qualitative approach was used through observation, interviews, and documentation of two major works: "Tulang Lunak Bandeng Juwana" (2024) and "Doa Kuat!" (2025). Roland Barthes' semiotic analysis was used to interpret denotative and connotative meanings, while John Fiske's theory assessed how visual elements work at the levels of reality, representation, and ideology in shaping public understanding. The results of the study show that Hysteria utilizes local cultural symbols, visual metaphors, and color compositions to present communication that is not only aesthetic but also educational through a process of social awareness (PSR). Messages about adaptation, resilience, solidarity, and self-reflection are presented to encourage public engagement in understanding the dynamics of the city and the social issues that are inherent to it. Both murals serve as a medium for social learning that strengthens Semarang's cultural identity and builds a dialogical relationship between artists, the community, and public spaces.
DESIGNING THE IDENTITY OF THE VISUAL ART CENTER PURWOREJO AS A VISUAL COMMUNICATION MEDIUM Aida Arifiani, Aida Arifiani; Andreas Slamet Widodo, Andreas Slamet Widodo
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.38149

Abstract

Purworejo is a regency in Central Java that has one of the tourism and creative economy sectors that carries the concept of heritage and sustainability, namely the Art Center. The Art Center is a means of education, conservation, and showroom for all artists in Purworejo Regency. However, its visual identity has not been optimal until now. Therefore, design is needed to create a strong and consistent visual identity to support the image of the creative area at the regency level and in line with SDGs point 11, namely sustainable cities and communities. This research uses the design thinking design method with the stages of the process of emphatize, define, ideate, prototype and test with Charles S Pierce's semiotic analysis. The main idea of ​​the design comes from the local potential of Purworejo, namely the Kaprajan Batik motif which is applied to the main media in the form of a Graphic Standard Manual. Through this design, it is expected to be able to create an attractive visual identity and foster visitors' interest in coming to the Art Center.
ANXIETY DISORDER AS AN INSPIRATION FOR CREATING PAINTINGS Fanaza Apay Armita
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.38648

Abstract

This article explores how anxiety disorder functions as a conceptual and emotional foundation in contemporary painting, particularly within the artist’s personal creative practice. The study examines how persistent worry, social discomfort, emotional sensitivity, and intrusive thoughts can be transformed into symbolic visual elements through a studio-based method. By observing internal emotional experiences and translating them into sketches, compositions, and painterly experimentation, the artworks reveal expressive figures, confined spaces, repeated eye motifs, and contrasting color arrangements that reflect the complex psychological atmosphere of anxiety. The findings demonstrate that painting becomes not only a medium for aesthetic expression but also a reflective and therapeutic space where internal conflict can be processed, reinterpreted, and communicated. This research concludes that anxiety disorder can enrich artistic creation by generating emotionally charged visual narratives that resonate deeply with both the artist and the audience.

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