cover
Contact Name
Anna Tambunan
Contact Email
linguistica@unimed.ac.id
Phone
-
Journal Mail Official
linguistica@unimed.ac.id
Editorial Address
Fakultas Bahasa dan Seni Universitas Negeri Medan Jl. Willem Iskandar Psr. V Medan Estate 20221
Location
Kota medan,
Sumatera utara
INDONESIA
Linguistica
ISSN : 23015152     EISSN : 26557517     DOI : 10.24114
LINGUISTICA Journal is a quarterly publication presenting articles on Linguistics. The contents include analyses, studies, applications of theories, research reports and reviews
Articles 10 Documents
Search results for , issue "Vol 4, No 3 (2015): (JUL-SEP)" : 10 Documents clear
Feminism: Representation of Margaret and Kate in Sydney Sheldon’s Novel Master of the Game Yohana. RJ. Sihombing and I Wayan Dirgayasa
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6684

Abstract

This study deals with the feminism representation of Margaret and Kate in SydneySheldon’s novel Master of the Game. The objectives are to describe thedifferences and similarities of two woman characterizations namely Margaret andKate and to reveal the feminism value and varieties which are represented by thetwo characters. This study was conducted with the descriptive qualitative method.The source of data was Sydney Sheldon’s novel Master of the Game. The datawere collected by the documentary technique and the instruments weredocumentary sheets. The data which were derived with the feminism analysisshow that each character is differently presented in the novel. The study resultsthat (1) The two characters appear dominantly divergent. Margaret is powerlessand obedient woman whereas Kate is powerful and rebellious woman. (2) Thefeminism values presented in their each work (career), relationship and family.Margaret represents the woman who is not a professional business woman andstays with old fashioned mannered woman, she is a true lover fighting for her loveadmission and she is controlled by her father with patriarchal values supposingher to do chores. Meanwhile Kate is a master of business without manner butbrain, she is a true lover striking to be loved and she is a woman living out ofman’s control and with obsession (3) The varieties of feminism are differentlyshown by the treatments and behaviors of the two characters. Margaretdominantly represents the Liberal feminism in which she fights to be equal withthe man whereas Kate tends to present development feminism as she leads anddoes more than man.
LOGICO-SEMANTIC RELATION IN SRI MULYANI INDRAWATI’S SPEECH Muliani and Juli Rachmadani Hasibuan
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6678

Abstract

This study deals with logico-semantic relation in Sri Mulyani Indrawati’s speech.The objectives of this study were to describe the logico-semantic type and howlogico-semantic used in the speech. This study was conducted by usingdescriptive qualitative. The data of this study were clause complexes found in theSri Mulyani’s speech. There were 142 clause complexes as the sample. Based onthe analysis, it was found that only eight of ten types of logico-semantic wereused in Sri Mulyani’s speech. The types that were not found are ParatacticLocution and Paratactic Idea. The most occurrence type of logico-semantic wasParatactic Extension (26.76%). Then followed by Hypotactic Enhancement(23.23%), Hypotactic Elaboration (21.12%), Hypotactic Extension (19.01%),Paratactic Elaboration (4.92%), Paratactic Enhancement (2.81%), Hypotactic Idea(1.41%), and Hypotactic Locution (0.71%). For the use of paratactic extension asthe most used by Sri Mulyani indicates that she presented her ideas by adding,varying, and replacing the messages by using the conjunctions and, but, and or.
SLANGS IN BEYONCE KNOWLES’ SONGS Christina Septiani Manurung and Elia Masa Gintings
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6683

Abstract

This study is based on sociolinguistics problems. It deals with the use of slang.The writer focuses on Beyonce Knowles’s songs lyrics as the scope of data. Theobjectives of the study were to find out the types of slang are used in BeyonceKnowles’ songs and to reason for the use of the types of slang in BeyonceKnowles’ songs. The data that support this study by using descriptive qualitativedata by reading some references related to the subject matters. The findingsshowed Abbreviation and Baby’s Expression slang were found in each lyrics ofBeyonce Knowles songs. There weren’t found Grammatical slang in two songslyrics among ten songs, nor the Words Repetition, there weren’t found in foursongs lyrics. The writer concluded that Abbreviation is the most dominant type ofslang found in Beyonce Knowles’ songs.
ENGLISH-INDONESIAN TRANSLATION EQUIVALENCE OF VERBS FOUND IN DESPICABLE ME MOVIE Swari Fadhillah and Lidiman Sahat Martua Sinaga
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6679

Abstract

This research focused on translation equivalence of verbs found in Despicable MeMovie. The research was conducted by using qualitative method. The source ofdata was collected from the movie script and its translation in Indonesian, and thedata was limited on the verbs.The objective of the study are to find out the type oftranslation equivalence in Despicable Me Movie script and its translation, themost dominant type of equivalence found in the movie script and its translation,and the naturalness of expression in the translation of movie script. The data wasanalyzed based on Nida (McGuire, 1991) theory about translation equivalence.There are two types of equivalences, they are: (1) Formal Equivalence, whichfocus attention on the message itself, in both form and content, and (2) D-Etranslation, which is based upon the principle of equivalence effect.
NOUN FORMATION IN PAKPAK LANGUAGE Cinta Laswarna Berutu and Zainuddin
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6685

Abstract

This study deals with Noun Formation in Pakpak Language. The objectives of thisstudy are to find and describe the noun formation in Pakpak language. Themethod of this research is library research by reading some books related to thisstudy, this research was conducted by descriptive qualitative research method.The data of this research are taken from two sources, namely: from Folklorewritten in Pakpak language and from short story written in Pakpak language. Thetechnique of analyzing data is documentary technique, the researcher usedHockett and Robin theory which is developed by Kridalaksana to analyze the dataand found that there are four types of affixation used in folklore and short storywritten in Pakpak language. The four types of affixation are: (1). prefix (19, 19%),(2). infix (10, 10%), (3). suffix (36, 36%), (4). confix (34, 34%). Noun formationin Pakpak language not only caused by attached an affix but also by reduplicationprocess, the researcher found that there are five types of reduplication used infolklore and short story in Pakpak language, they are: reduplication of a wholebasic form, reduplication which is basically just repeating the root, reduplicationwhich is change the phoneme (phoneme variation), reduplication through theprocess of adding affixes and compound reduplication. The researcher also foundthe rules of morphophonemic used in Pakpak language, phonological assimilationand phonological addition. As the result, there are four types of affixation informing noun in Pakpak language.
PRESUPPOSITION USED IN VOICE OVER OF TANGKIS PROGRAM ON INEWS TV MEDAN Amirul Mukmin Nasution and Elia Masa Gintings
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6680

Abstract

This research focused on presupposition used in Voice Over of Tangkis programon Deli TV (now iNews TV). This research conducted by using descriptivequalitative in which the writer describes and analyze the meaning of the script of anews. The data were taken from voice over of Tangkis program on Deli TV. Thefindings shown that there were 305 utterances contained five from six types ofpresupposition. The result of this research show that voice over of Tangkisprogram on Deli TV tends to use Existential Presupposition (72%), FactivePresupposition (5%), Lexical Presupposition (6%), Non-Factive Presupposition(12%), and Counterfactual Presupposition (5%). The dominant type is ExistentialPresupposition, which means that the voice over purposed to tell the reader a newsthat happening to somebody especially crime such as murder and accident.
THE ANTIHERO IN CHBOSKY’S THE PERKS OF BEING A WALLFLOWER MOVIE Dinda Siti Rodiyanti Pane and Sri Minda Murni
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6676

Abstract

This study deals with the antihero in Chbosky’s The Perks of Being a Wallflowermovie. The objectives of this study are to find out antihero characterizations of themain character and to describe the author’s ways to present antiherocharacterizations. Descriptive qualitative method was applied in analyzing thedata and documentary technique was used in order to help collect the data relatedto the topic. The analysis shows that Charlie Kelmeckis as the main character ofthe movie is considered as an antihero as he owns four antihero characterizations;(a) Passive, (b) Dishonest, (c) Lonely, (d) Fragile. In presenting thosecharacterizations, the author used telling method and showing method.
ELLIPIS IN OCEAN’S ELEVEN MOVIE Ester Br. Tarigan and Immanuel Prasetya Gintings
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6681

Abstract

This study deals with ellipsis in Ocean’s Eleven movie. The objectives of this studyare to describe the types of ellipsis and the cause of ellipsis within the movie. themethod of research is library research by reading some books related to this study.The data of this research are divided into 2, the data for research problem no. 1 aretaken from conversation that have been chosen from some scenes and the data forresearch problem no. 2 are taken from transcript of characters of different profession(robbers and entrepreneurs). The technique of analyzing data is documentarytechnique, for research problem no. 1 the techniques are identifying the data,classifying the data and counting the occurrence of ellipsis and for research problemno.2 the techniques are identifying the data, counting the number of ellipsis by eachprofession and finding out the cause of ellipsis. The findings of research problemno.1 showed that the three types of ellipsis are used in the movie namely: (1).Nominal ellipsis (34.8%), (2). Verbal ellipsis (2.2%), (3). Clausal ellipsis (63,0%).The findings of research problem no.2 showed that the use of ellipsis by the robbersis about (64%) and the entrepreneur is about (36%). By this finding can be concludedthat ellipsis can be caused by one’s profession related to the purpose.
SPEECH FUNCTION IN THE WITHDRAWAL SPEECH OF PRABOWO-HATTA ON THE INDONESIA PRESIDENTIAL ELECTION 2014-2019 Hasbi Ramadhan and Meisuri
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6677

Abstract

The study deals with the types of speech function used in the withdrawal speechof Prabowo-Hatta on the Indonesia presidential election 2014-2019. Theobjectives of this research were to find out the types of speech function and todescribe the implication of the most dominant type of speech function. Thisresearch was conducted by using descriptive qualitative design. The data were 55clauses taken from the withdrawal speech of Prabowo-Hatta on the Indonesiapresidential election 2014-2019 which were collected by applying documentarytechnique. The three types of speech function occurred in this speech, namelystatement (87,3%) , offer (1,8%), and command (10,9%). The most dominant typeof speech function was statement. The implication of using statement dominantlywas Prabowo-Hatta can declare all of aspects that they consider as their evidencesthat to prove their argumentation to withdraw from Indonesia presidential election2014-2019. The dominant statement also made more powerful speech to influencethe public opinion that will realize Prabowo-Hatta has already known about theincident occurred in Indonesia Presidential Election 2014-2019. It can beillustrated through the use of statement by Prabowo-Hatta that is in a practiceconsidered as a representative of a power to state a strong degree of certainty.
SIMILE IN AT FIRST SIGHT NICHOLAS SPARKS’S NOVEL Elsabat Lumbantoruan and Sumarsih
LINGUISTICA Vol 4, No 3 (2015): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v4i3.6682

Abstract

This study is concerned with simile in At First Sight novel. This study wasconducted by using descriptive qualitative design as the research method. Theobjectives of this study were to find out the types of simile used based on Hassanand Halliday’s theory and the reason for using simile in At First Sight novel. Thedata of this research were 272 sentences signed with simile that occured in AtFirst Sight novel. The research findings were four types of simile, they were“like” (119), “as if” (69), “as” (66), “as...as” (18), and five reasons were: toenhance all words by adding portrayal and original, to offer personal experienceand emotional hook, to make the sentences more creatively and shorter, to addgreat depth and imagery, and to create a powerful mental pictures

Page 1 of 1 | Total Record : 10


Filter by Year

2015 2015


Filter By Issues
All Issue Vol. 14 No. 4 (2025): LINGUISTICA OCTOBER 2025 Vol. 14 No. 3 (2025): LINGUISTICA JULY 2025 Vol. 14 No. 2 (2025): LINGUISTICA APRIL 2025 Vol. 14 No. 1 (2025): LINGUISTICA JANUARY 2025 Vol. 13 No. 4 (2024): LINGUISTICA OCTOBER 2024 Vol 13, No 3 (2024): JULI 2024 Vol. 13 No. 3 (2024): JULI 2024 Vol 13, No 2 (2024): APRIL 2024 Vol. 13 No. 2 (2024): APRIL 2024 Vol. 13 No. 1 (2024): JANUARY 2024 Vol 13, No 1 (2024): JANUARY 2024 Vol 12, No 4 (2023): OCTOBER 2023 Vol 12, No 3 (2023): JULY 2023 Vol 12, No 2 (2023): APRIL 2023 Vol 12, No 1 (2023): JANUARY 2023 Vol 11, No 3 (2022): JULY-OCTOBER 2022 Vol 11, No 2 (2022): APRIL-JUNE 2022 Vol 11, No 1 (2022): JAN-MAR 2022 Vol 11, No 1 (2022): JAN-MARCH 2022 Vol 10, No 4 (2021): Vol. 10, No. 4 (2021): OCT-DEC 2021 Vol 10, No 3 (2021): Vol. 10, No. 3 (2021) : JULY-SEPTEMBER 2021 Vol 10, No 2 (2021): Vol. 10, No. 2 (2021): APRIL-JUNE 2021 Vol 10, No 1 (2021): Vol. 10, No. 1 (2021): JAN-MARCH 2021 Vol 9, No 4 (2020): Vol. 9, No. 4 (2020): OKT-DES 2020 Vol 9, No 3 (2020): Vol. 9, No. 3 (2020): JUL-SEPT 2020 Vol 9, No 2 (2020): Vol. 9, No. 2 (2020) Vol 9, No 1 (2020): JAN - MARCH Vol 8, No 4 (2019): Vol 8, No. 4 (2019): (OKT-DES) Vol 8, No 3 (2019): Vol 8, No 3 (2019): (JUL - SEPT) Vol 8, No 2 (2019): Vol. 8, No. 2 (2019): (APR-JUN) Vol 8, No 1 (2019): JAN-MARCH Vol 7, No 4 (2018): (OCT-DEC) Vol 7, No 3 (2018): (JUL-SEP) Vol 7, No 2 (2018): (APR-JUN) Vol 7, No 1 (2018): (JAN-MARCH) Vol 6, No 4 (2017): (OCT-DEC) Vol 6, No 3 (2017): (JUL-SEP) Vol 6, No 2 (2017): (APR-JUNE) Vol 6, No 1 (2017): (JAN-MARCH) Vol 5, No 4 (2016): (OCT-DEC) Vol 5, No 3 (2016): (JUL-SEP) Vol 5, No 2 (2016): (APR-JUNE) Vol 5, No 1 (2016): (JAN-MARCH) Vol 4, No 4 (2015): (OCT-DEC) Vol 4, No 3 (2015): (JUL-SEP) Vol 4, No 2 (2015): (APR-JUNE) Vol 4, No 1 (2015): (JAN-MARCH) Vol 3, No 4 (2014) Vol 3, No 3 (2014) Vol 3, No 2 (2014) Vol 3, No 1 (2014) Vol 2, No 4 (2013) Vol 2, No 3 (2013) Vol 2, No 2 (2013) Vol 2, No 1 (2013) Vol 1, No 2 (2012) Vol 1, No 1 (2012) More Issue