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Editorial Office TAMA Journal of Visual Arts Faculty of Arts and Design Universitas Sebelas Maret (UNS), Gedung Edi Sudadi - Maryono (Gedung IV) Jalan Ir. Sutami No. 36A Kentingan, Jebres, Surakarta 57126
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Tama: Journal of Visual Arts
Published by Universitas Sebelas Maret
ISSN : -     EISSN : 29880572     DOI : https://doi.org/10.61405/9arp2b98
Core Subject : Humanities, Education, Art,
Arts Humanities Education
TAMA Journal of Visual Arts is published by the Faculty of Art and Design Universitas Sebelas Maret (UNS). The journal is published twice a year, providing a space for academics, researchers and art and design practitioners to convey their ideas and thoughts. We encourage breakthroughs in practice and critical thinking that contribute positively to developing science, knowledge and practice in art and design. The journal accepts high-quality and original writing in the form of research or propositional articles, either practical or theoretical thinking. To be considered for inclusion in the publication, articles can discuss the following topics (but are not limited to): a) Fine Arts, including Painting, Sculpture, Graphic Arts, Crafts, Pottery, Film, and Multimedia Arts. b) Design, including Visual Communication Design, Interior and Space Design, Fashion Design, Textile Design, Industrial Design, Product Design, Service Design, and Interaction Design. c) Conceptual themes, including Aesthetic, Visual Culture, Design Culture, Social Design, Sustainable Design, Participatory Art, Strategy and Innovation, Entrepreneurship, and Creative Economy. d) Art and design education. We also consider special issues with guest editors and themes. Special issues could come from proposal submissions or certain art and design conference presentations. Please note that this journal only publishes articles in English.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 30 Documents
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Omah Kaktus Interior Design With Biophilic Concept In Bandung: English Fitri Marati Sholihah; Pandu Purwandaru
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/4wxmhc59

Abstract

Omah Kaktus interior design is an educational facility that provides a facility or place that can accommodate and facilitate cactus cultivation business activities for MSMEs and cactus farmers. Aims as an attractive educational and tourist facility for the community, especially in the city of Bandung. This facility is expected to be an educational facility that is able to accommodate cactus cultivation and management of the benefits of cactus by providing various information, education and recreation for visitors. The formulation of the problem of this design is how the interior design of Omah Katkus can be an economic driver facility for the local community and tourism that is attractive to visitors and can provide a variety of information, education, and recreation for visitors with a biophilic concept that creates rooms in buildings that have a natural impression and foster positive relationships between humans and nature. The purpose of this design is to meet the needs of educational facilities and economic drivers as well as recreational facilities, or can be called edu-tourism, which has workshop facilities, galleries, souvenir shops, cactus gardens, laboratories, and cafeterias. This facility is a public facility that targets the public, cactus farmers, and SMEs. The design location is in Lembang District, West Bandung Regency, West Java. which is an MSME area for cactus sales by local residents.
Interior Design of Omah Herbal Educational Tourism with Islamic Garden Concept in Kudus Ananda Adityo Putri; Silfia Mona Aryani
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/knhyb365

Abstract

Omah Herbal is designed as a place for the community that provides education and recreation as well as conservation about medicinal plants. Indonesia boasts a very high biodiversity, resulting in a significant potential for the growth of medical plants. The utilization of medicinal plants as health maintenance needs to be developed because it does not cause harmful side effects compared to modern medicine, but people are less interested and do not know how to maintain medicinal plants. In addition, there is no facility that can support the delivery of information and education that is attractive to the community. By using the Islamic Garden concept, it is felt that it is in accordance with the characteristics of Kudus Regency, the facilities provided can optimize the five human senses so that it is more interactive with visitors or the community.
Li Ziqi's Chinese Idyllic Dream - Analysis of the Symbolic Characteristics of Vernacular Culture from Symbolic Aggregation Theory/Semiotic Theory Qu, Yanrong
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/0vss6313

Abstract

Li Ziqi is a video blogger who shares his daily life in the Chinese countryside on YouTube. Within his videos, he covers typical vernacular cultural topics such as Chinese countryside life, traditional food preparation, family records, and Chinese seasonal life. The popularity of Li Ziqi on YouTube highlights the cultural interoperability of human idyllic dreams. This study aims to use Roland Barthes' semiotic approach to analyze the invisible and explicit messages in the videos of Li Ziqi's channel and explain the symbolic features of vernacular culture embedded behind them.
Development of  Eco-Friendly and Child Oriented Concepts in the Interior Design of Jakarta’s Child-Friendly Public Spaces Shirly Angela; Purwaningrum, Lu’lu’
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/x5y4yq48

Abstract

As a downtown area with high population density, the Jakarta City Government is committed to creating an interior Child Friendly Integrated Public Space (RPTRA) with the concept of a safe and supportive environment for children in urban areas. With an increasing population, Jakarta needs more RPTRAs for effective educational facilities for children's growth and development. The Interior Design of RPTRA in Jakarta was created to respond to parents' concerns about the lack of adequate educational facilities. The Eco Friendly concept is applied to create an interior environment that supports children's well-being by integrating natural elements and eco-friendly materials. The research method involves a literature study to understand the concept of Eco Friendly and children's interior design needs, as well as site analysis and case studies of RPTRAs in Jakarta. The result is an RPTRA interior design that prioritizes building according to green building standards, utilizing used materials that are still suitable for interior elements, and child-friendly sensory stimulation, with a focus on natural elements such as plants visually, and the use of natural lighting. The design also considers the flexibility of the space to support children's various educational, rehabilitative, and recreational activities. It is hoped that the implementation of this design will create an engaging learning experience and increase children's awareness of the importance of education.
Interior Design of Batak Cultural Center With The Implementation Of Batak Toba Gorga In Medan City Pangaribuan, Stefani
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/ymen9773

Abstract

Traditional culture, including Batak culture, is increasingly being overshadowed by modern influences. Medan City, which has the largest Batak population in Indonesia, still lacks a cultural center that truly represents Batak heritage. Furthermore, the relocation of the North Sumatera Cultural Park to PRSU has resulted in limited accessibility and functionality. To support cultural preservation efforts, establishing a Batak Cultural Center in Medan City is essential. The design of this cultural center incorporates the design programming method by David K. Ballast and the pictorial transformation approach by Anthony Anthodias, adapting the Batak Toba Gorga carvings and the Tiga Bolit color scheme. This cultural center aims to provide a representative space and foster greater appreciation of Batak culture among younger generations.
Limas Home Interior Design Conservation Served as A Cultural Heritage In The Balaputra Dewa Museum Hall Palembang Nugrahani, Margareth Trevina; Widayat, Rahmanu
TAMA: Journal of Visual Arts Vol. 3 No. 2 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO. 2 DESEMBER 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/scpmnf90

Abstract

With the advancement of time and rapid urbanization, many traditional houses have suffered damage or been abandoned. One region in Indonesia renowned for its history and heritage is the city of Palembang, the oldest city in Indonesia. As the oldest city, Palembang holds a wealth of historical sites and artifacts, including traditional Palembang houses known as limas house. According to historical records, there are approximately 200–300 limas house in Indonesia. Preserving these houses is essential as they strengthen the regional identity of Palembang and contribute to its uniqueness. This study aims to assess the interior design compatibility of limas house at the Balaputra Dewa Museum with the criteria of heritage buildings and to evaluate the conservation efforts applied to the interior design of limas house as a cultural heritage object in the Balaputra Dewa Museum area. The research employs a descriptive qualitative method with a case study approach. The results indicate that the limas house employs five out of six types of building conservation. However, there have been errors in installing some structural components of the limas house, and several parts remain damaged. Despite this, the values and functions of the limas house interior design as a cultural heritage remain intact. The interior design of the limas house at the Balaputra Dewa Museum aligns with cultural heritage building criteria based on cultural heritage parameters. Nevertheless, the conservation efforts for the limas house in the Balaputra Dewa Museum area are considered suboptimal in implementation.   Keywords : Balaputra Dewa, Conservations, Interior Design, Limas House.
Revitalization of a Futuristic Smart Bus Station: K.H. Ahmad Sanusi Sukabumi Andika Nugroho, Muhamad; Studyanto, Anung B.
TAMA: Journal of Visual Arts Vol. 3 No. 2 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO. 2 DESEMBER 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/2tkacm67

Abstract

Along with the increasing population growth every year which has a variety of economic and social activities, it causes an increasing demand for development, repair, and improvement of infrastructure and services that support the increasing mobility of the population. One of the important roles in supporting the movement of population mobility is the terminal. As an effort to support the smooth mobility of the population, a terminal is needed that is feasible and able to adjust its carrying capacity to the development of the surrounding area. Type A Bus Terminal K.H. Ahmad Sanusi Sukabumi City is the only bus terminal in Sukabumi City. The K.H. Ahmad Sanusi Sukabumi Terminal is a vital infrastructure for the transportation system in Sukabumi City and plays an important role in the mobility of the population and economic development of the region. However, this terminal is still not less feasible as a type A terminal and still has several other problems such as flow problems that make the circulation of people and goods unclear and the division of zones in the terminal which is still not firm, as well as the lack of cleanliness and comfort in the terminal so that improvement efforts are needed to ensure that the K.H. Ahmad Sanusi Sukabumi Terminal is able to serve and support various activities in it Optimal. Therefore, to overcome all the problems that exist in the K.H. Ahmad Sanusi Sukabumi Bus Terminal and in line with the development of increasingly modern technology, applying the concept of smart bus station to the K.H. Ahmad Sanusi Sukabumi Bus Terminal is very relevant. In addition to being able to overcome the problems found in the K.H. Ahamad Sanusi Sukabumi Bus Terminal, the implementation of smart bus stations can support economic and creative growth. Keywords : Sukabumi, Terminal, Smart bus station
Interior Design of Contemporary Triennial Art Museum with Terrace Theme: Case Study at Rice Field Areas in Sabrang Village, Delanggu. Sekarini Putri, Bilqis; Purwandaru, Pandu
TAMA: Journal of Visual Arts Vol. 3 No. 2 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO. 2 DESEMBER 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/s1570e03

Abstract

The agricultural sector in Indonesia faces serious challenges, including the farmer regeneration crisis and the loss of local variety identity. Sabrang Village, with its rich agricultural potential, is the focus of revitalization. The contemporary triennial art museum is considered an appropriate strategy to attract tourists and revive the cultural value of agriculture. This design aims to design the interior design of a contemporary triennial art museum that can revitalize the agricultural area in Sabrang Village, increase the interest of the younger generation in the agricultural sector, preserve local cultural values ​​and identity, and become a forum for the development of contemporary art. The methodology used is qualitative with a case study approach. Data collection was carried out through observation, interviews, and literature studies. The data obtained were then analyzed descriptively to produce an interior design based on the context and objectives of the study. The results of the study produced an interior design concept with a terraced theme. The facilities designed include an exhibition area, workshop, public hall, office, merchandise store, and support area. This design is expected to create a dynamic, inspiring, and sustainable space, as well as a magnet for tourists and artists.  
The Arts and Biocultural Diversity: Further Ideas Butler, Diane
TAMA: Journal of Visual Arts Vol. 3 No. 2 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO. 2 DESEMBER 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/fd3c5t39

Abstract

The invitation to come to Universitas Sebelas Maret in Surakarta, Central Java to give a talk for a very important 1st Conference on Visual Art, Design, and Social Humanities (CONVASH), convened by the Faculty of Fine Arts and Design on 2 November 2019, offered an opportunity to return to a subject that I believe is central for addressing nearly all issues which challenge us now and will in the future: biocultural diversity. In 2017, for the International Conference on Biodiversity convened in Bali by Masyarakat Biodiversitas Indonesia and Universitas Sebelas Maret, Surakarta, I urged scientists to work with artists so that the arts can be more sufficiently acknowledged, documented and explained in terms of the connections between cultural and biological diversity. The present paper puts forth further ideas about how artists can work with scientists to develop interdisciplinary practice-based methods for enhancing beneficial human-nature relationships. Keywords: arts, biocultural diversity, cultural creativity, practice-based methods, tangible and intangible cultural heritage  
Visual Discourse Analysis of Zohran Mamdani's Campaign in New York: Urban Aesthetics and Shifts in Political Representation Kholis, Achmad Nur; Nidya Kinasih, Afusa
TAMA: Journal of Visual Arts Vol. 3 No. 2 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO. 2 DESEMBER 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/9a4wnt57

Abstract

Contemporary political communication shows a significant shift towards the dominance of visual culture, especially in the context of political campaigns in metropolitan areas. Visuals no longer function as supporting elements, but as the main medium in shaping images, social relations, and political discourse. This study aims to analyze the visual strategies of Zohran Mamdani's campaign in the 2025 New York City mayoral election using the Grammar of Visual Design framework. This study uses a descriptive qualitative approach with visual analysis methods on campaign materials in the form of posters, digital content, and graphic designs published through the campaign's official online media. The results show that Mamdani's campaign shifts the center of political meaning from the dominance of the candidate's figure to a collective representation based on the city's identity and urban experience. Representational analysis shows that the city is positioned as the main political subject, while the candidate's figure is subordinated in a broader visual system. In the interactive and compositional dimensions, an egalitarian relationship between candidates and voters is built through non-authoritative gazenon, equal social distance, and the dominance of design structures such as color, typography, and layout. These findings show that visual design operates as an active political actor in shaping urban political discourse. This research contributes to the study of Visual Communication Design by positioning political campaign design as a cultural practice that produces meaning, social relations, and political ideology. Keywords: visual political communication, campaign design, Grammar of Visual Design, urban identity, Zohran Mamdani

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