cover
Contact Name
Desy Nurcahyanti
Contact Email
tama.jva@mail.uns.ac.id
Phone
+62895425500990
Journal Mail Official
tama.jva@mail.uns.ac.id
Editorial Address
Editorial Office TAMA Journal of Visual Arts Faculty of Arts and Design Universitas Sebelas Maret (UNS), Gedung Edi Sudadi - Maryono (Gedung IV) Jalan Ir. Sutami No. 36A Kentingan, Jebres, Surakarta 57126
Location
Kota surakarta,
Jawa tengah
INDONESIA
Tama: Journal of Visual Arts
ISSN : -     EISSN : 29880572     DOI : https://doi.org/10.61405/9arp2b98
TAMA Journal of Visual Arts is published by the Faculty of Art and Design Universitas Sebelas Maret (UNS). The journal is published twice a year, providing a space for academics, researchers and art and design practitioners to convey their ideas and thoughts. We encourage breakthroughs in practice and critical thinking that contribute positively to developing science, knowledge and practice in art and design. The journal accepts high-quality and original writing in the form of research or propositional articles, either practical or theoretical thinking. To be considered for inclusion in the publication, articles can discuss the following topics (but are not limited to): a) Fine Arts, including Painting, Sculpture, Graphic Arts, Crafts, Pottery, Film, and Multimedia Arts. b) Design, including Visual Communication Design, Interior and Space Design, Fashion Design, Textile Design, Industrial Design, Product Design, Service Design, and Interaction Design. c) Conceptual themes, including Aesthetic, Visual Culture, Design Culture, Social Design, Sustainable Design, Participatory Art, Strategy and Innovation, Entrepreneurship, and Creative Economy. d) Art and design education. We also consider special issues with guest editors and themes. Special issues could come from proposal submissions or certain art and design conference presentations. Please note that this journal only publishes articles in English.
Articles 25 Documents
Omah Kaktus Interior Design With Biophilic Concept In Bandung: English Fitri Marati Sholihah; Pandu Purwandaru
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/4wxmhc59

Abstract

Omah Kaktus interior design is an educational facility that provides a facility or place that can accommodate and facilitate cactus cultivation business activities for MSMEs and cactus farmers. Aims as an attractive educational and tourist facility for the community, especially in the city of Bandung. This facility is expected to be an educational facility that is able to accommodate cactus cultivation and management of the benefits of cactus by providing various information, education and recreation for visitors. The formulation of the problem of this design is how the interior design of Omah Katkus can be an economic driver facility for the local community and tourism that is attractive to visitors and can provide a variety of information, education, and recreation for visitors with a biophilic concept that creates rooms in buildings that have a natural impression and foster positive relationships between humans and nature. The purpose of this design is to meet the needs of educational facilities and economic drivers as well as recreational facilities, or can be called edu-tourism, which has workshop facilities, galleries, souvenir shops, cactus gardens, laboratories, and cafeterias. This facility is a public facility that targets the public, cactus farmers, and SMEs. The design location is in Lembang District, West Bandung Regency, West Java. which is an MSME area for cactus sales by local residents.
Interior Design of Omah Herbal Educational Tourism with Islamic Garden Concept in Kudus Ananda Adityo Putri; Silfia Mona Aryani
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/knhyb365

Abstract

Omah Herbal is designed as a place for the community that provides education and recreation as well as conservation about medicinal plants. Indonesia boasts a very high biodiversity, resulting in a significant potential for the growth of medical plants. The utilization of medicinal plants as health maintenance needs to be developed because it does not cause harmful side effects compared to modern medicine, but people are less interested and do not know how to maintain medicinal plants. In addition, there is no facility that can support the delivery of information and education that is attractive to the community. By using the Islamic Garden concept, it is felt that it is in accordance with the characteristics of Kudus Regency, the facilities provided can optimize the five human senses so that it is more interactive with visitors or the community.
Li Ziqi's Chinese Idyllic Dream - Analysis of the Symbolic Characteristics of Vernacular Culture from Symbolic Aggregation Theory/Semiotic Theory Qu, Yanrong
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/0vss6313

Abstract

Li Ziqi is a video blogger who shares his daily life in the Chinese countryside on YouTube. Within his videos, he covers typical vernacular cultural topics such as Chinese countryside life, traditional food preparation, family records, and Chinese seasonal life. The popularity of Li Ziqi on YouTube highlights the cultural interoperability of human idyllic dreams. This study aims to use Roland Barthes' semiotic approach to analyze the invisible and explicit messages in the videos of Li Ziqi's channel and explain the symbolic features of vernacular culture embedded behind them.
Development of  Eco-Friendly and Child Oriented Concepts in the Interior Design of Jakarta’s Child-Friendly Public Spaces Shirly Angela; Purwaningrum, Lu’lu’
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/x5y4yq48

Abstract

As a downtown area with high population density, the Jakarta City Government is committed to creating an interior Child Friendly Integrated Public Space (RPTRA) with the concept of a safe and supportive environment for children in urban areas. With an increasing population, Jakarta needs more RPTRAs for effective educational facilities for children's growth and development. The Interior Design of RPTRA in Jakarta was created to respond to parents' concerns about the lack of adequate educational facilities. The Eco Friendly concept is applied to create an interior environment that supports children's well-being by integrating natural elements and eco-friendly materials. The research method involves a literature study to understand the concept of Eco Friendly and children's interior design needs, as well as site analysis and case studies of RPTRAs in Jakarta. The result is an RPTRA interior design that prioritizes building according to green building standards, utilizing used materials that are still suitable for interior elements, and child-friendly sensory stimulation, with a focus on natural elements such as plants visually, and the use of natural lighting. The design also considers the flexibility of the space to support children's various educational, rehabilitative, and recreational activities. It is hoped that the implementation of this design will create an engaging learning experience and increase children's awareness of the importance of education.
Interior Design of Batak Cultural Center With The Implementation Of Batak Toba Gorga In Medan City Pangaribuan, Stefani
TAMA: Journal of Visual Arts Vol. 3 No. 1 (2025): TAMA: JOURNAL OF VISUAL ART VOLUME 3 NO.1 APRIL 2025
Publisher : Faculty Of Arts and Design Sebelas Maret University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61405/ymen9773

Abstract

Traditional culture, including Batak culture, is increasingly being overshadowed by modern influences. Medan City, which has the largest Batak population in Indonesia, still lacks a cultural center that truly represents Batak heritage. Furthermore, the relocation of the North Sumatera Cultural Park to PRSU has resulted in limited accessibility and functionality. To support cultural preservation efforts, establishing a Batak Cultural Center in Medan City is essential. The design of this cultural center incorporates the design programming method by David K. Ballast and the pictorial transformation approach by Anthony Anthodias, adapting the Batak Toba Gorga carvings and the Tiga Bolit color scheme. This cultural center aims to provide a representative space and foster greater appreciation of Batak culture among younger generations.

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