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Hadrianus Tedjoworo
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Department of Philosophy, Parahyangan Catholic University, Jl. Nias 2, Bandung 40117, Indonesia
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Melintas An International Journal of Philosophy and Religion
Published by Universitas Katolik Parahyangan
ISSN : 08520089     EISSN : 24068098     DOI : https://doi.org/10.26593
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The aim of this Journal is to promote a righteous approach to exploration, analysis, and research on philosophy, humanities, culture and anthropology, phenomenology, ethics, religious studies, philosophy of religion, and theology. The scope of this journal allows for philosophy, humanities, philosophy of culture and anthropology, phenomenological philosophy, epistemology, ethics, business ethics, philosophy of religion, religious studies, theology, dogmatic theology, systematic theology, theology of sacrament, moral theology, biblical theology, and pastoral theology.
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 12 Documents
 1   2 
Search results for , issue "Vol. 26 No. 1 (2010)" : 12 Documents clear
Chronicles - April 2010 Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (217.171 KB) | DOI: 10.26593/mel.v26i1.912.105-124

Abstract

'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.
Images of the Church and the Christians' Imagination in Java Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (245.35 KB) | DOI: 10.26593/mel.v26i1.908.17-40

Abstract

We have reams of ideas about the church. We like to talk aboutthem, amazed by their resourcefullness. But these are ideas. When itis the ideas that are touched upon, the actors on the stage are not theordinary people. They are intellectuals; indeed, theologians. It is achurch-talk. However, when it comes down to the faithful, thechurch becomes churches. The ideas become images. The talkbecomes imagining. For Christians in Java, togetherness in thecircles of friends and families has always been an everydayness.And in this togetherness, what is spoken about is not the idea, butfirst of all the 'image' of a familial community. These people have alot of time to share how they can live their lives at each moment.They are not very much 'systematic' in their way of sharingexperiences, and they do not want to complicate things, for theyalready think that things have always been complicated enough inlife. Their simple hopes and concerns are always oriented towardsthe harmony of their community life. They imagine, interpret andevaluate many things, so as to find the relatedness of realities intheir togetherness. In this sense, this paper wants to capture thosemarvelous moments driven by the believers' imagination on the epistemological level of the believers' experience.
Mysticism Without Bounds: Perception of Space Chakravorty, Meera
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (137.121 KB) | DOI: 10.26593/mel.v26i1.909.41-51

Abstract

The idea of silence as experience and timely is unique because silence is healing and is essential for the time in which we live. The life and facts as lived by the vachana mystics and expressed in their songs and writings can help people of today dive deeper into their life’s mission. This expression of self-mystification has marked the different and distinctive angle of our symbolic world, i.e., its mystical space, and has promoted some concrete movements aimed at transformasion in the life’s mission of the people. Before being intellectual and cultural, the revolution might have been mystical thanks to the vachana mystics who are able to provoke discussions and debates about important issues in human’s life by broadening the life’s canvas and calling the devotees to cross the boundaries of space and time. In turn, we will be led towards the writing of the history of silence as the liberating perception of space.
Utopia, Heterotopia, and Mediatopia: Rethinking Foucault and Performativity in Krisna Murti’s Video Artworks Allo, Katherina; Piliang, Yasraf A.
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (164.606 KB) | DOI: 10.26593/mel.v26i1.910.53-62

Abstract

As the epoch of space confronts us with its multiplicity of networks, a new architectonics of space has begun to raise its own construction. Foucault’s terminology of utopia and heterotopia has covered the delineation of the other spaces, spaces which invert, mirror, suspend, and neutralize the real spaces of society. With the propagation of moving images into the space of our daily life, every space at any given moment can turn into an image of utopia as well as a construction of heterotopia. As Foucault says, now is the epoch of space, now is the time to re-value and re-define the contemporary space we live in.
Agama dan Sinema: Sebuah Dialog Interkultural Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.933 KB) | DOI: 10.26593/mel.v26i1.911.63-94

Abstract

A relation can be mapped between religion and cinema. More than a superficial discourse, this relation appears as an intercultural dialogue, a kind of reflective and critical dialogue. At the end of the ongoing conversation we eventually can hope that religion, as well as cinema, may remain as a quest and construction of meanings rooted in the day-to-day life, which is supposed to be very normal without being banal, vulgar without being filthy.
Novus as the Magnum Opus of the Musico-Spiritual Ministrations of Carlos Santana: An Appraisal of his Works Osai, Jason
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (181.256 KB) | DOI: 10.26593/mel.v26i1.907.1-16

Abstract

The music of Santana, arguably, magnificently embodies thevirtuosity and raw creativity of the sixties, seventies and eighties,the “cool” of the nineties and twenties and the oneness andspiritual essence of the human race. It has therefore demonstratedthe resilient capacity for continually reaching and sensitivelytouching successive generations of fans of multicultural extractionwith passionate musical idioms, which are a fusion ofrock, jazz, blues, soul and Latin and, therefore, serving a musicalmenu of multicultural melodic phraseology that is as unique as itis instantly identifiable, globally. From the sixties to the presentand utilizing personnel from variegated cultural and genre setting,Santana's music has become an event of global culture,transcending genre, crossing national boundaries and culturesand creating music that has emerged the soundtrack for the world.The paper subjects the works of Carlos Santana to critical analysis26.1.2010 [01-16]1covering the musical idioms and lyrical idiomatic expressions fromthe perspective of the universalism of his lyricism and opines thatthere is a religio-philosophical stream of thoughts that runsthrough his albums over a timeframe of more than three decades,from Santana I (1969) to Shaman (2002) from which “Novus” istaken. The paper opines that “Novus,” a song that suavelycombines canal love and the eternity of Divine Love, is the magnumopus of Santana's musical ministrations and mission in which he hasconsistently advocated harmony in humanity from the perspectiveof Mayan philosophies and shamanism. Same as his other workswith spiritual essence, “Novus,” transcends religion and touchesthe human spirit irrespective of color or creed, station or location.“Novus,” the paper concludes, is vintage Carlos Santana—themultidimensional spirit; it represents the quintessence of the man;it is his magnum opus and, therefore, valedictory.
Novus as the Magnum Opus of the Musico-Spiritual Ministrations of Carlos Santana: An Appraisal of his Works Osai, Jason
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v26i1.907.1-16

Abstract

The music of Santana, arguably, magnificently embodies thevirtuosity and raw creativity of the sixties, seventies and eighties,the “cool” of the nineties and twenties and the oneness andspiritual essence of the human race. It has therefore demonstratedthe resilient capacity for continually reaching and sensitivelytouching successive generations of fans of multicultural extractionwith passionate musical idioms, which are a fusion ofrock, jazz, blues, soul and Latin and, therefore, serving a musicalmenu of multicultural melodic phraseology that is as unique as itis instantly identifiable, globally. From the sixties to the presentand utilizing personnel from variegated cultural and genre setting,Santana's music has become an event of global culture,transcending genre, crossing national boundaries and culturesand creating music that has emerged the soundtrack for the world.The paper subjects the works of Carlos Santana to critical analysis26.1.2010 [01-16]1covering the musical idioms and lyrical idiomatic expressions fromthe perspective of the universalism of his lyricism and opines thatthere is a religio-philosophical stream of thoughts that runsthrough his albums over a timeframe of more than three decades,from Santana I (1969) to Shaman (2002) from which “Novus” istaken. The paper opines that “Novus,” a song that suavelycombines canal love and the eternity of Divine Love, is the magnumopus of Santana's musical ministrations and mission in which he hasconsistently advocated harmony in humanity from the perspectiveof Mayan philosophies and shamanism. Same as his other workswith spiritual essence, “Novus,” transcends religion and touchesthe human spirit irrespective of color or creed, station or location.“Novus,” the paper concludes, is vintage Carlos Santana—themultidimensional spirit; it represents the quintessence of the man;it is his magnum opus and, therefore, valedictory.
Images of the Church and the Christians' Imagination in Java Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v26i1.908.17-40

Abstract

We have reams of ideas about the church. We like to talk aboutthem, amazed by their resourcefullness. But these are ideas. When itis the ideas that are touched upon, the actors on the stage are not theordinary people. They are intellectuals; indeed, theologians. It is achurch-talk. However, when it comes down to the faithful, thechurch becomes churches. The ideas become images. The talkbecomes imagining. For Christians in Java, togetherness in thecircles of friends and families has always been an everydayness.And in this togetherness, what is spoken about is not the idea, butfirst of all the 'image' of a familial community. These people have alot of time to share how they can live their lives at each moment.They are not very much 'systematic' in their way of sharingexperiences, and they do not want to complicate things, for theyalready think that things have always been complicated enough inlife. Their simple hopes and concerns are always oriented towardsthe harmony of their community life. They imagine, interpret andevaluate many things, so as to find the relatedness of realities intheir togetherness. In this sense, this paper wants to capture thosemarvelous moments driven by the believers' imagination on the epistemological level of the believers' experience.
Mysticism Without Bounds: Perception of Space Chakravorty, Meera
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v26i1.909.41-51

Abstract

The idea of silence as experience and timely is unique because silence is healing and is essential for the time in which we live. The life and facts as lived by the vachana mystics and expressed in their songs and writings can help people of today dive deeper into their life’s mission. This expression of self-mystification has marked the different and distinctive angle of our symbolic world, i.e., its mystical space, and has promoted some concrete movements aimed at transformasion in the life’s mission of the people. Before being intellectual and cultural, the revolution might have been mystical thanks to the vachana mystics who are able to provoke discussions and debates about important issues in human’s life by broadening the life’s canvas and calling the devotees to cross the boundaries of space and time. In turn, we will be led towards the writing of the history of silence as the liberating perception of space.
Utopia, Heterotopia, and Mediatopia: Rethinking Foucault and Performativity in Krisna Murti’s Video Artworks Allo, Katherina; Piliang, Yasraf A.
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v26i1.910.53-62

Abstract

As the epoch of space confronts us with its multiplicity of networks, a new architectonics of space has begun to raise its own construction. Foucault’s terminology of utopia and heterotopia has covered the delineation of the other spaces, spaces which invert, mirror, suspend, and neutralize the real spaces of society. With the propagation of moving images into the space of our daily life, every space at any given moment can turn into an image of utopia as well as a construction of heterotopia. As Foucault says, now is the epoch of space, now is the time to re-value and re-define the contemporary space we live in.

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