cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Hadrianus Tedjoworo
Contact Email
htedjo@unpar.ac.id
Phone
+6222420476
Journal Mail Official
melintas@unpar.ac.id
Editorial Address
Department of Philosophy, Parahyangan Catholic University, Jl. Nias 2, Bandung 40117, Indonesia
Location
Kota bandung,
Jawa barat
INDONESIA
Melintas An International Journal of Philosophy and Religion
Published by Universitas Katolik Parahyangan
ISSN : 08520089     EISSN : 24068098     DOI : https://doi.org/10.26593
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The aim of this Journal is to promote a righteous approach to exploration, analysis, and research on philosophy, humanities, culture and anthropology, phenomenology, ethics, religious studies, philosophy of religion, and theology. The scope of this journal allows for philosophy, humanities, philosophy of culture and anthropology, phenomenological philosophy, epistemology, ethics, business ethics, philosophy of religion, religious studies, theology, dogmatic theology, systematic theology, theology of sacrament, moral theology, biblical theology, and pastoral theology.
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 14 Documents
 1   2 
Search results for , issue "Vol. 29 No. 1 (2013)" : 14 Documents clear
Identitas Perempuan dalam Budaya Patriarkis: Sebuah Kajian tentang Feminisme Eksistensialis Nawal el Sa'adawi dalam Novel “Perempuan di Titik Nol” Pranowo, Yogie
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 29 No. 1 (2013)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v29i1.266.56-78

Abstract

Women in patriarchal cultures have been treated unjustly. They are looked upon as second-class beings and even repeatedly not considered a whole human being. Their presence is regarded as something incidental and not essential. For this reason the article wants to put forward and to explore Nawal el Sa'adawi's ideas in her novel Woman at Point Zero. The novel portrays the struggle of a woman in a life full of oppressions by the patriarchal system and culture. Firdaus, the main character in the novel, is a picture of the lives of women who continue to serve as the number two beings in a patriarchal culture. In this article, the author uses feminist existentialist Simone de Beauvoir's point of view to analyze the novel. It appears that both Beauvoir and Sa'adawi have echoed some strategies towards a full freedom for women to be fully acknowledged of their existence and they provided further suggestions for women to be aware of their own capabilities as a whole human being and to be brave without being overshadowed by male superiority.
‘Ribet’-nya Hidup Sehari-Hari: Menafsir Hidup Harian sebagai Teks Budaya Bagus Laksana, Albertus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 29 No. 1 (2013)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v29i1.267.79-98

Abstract

It has been pointed out that modernity is marked by the disenchantment of the world. This means that modern human beings might no longer be easily enchanted by their natural/material and social environments. Their everyday life can thus be dull and boring. Under this condition, this paper inquires whether it is still possible to restore the richness of the everyday life as a cultural text. The author presents some major insights on the everyday from both philosophical approaches and cultural studies. These insights can shed light on the complexity, hibridity and messiness, but also the depth and richness of the everyday understood as a circulation of the affections of the humans. Everything in everyday life has some qualities of a poem, an image or a metaphor, a pleasant melody. Humanity turns to be enchanting because of its mortality, ambiguity and complexity in the everyday. The objects of the everyday do not need a special 'aesthetical appreciation' as the paintings in the museum. These objects must be seen as a place of encounter between the human affections and 'the thingly world' regarded as routine and ordinary. An aesthetic experience can be seen as a dynamism of proximetrics, that is, the intimacies with the material things we encounter in our day-to-day life.
Chronicles - April 2013 Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 29 No. 1 (2013)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v29i1.268.104-120

Abstract

'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.
Film Review - Either/ Or Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 29 No. 1 (2013)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v29i1.276.99-103

Abstract

Bercerita (storytelling) membutuhkan teknik tersendiri agar pesan yang ingin disampaikan diterima dengan baik. Sang Sutradara, Ang Lee (Crouching Tiger, Hidden Dragon, Brokeback Mountain), menggunakan teknik visual modern untuk menyampaikan pesan dalam film ini. Selama lebih dari dua jam kita akan disodori sebuah 'pesona visual.' Kecanggihan teknologi, para pemain yang memerankan bagian mereka dengan sangat baik, plot yang imajinatif, menjadikan film yang diangkat dari novel berjudul sama ini seperti sebuah petualangan Ulysses dalam dunia modern yang ditaburi tawa dan tangis, kecemasan dan kekaguman, kompleksitas dan kesederhanaan. Tapi, mari kembali ke film-itu-sendiri, pada cerita-itu-sendiri. Pesan apakah yang hendak diartikulasikan melalui film ini?

Page 2 of 2 | Total Record : 14

 1   2 

Filter by Year

2013 2013


Reset
Filter By Issues
All Issue Vol. 40 No. 3 (2024) Vol. 40 No. 2 (2024) Vol. 40 No. 1 (2024) Vol. 39 No. 3 (2023) Vol. 39 No. 2 (2023) Vol. 39 No. 1 (2023) Vol. 38 No. 3 (2022) Vol. 38 No. 2 (2022) Vol. 38 No. 1 (2022) Vol. 37 No. 3 (2021) Vol. 37 No. 2 (2021) Vol. 37 No. 1 (2021) Vol. 36 No. 3 (2020) Vol. 36 No. 2 (2020) Vol. 36 No. 1 (2020) Vol. 35 No. 3 (2019) Vol. 35 No. 2 (2019) Vol. 35 No. 1 (2019) Vol. 34 No. 3 (2018) Vol. 34 No. 2 (2018) Vol. 34 No. 1 (2018) Vol. 33 No. 3 (2017) Vol. 33 No. 2 (2017) Vol. 33 No. 1 (2017) Vol. 32 No. 3 (2016) Vol. 32 No. 2 (2016) Vol. 32 No. 1 (2016) Vol. 31 No. 3 (2015) Vol. 31 No. 2 (2015) Vol. 31 No. 1 (2015) Vol. 30 No. 3 (2014) Vol. 30 No. 2 (2014) Vol. 30 No. 1 (2014) Vol. 29 No. 3 (2013) Vol. 29 No. 2 (2013) Vol. 29 No. 1 (2013) Vol. 28 No. 3 (2012) Vol. 28 No. 2 (2012) Vol. 28 No. 1 (2012) Vol. 27 No. 3 (2011) Vol. 27 No. 2 (2011) Vol. 27 No. 1 (2011) Vol. 26 No. 3 (2010) Vol. 26 No. 2 (2010) Vol. 26 No. 1 (2010) Vol. 25 No. 3 (2009) Vol. 25 No. 2 (2009) Vol. 25 No. 1 (2009) Vol. 24 No. 3 (2008) Vol. 24 No. 2 (2008) Vol. 24 No. 1 (2008) Vol. 23 No. 3 (2007) Vol. 23 No. 2 (2007) Vol. 23 No. 1 (2007) Vol. 22 No. 3 (2006) Vol. 22 No. 2 (2006) Vol. 22 No. 1 (2006) Vol. 21 No. 3 (2005) Vol. 21 No. 2 (2005) Vol. 21 No. 1 (2005) More Issue