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Yohana Ari Ratnaningtyas
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Program Studi Tata Kelola Seni Fakultas Seni Rupa Institut Seni Indonesia (ISI) Yogyakarta Jl. Parangtritis Km. 6,5, Glondong, Panggungharjo, Kecamatan Sewon, Kabupaten Bantul, Daerah Istimewa Yogyakarta - 55188
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INDONESIA
TUMATA: Journal of Arts and Cultural Management
Published by Institut Seni Indonesia Yogyakarta
ISSN : -     EISSN : 30907349     DOI : https://doi.org/10.24821/tumata.v3i2
Core Subject : Economy, Science, Art,
Arts Decision Sciences, Operations Research & Management Economics, Econometrics & Finance
The journal aims to advance scholarly discourse and professional practice in the field of art management and related disciplines. It serves as a platform for the dissemination of original research and conceptual contributions that enhance theoretical understanding and practical applications in art and cultural management. The scope of the journal encompasses, but is not limited to, art management in general, curatorial studies, art archives, art conservation, performing arts, visual arts, new media arts, tourism, and cultural management. The journal welcomes manuscripts reporting the results of rigorous quantitative and qualitative research that contribute new insights to these fields. In addition, the journal publishes conceptual and theoretical articles that are relevant to the development of art management practices. Such contributions may present new models, frameworks, or critical perspectives derived from management theory, professional practice, or interdisciplinary approaches. Articles may draw upon experiences, case studies, and materials from diverse countries and professional contexts, including educational activities and art-related resources that support the internationalization of art management curricula.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 5 Documents
 1 
Search results for , issue "Vol 1, No 02 (2023): Desember 2023" : 5 Documents clear
Study Of Photocopier Film Distribution Flow Adinda Ayu; Arinta Agustina; Trisna Pradita Putra
TUMATA: Journal of Arts and Cultural Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.13112

Abstract

The process of distributing films can be understood as a way for a film to be introduced to the market and made accessible to its intended audience or viewers. Since the inception of the storyline concept by the production parties, the distribution plan has been readily available in the film industry. This implies that the distribution strategy has been a focus for the Producers and Directors even prior to engaging in the three essential stages of film production, namely pre-production, production, and post-production. Film, being a result of imaginative and artistic representation, cannot be dissociated from the cultural and societal environment which both creates and consumes it. Distribution strategies in the film industry need to be aligned with the ability to preserve the filmmaker's vision and aspirations, ensuring the movie is showcased in suitable screening venues and resonates with the intended audience. This Thesis contains research on the distribution channel of the film Photocopier, which was distributed to meet the audience or audiences that have been projected or designed from the start, and are intended to be marketed to. In the context of the film Photocopier, distribution has been carried out and aligned with the vision of the Director and Producer. Photocopier is the first feature film by Wregas Bhanuteja and as its distribution debut, Photocopier went according to expectations where this film managed to attain achievements, gain appreciation, and grow in reputation, as well as achieving financial success.
Curative Conservation Of The Metal Collection At Museum Benteng Vredeburg Yogyakarta Hariny Puspadewi Sekarlatih; Mikke Susanto; Rr. Vegasari Adya Ratna
TUMATA: Journal of Arts and Cultural Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.12066

Abstract

Museum Benteng Vredeburg Yogyakarta (MBVY) serves as evidence of prehistoric remnants and commemorates Indonesia's pre-independence struggle. Its diverse collection includes metals possessing historical and artistic value. Metal, prone to corrosion through oxidation, requires preventive measures against various damage agents. This study explores curative conservation practices for corroded metal collections at MBVY. Utilizing a descriptive-qualitative approach, data from observation, interviews, and documentation inform the analysis. Following standards like A Practical Guide to the Care and Conservation of Metal, the research outlines the curative conservation process—proposals, identification, documentation, repetition, monitoring, and evaluation. Challenges, including limited human resources, underscore the importance of adhering to standard operational procedures. 
Annotated Catalogue Of Batik Paintings By Basu Swastha Dharmmesta 1968 – 2021 Syafina Zahra Yanurifa; Trisna Pradita Putra; Dian Ajeng Kirana
TUMATA: Journal of Arts and Cultural Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.12586

Abstract

Basu Swastha Dharmmesta has been making painted batik for approximately 53 years but has never been systematically archived and organized. This problem encourages researchers to start cataloging and archiving Basu Swastha Dharmmesta's works to produce an annotated catalog. Cataloging uses an aesthetic approach, and data collection uses qualitative methods. The annotated catalog is a semi-active dynamic archive containing detailed information about the artist, both in academia and art. This catalog measures 33x21cm and contains 104 batik paintings by Basu Swastha Dharmmesta during his 53 years of work. Making the annotated catalog consists of several stages: licensing and consultation with the supervisor, collecting data and materials, interviewing the artist, taking documentation of artworks and academic works, compiling materials and information, and making the design and packaging of the annotated catalog. The documentation archive in the form of this annotated catalog can be an authoritative reference for the public to know the academic works and batik paintings of Basu Swastha Dharmmesta and be able to become an authoritative reference.
Display Of Cultural Objects Collection At Kotagede Museum Intro Living Museum Kanisa Triyundari Arselant; Mikke Susanto; Dian Ajeng Kirana
TUMATA: Journal of Arts and Cultural Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.13110

Abstract

Kotagede Intro Living Museum is a museum with local nuances inaugurated in 2021. The museum has three categories of collection assets and is divisible into four space clusters. Each space is notable by theme based on type and collection information. Thus, many people can now access and enjoy buildings used only to store cultural objects. This study aims to discover things related to the display pattern of the cultural objects collection at Kotagede Museum. The research method used is qualitative with a museum display theory approach. Non-participatory direct observation methods, semistructured interviews and literature studies collected data. The results of the study revealed matters related to the display of museum collections, including supporting elements and aspects arranged in the form of type of space, spacefloor design, work material, storyline, exhibition text and labeling of works, visitor circulation, air circulation, lighting and supporting facilities and visual elements.Based on the study's results, it can conclude that the collection display at Kotagede Museum uses rules for the use of cultural heritage buildings. This consideration of building intervention and space adaptation is applied to present the collection.
Preventive Conservation Of The Weapons At The Central Museum Of The Indonesian National Army Force (TNI AD) “Dharma Wiratama” Yogyakarta Maulana Ibrohim; Yohana Ari Ratnaningtyas; Dian Ajeng Kirana
TUMATA: Journal of Arts and Cultural Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.13111

Abstract

The Central Museum of the Indonesian National Army Dharma Wiratama Army is one of the museums whose management is under the auspices of the Army and whose direction is managed by the Central Museum and Monuments of the Army History Service. The primary collection is the longbarreled weapons used by the Army during the era of independence until now. Preventive conservation is a conservation action categorized as the most essential action or category. Museum staff can carry out preventive conservation without having to study this knowledge in depth. This research was carried out to determine how preventive conservation actions or activities were carried out on the weapons collection at the Dharma Wiratama TNI AD Museum. They are using qualitative methods with a case study type. Interviews, observation, and document study are the data collection methods used in this research. The research results show that several agents of damage occur in museums, namely physical forces and theft, pollutants, humidity, ultraviolet light, and temperature. Preventive conservation actions or activities by the Dharma Wiratama TNI AD Museum. Includes security, controlling temperature, humidity, lighting, and moving or transporting collections.

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