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Jurnal Bahasa dan Sastra
Published by Sekolah Tinggi Keguruan dan Ilmu Pendidikan PGRI Ponorogo
ISSN : 23551623     EISSN : 27978621     DOI : https://doi.org/10.60155/jbs
Core Subject : Humanities, Education, Social,
Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Bahasa dan Sastra mengajak para peneliti, mahasiswa dan dosen untuk menyumbangkan hasil kajian dan penelitiannya dalam bidang yang berkaitan dengan bahasa dan sastra. Objek kajian tekstual maupun faktual dengan berbagai prespektif, bahasa, sastra, budaya, sejarah, seni, sosiologi.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 10 Documents
 1 
Search results for , issue "Vol 13 No 1 (2026): Januari" : 10 Documents clear
Pemerolehan Bahasa dalam Film The King’s Speech: Perspektif Behaviorisme dan Sosiokultural Mustika, Septy; Nucifera, Prima
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.576

Abstract

This study discusses the process of language acquisition and speech disorders experienced by the main character in the film The King's Speech through the behaviorism and nativism approaches in the realm of psycholinguistics. This film tells the true story of King George VI who had a stutter since childhood, but had to deliver a state speech amidst the pressure of World War II. This study aims to analyze the speech disorders of the main character, as well as how therapeutic interventions and innate language potential can be explained through two main psycholinguistic approaches. The method used is qualitative-descriptive analysis with a literature study approach and content analysis. The results of the analysis show that the behaviorism approach is very relevant in describing the therapy process through reinforcement, repetition, and habits. Meanwhile, the nativism approach is seen through the character's grammatical abilities which remain intact despite obstacles in pronunciation. This study shows the importance of a multidisciplinary understanding of speech disorders, not only from a medical aspect, but also from a linguistic and psychological aspect.
Ideologi dalam Wacana Efisiensi Beasiswa KIP-Kuliah 2025 Kompas.com: Analisis Wacana Kritis Norman Fairclough Putra, Muhammad Zanika Esa
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.674

Abstract

This study aims to reveal the ideology embedded in the discourse of the 2025 KIP Kuliah scholarship budget efficiency as presented on the Kompas.com news portal. This research employs a qualitative method with an analytical approach based on Norman Fairclough’s model. Fairclough outlines three key dimensions in critical discourse analysis: (i) textual dimension, (ii) discourse practice dimension, and (iii) sociocultural dimension. The stages of data analysis include: (i) description process, (ii) interpretation process, and (iii) explanation process. The results indicate that the textual dimension contains ideologically loaded phrases and vocabulary such as cutting or reduction, not affected by budget efficiency, will not be reduced, restored, original, continued, and accessible. In the discourse practice dimension, Kompas.com employs moderate and rational word choices such as budget efficiency, budget adjustment, and program continuation. These lexical choices reflect an alignment with the state’s narrative emphasizing fiscal stability while simultaneously creating the impression that public interest is still being prioritized. In the sociocultural dimension, the news was written during a period when the KIP-Kuliah scholarship efficiency policy became a public concern. Institutionally, the report represents Kompas.com’s response to the issue, while the social aspect highlights the economic and educational impacts of the scholarship budget cuts on underprivileged communities.
Tindak Tutur Ilokusi Dalam Cerpen Ṭabliyyatun Minas-Samā’i Karya Yusuf Idris Kajian Pragmatik Al-Faruq, Ismail Syah Razi; Djaliel, Maman Abdul
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.691

Abstract

Penelitian ini bertujuan untuk menganalisis bentuk dan fungsi tindak tutur ilokusi dalam cerpen Ṭabliyyatun Minas-samā’i karya Yusuf Idris melalui pendekatan pragmatik. Kajian ini dilatarbelakangi oleh pentingnya memahami bahasa tokoh sebagai representasi tindakan sosial dan psikologis dalam karya sastra. Penelitian ini menggunakan metode deskriptif kualitatif dengan desain studi pustaka. Data berupa tuturan para tokoh dalam cerpen yang mengandung tindak tutur ilokusi dikumpulkan melalui teknik simak dan catat, kemudian dianalisis menggunakan teori tindak tutur Searle yang mencakup lima kategori: asertif, direktif, ekspresif, komisif, dan deklaratif. Hasil penelitian menunjukkan bahwa terdapat 43 data tindak tutur ilokusi, terdiri atas 8 tindak tutur asertif, 16 direktif, 15 ekspresif, dan 4 komisif, sedangkan bentuk deklaratif tidak ditemukan. Temuan ini menunjukkan dominasi tindak tutur direktif dan ekspresif yang menegaskan peran bahasa sebagai sarana ekspresi emosi, kekuasaan, dan relasi sosial antar tokoh. Kesimpulannya, tindak tutur ilokusi dalam cerpen ini berfungsi tidak hanya untuk membangun karakter dan konflik, tetapi juga untuk merefleksikan kritik sosial dan nilai kemanusiaan yang menjadi ciri khas karya Yusuf Idris.
Jenis Tindak Tutur dan Prinsip Kesantunan dalam Film Pendek Es Krim Terakhir dari Ayah Rahmawati, Eka; Fatwa, Anissa Nur; Lestari, Elsa Aulia; Nadyatunnisa, Gina; Ruslan, Titin Setiartin
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.697

Abstract

This study examines the types of speech acts and politeness principles found in the short film “Es Krim Terakhir dari Ayah | Bensurvive Series,” released on the MOP Channel in 2024. The research is motivated by the need to understand family communication patterns represented through audiovisual media that portray language use within real-life contexts. Using a descriptive qualitative method, data were collected through observation and note-taking, then analyzed using Searle’s classification of speech acts and Leech’s politeness principles. The results show 48 identified speech acts, consisting of assertive (35.4%), directive (31.3%), expressive (29.2%), and commissive acts (4.2%), while no declarative acts were found. Meanwhile, 47 data points related to politeness principles were identified, dominated by the tact maxim (27.66%), followed by the approbation and sympathy maxims (21.28% each), the modesty maxim (12.77%), the generosity maxim (10.64%), and the agreement maxim (4.26%). A total of 46 data points (97.87%) adhered to politeness maxims, while 1 datum (2.13%) violated the tact maxim. These findings indicate that the film highlights communication patterns characterized by information sharing, requests, emotional expression, and polite interaction within a family setting. The study concludes that the film portrays harmonious and empathetic family communication and contributes to pragmatic studies focusing on speech acts and politeness in audiovisual media.
Makna dan Reduplikasi dalam Tembang Dolanan Jawa Hamidah, Latifah Winda
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.702

Abstract

One form of the culture is regional songs that are formed as a result of the social life of the local community. One of them is the tembang dolanan used to accompany certain games whose existence has diminished. This dolanan song consists of many lyrics that contain reduplication with a specific purpose such as affirming something. This study aims to describe the meaning and reduplication that found in the lyrics of the songs of Menthog-Menthog, Gajah-Gajah, Jaranan, Kancil, and Ula Sawah. This research method is qualitative using the method of collecting data by observing advanced note-taking techniques. The results of this study indicate that there are five reduplications in the five tembang dolanan, i.e., tembung dwilingga padha swara, tembung dwilingga salin swara, dwilingga semu, the dwipurwa tower, and tembung dwiwasana. Then the meaning of reduplication in the dolanan song found several meanings, i.e., many, repetitive activities, affirmations, and meaningless because it includes pseudo reduplication.
Karakter Psikopat dalam Film Ballerina Karya Lee Chung-Hyeon: Kajian Semiotik Gusti, Nur Adilla Atitah; Setiawan, Heru; Wahyudin, Sapta Arif Nur
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.748

Abstract

Literary works exist as a reflection of real life, drawing inspiration from the social environment of society. One of the results of literary works born from imagination and creativity is film. In this study, the researcher used the film Ballerina as their research object. The purpose of this study is to identify the characteristics of a psychopath in the character from the film. This research uses Charles Sanders Peirce's semiotic approach and descriptive qualitative methods. The data collection techniques in this study are listening, taking notes, and marking. As for data analysis, the researcher used data reduction, data presentation, and conclusion drawing techniques. It was therefore found that almost all the characters in the film Ballerina have psychopathic traits within them. This can be seen from the types 5 psychopathic characters found in the discussion of this study, including manipulative, sadistic behavior, lack of compassion, lack of guilt, and intelligence.
Onomatope Jajanan dari Tepung Tapioka (Aci) di Kabupaten Bandung (Kajian Fonestemik) Orin, Sherina
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.751

Abstract

Penelitian ini mengkaji unsur onomatope dalam penamaan jajanan berbahan tepung tapioka di Bandung, seperti cimol, cireng, cipak, dan cipuk. Penelitian bertujuan menjelaskan bagaimana bunyi yang muncul dalam proses pembuatan maupun saat mengonsumsi jajanan tersebut menjadi dasar pembentukan nama, serta menelaah keterkaitannya dengan kajian fonestemik dalam bahasa Sunda yang memandang adanya hubungan antara bunyi dan makna. Metode yang digunakan adalah deskriptif kualitatif dengan teknik wawancara untuk menggali persepsi dan pengalaman penutur terkait penamaan makanan yang bersumber dari bunyi. Hasil penelitian menunjukkan bahwa dari dua puluh nama jajanan dari tepung tapioka yang dianalisis, terdapat lima nama yang secara jelas mengandung unsur onomatope, seperti /-reng/, /-mol/, /-pak/, /kriuk/, dan /-lok/, yang menirukan bunyi alami saat memasak atau dimakan. Unsur bunyi tersebut tidak hanya berfungsi sebagai tiruan suara, tetapi juga membentuk identitas linguistik, menggambarkan tekstur dan rasa, serta mencerminkan cara masyarakat Sunda merepresentasikan budaya melalui kuliner. Dalam perkembangan budaya masa kini, penggunaan onomatope dalam penamaan jajanan terus berkembang seiring kreativitas pedagang dan pengaruh media sosial. Dengan demikian, onomatope memiliki peran penting dalam tradisi penamaan jajanan yang terbuat dari tepung tapioka sebagai wujud keterkaitan antara bahasa, budaya, dan pengalaman indrawi masyarakat Sunda.
Perbandingan Bunyi Fonem dalam Bahasa Sunda dan Bahasa Indonesia Destiani, Destiani; Restiana, Dina; Aqilah, Khansa Zahra; Abdhiya, Muhammad Shidqy; Jadie, Amjad Ali; Guna, Irga Wijaya
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.752

Abstract

This study aims to determine the differences in phoneme sounds between Sundanese and Indonesian. Phonemes are the smallest units of sound. This study aims to explain and show examples of vocabulary in Sundanese and Indonesian that have the same meaning, but different phonemes. This study uses a qualitative descriptive method comparing Sundanese and Indonesian phonemes. The results show that there are 7 vowel phonemes in Sundanese, while in Indonesian there are 5. There are 18 consonant phonemes in Sundanese, while in Indonesian there are 21. This is due to the existence of several special phonemes in the way of writing, pronunciation, or how phonemes are used in Indonesian and Sundanese. With this study, it is hoped that it can provide data that shows the differences in phoneme sounds in Indonesian and Sundanese.
Bahasa Sunda Gen Millenial dan Gen Z di Aplikasi Tiktok Dzulfikar, Haidar Ali; Afriani, Annisa Dwi; Meilani, Nur; Sundari, Miranda; Mubarok, Acep Nurul; Wulandari, Eva
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.754

Abstract

This study aims to describe the use of the Sundanese language by the Millennial Generation and Generation Z on the TikTok application, particularly in the form of code-mixing in everyday conversations; to identify patterns of phonological changes that emerge in words adapted from Indonesian and English into Sundanese; and to distinguish the characteristic features of language use across generations. The research employs a qualitative method, with data collected from several sentences quoted from TikTok videos uploaded by selected accounts, namely @susylawaty_, @susybarokahkammal, and @anisasitiaisyah883 as representatives of the Millennial Generation, and @elsanuraisyah09, @indahcantiii01, and @astridjuwitaaa as representatives of Generation Z. The findings indicate that the Millennial Generation tends to use Sundanese while largely maintaining traditional sentence structures, despite the presence of some loanwords. In contrast, Generation Z demonstrates a more flexible and expressive use of Sundanese, characterized by dominant code-mixing, frequent use of global terms, and more liberal phonological adaptations. These findings suggest that the use of the Sundanese language among contemporary generations continues to evolve through speakers’ creativity and is strongly influenced by the digital culture that flourishes on social media platforms.
Tindak Tutur Ilokusi Pada Film Sujud Terakhir Bapak Karya Reka Wijaya Setyawati, Andien; Kasnadi, Kasnadi; Ismail, Ahmad Nur; Ristiana, Rita
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.764

Abstract

This study analyzes illocutionary speech acts in the film Sujud Terakhir Bapak by Reka Wijaya, which are utterances with specific purposes and meanings. This study aims to describe the forms and impacts of these illocutionary speech acts. Using a qualitative descriptive method and a pragmatic approach, primary data were taken directly from the film, while secondary data came from relevant books and journals. The data collection techniques used were free listening and note-taking techniques, then analyzed through data reduction, data presentation, and drawing conclusions. John Searle’s speech act theory was used as a basis. Of the total 95 speech data, 92 data were found to be forms of illocutionary speech acts, consisting of 30 assertive data, 28 directive data, 18 expressive data, 5 commissive data, and 7 declarative data. Meanwhile, 3 speech data showed illocutionary impacts in the form of conflict, emotional shock, and spontaneous and surprised reactions. This study concluded that the film is rich in all five forms of illocutionary speech acts that cause various impacts. It is hoped that future researchers will be more careful in understanding the theory when analyzing illocutionary speech acts.

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