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Achmad Fawaid
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Lingua Technica: Journal of Digital Literary Studies
Published by Asosiasi Relawan dan Pengelola Jurnal
ISSN : -     EISSN : 31093264     DOI : https://doi.org/10.64595/lingtech
Core Subject : Humanities, Science, Education, Art,
Arts Humanities Computer Science & IT Languange, Linguistic, Communication & Media
This journal covers a wide range of fields, including digital literature, e-poetry, and the relationship between language, literature, and technology in diverse contexts.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 12 Documents
 1   2 
Digital literary cartography and colonial space: re-mapping spatial imaginations in Robinson Crusoe and Max Havelaar Fitriya Dessi Wulandari; René Faruk Garzozi Pincay; Dian Muhammad Rifai
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 1 (2026): Literature and computation: mapping, modeling, and mediation
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v2i1.135

Abstract

Background: The spatial turn in literary studies and digital humanities highlights the need to reassess how colonial space is constructed through the interaction between narrative and cartographic knowledge. Objective: This study examines how colonial spatial imagination is produced, contested, and differentiated in Robinson Crusoe (1719) and Max Havelaar (1860) through digital literary cartography. Method: Using a qualitative digital humanities design, the research integrates close textual analysis with historical cartographic materials and spatial metadata, focusing on Atlantic navigation maps, West Indies and New England coastal maps, and administrative maps of Java and Bantam. Results: The findings show that Robinson Crusoe aligns with a cartographic logic of enclosure and maritime circulation, reinforced by island, Atlantic, and West Indies maps that normalize spatial mastery. In contrast, Max Havelaar articulates a fragmented administrative geography, revealed through maps of Java and the Dutch East Indies that expose bureaucratic segmentation and ethical tension. Comparative re-mapping demonstrates divergent cartographic epistemologies shaped by exploration versus governance. Implication: Digital literary cartography reveals colonial space as an ideological construct rather than a neutral backdrop. Novelty: The study offers a comparative Global South–oriented cartographic reading that repositions maps as critical epistemic texts in colonial literature.  
Poetics of algorithmic excess: digital aesthetics in Indonesia’s Twitter poetry bot Yahya Auliya Abdillah
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 1 (2026): Literature and computation: mapping, modeling, and mediation
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v2i1.138

Abstract

Background: The rapid expansion of social media platforms has transformed literary production, enabling algorithmic poetry to emerge as a digital-native form that challenges conventional notions of authorship, meaning, and aesthetic value. Objective: This study examines how Indonesian Twitter bot poetry operates as a poetics of algorithmic excess, with attention to formal patterns, semantic instability, and platform-mediated authorship. Method: Using a qualitative digital humanities approach, the research analyzes a corpus of 240 poems generated by an Indonesian Twitter poetry bot through close reading, pattern identification, and platform-aware interpretation. Results: The findings show that algorithmic repetition and structural fragmentation function as dominant formal strategies, displacing expressive intentionality with procedural regularity. Semantic noise and randomness produce episodic meaning, shifting interpretive responsibility from author to reader. Platform circulation redistributes authorship among algorithms, users, and infrastructural systems, positioning Twitter/X as a co-author in literary production. Implications: Algorithmic poetry constitutes a legitimate literary practice shaped by platform capitalism and posthuman creativity. Novelty: The study offers a Global South perspective on digital poetics by theorizing algorithmic excess as an aesthetic principle within platform-mediated literature.

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