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INDONESIA
Journal of Creativity, Media, and Communication Studies
Published by CV. Projurnal Mitra Publikasi
ISSN : -     EISSN : 3123822X     DOI : https://doi.org/10.66324/jcmcs
Core Subject : Science, Education, Social,
Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Journal of Creativity, Media, and Communication Studies is an interdisciplinary journal dedicated to publishing original research and scholarly articles in the field of communication. Aimed at a global audience of researchers and educators, Journal of Creativity, Media, and Communication Studies seeks to foster inquiry and disseminate impactful findings that advance knowledge and practice in communication studies. The scope of our journal includes: 1. Business Communication 2. Communication Media 3. Communication Science 4. Communication Strategy 5. Digital Literacy & Media 6. Language All Manuscripts submitted to this journal should be written either in English. All papers are double blind peer-reviewed and published four (4) times in a year (January, April, July and October)
Arjuna Subject : Ilmu Sosial - Komunikasi
Articles 4 Documents
 1 
Search results for , issue "Vol 1 No 3 (2025): July" : 4 Documents clear
Intercultural Communication in Javanese–Madurese Marriages: A Descriptive Qualitative Study M. Zidan Arifaini
Communigate Vol 1 No 3 (2025): July
Publisher : CV Projurnal Mitra Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.66324/jcmcs.v1i3.143

Abstract

This qualitative descriptive study explores intercultural communication in marriages between Javanese and Madurese ethnic groups in Indonesia. The research examines cultural interactions, communication patterns, and adaptation strategies employed during the marriage process, from courtship through ceremonial traditions. Analysis reveals how these distinct cultural groups navigate differences in language, customs, family systems, and religious practices to establish mutual understanding and harmonious relationships. The study identifies key challenges, conflict resolution approaches, and cultural negotiation strategies utilized by couples. Findings highlight the dynamic process of cultural integration where elements from both Javanese and Madurese traditions are preserved, adapted, or blended to create new shared meanings and practices within these intercultural marriages. This research contributes to understanding intercultural communication dynamics within Indonesia's diverse ethnic landscape and offers insights for supporting successful cross-cultural relationships.
The Director’s Role in the Production of the Biographical Documentary Film of a Deaf Individual Titled “Merakit dalam Sunyi” Indra Dwiyana; Arrya Dianta
Communigate Vol 1 No 3 (2025): July
Publisher : CV Projurnal Mitra Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.66324/jcmcs.v1i3.158

Abstract

The persistent inequality experienced by persons with disabilities in Indonesia is reinforced by limited informative media representation. Digital platforms such as YouTube are dominated by entertainment-oriented content, leaving minimal space for educational materials that raise awareness about the deaf community. This project seeks to address this gap through the production of “Merakit dalam Sunyi” or in English called Assembling in Silence, a biographical documentary portraying the life of Ria, a deaf online motorcycle taxi driver. The film aims to shift public perceptions, educate audiences about the capabilities of deaf individuals, and provide an informative alternative within digital media spaces. The production employed a conventional three-stage workflow: pre-production (research, script development, and planning), production (four days of field shooting), and post-production (editing and finalization). The resulting documentary offers an audio-visual depiction of how deaf individuals can work and live independently despite social barriers. The project concludes that documentary media can function as an effective instrument for fostering social inclusion by delivering both information and motivation to the public. It also underscores the director’s central role in shaping the work from initial concept to final edit.
Public Perception of the TikTok Application (A Qualitative Descriptive Study of the TikTok Application on Teenagers in Surakarta) Rio Aldi Permana; Renty Yuniarti
Communigate Vol 1 No 3 (2025): July
Publisher : CV Projurnal Mitra Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.66324/jcmcs.v1i3.161

Abstract

The rapid development of social media has significantly transformed communication, making it easier, faster, and more accessible for users. This evolution has prompted social media platform providers to continuously innovate, creating diverse applications that serve as intermediaries for communication. One of the most prominent platforms today is TikTok, which has gained immense popularity globally, particularly among teenagers in Indonesia. Given its widespread usage, it is crucial to understand how adolescents perceive this social media application, and whether their perceptions are predominantly positive or negative. This study aims to explore public perceptions of TikTok among teenagers in Surakarta, focusing on the impact of social media content on adolescent psychological development. A qualitative research design with a descriptive approach is employed to capture the nuanced attitudes, opinions, and experiences of the participants. Data were collected through interviews, observations, and literature review to provide a comprehensive understanding of adolescents’ responses to the TikTok platform. The findings indicate that teenagers are particularly sensitive to negative content on TikTok, which can have detrimental effects on their psychological and emotional development, including issues related to self-esteem, behavior, and social interactions. While TikTok also offers opportunities for creativity and social engagement, negative influences appear more pronounced among adolescent users. This research contributes to the understanding of social media’s psychological impact on teenagers and provides insights for parents, educators, and policymakers to develop strategies that mitigate harmful effects while promoting positive use of digital platforms.
Digital Simulacra Construction of a Digital Product Creator: A Study of Lynk.id Utilization on the Instagram Account @abdulaziz.writer Ina Yatun Khoiriyah; Merlia Indah Pratiwi
Communigate Vol 1 No 3 (2025): July
Publisher : CV Projurnal Mitra Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.66324/jcmcs.v1i3.185

Abstract

The rapid expansion of digital platforms has transformed how identity, authority, and economic value are constructed within the creative economy. This study examines the construction of digital simulacra by a digital product creator through the monetization platform Lynk.id on the Instagram account @abdulaziz.writer. Drawing on Jean Baudrillard’s theory of simulacra and hyperreality, this research aims to analyze how symbolic representation, personal branding, and platform architecture shape audience perception and economic legitimacy. A qualitative phenomenological approach was employed. Data were collected through online observation, documentation of digital content, and in-depth interviews with the account owner and six digital product users. The findings reveal that the creator strategically constructs a professional digital identity through consistent educational and motivational narratives, minimalist visual design, and testimonial-based validation. These symbolic strategies generate a condition of hyperreality in which audiences perceive the digital persona as more authentic and credible than empirical reality. Lynk.id functions not merely as a transactional tool but as a simulation space that amplifies symbolic capital and economic value. This study contributes to digital sociology by demonstrating that in contemporary platform capitalism, economic legitimacy is increasingly produced through the circulation of signs rather than material verification.

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