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Jurnal Filsafat
Published by Universitas Gadjah Mada
ISSN : -     EISSN : -     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Filsafat is a scientific journal that first published in 1990, as a forum for scientific communication, development of thinking and research in philosophy. Jurnal Filsafat is published twice a year, in February and August with p-ISSN: 0853-1870, and e-ISSN: 2528-6811 The Editorial Team of Jurnal Filsafat accepts manuscript in the field of philosophy which has never been published in other media. Editorial Team has the right to edit the manuscript as far as not changing the substance of its contents. Jurnal Filsafat Address: Notonagoro Building, 2nd Floor, Faculty of Philosophy, Universitas Gadjah Mada, Yogyakarta; Jl. Olahraga Bulaksumur, Yogyakarta, 55281; Email: jurnal-wisdom@ugm.ac.id; Website: jurnal.ugm.ac.id/wisdom; Phone: (0274) 515368 / (0274) 546 605.
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Articles 10 Documents
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Search results for , issue "Vol 19, No 2 (2009)" : 10 Documents clear
TRANSFORMASI NILAI-NILAI DAN ALAM PEMIKIRAN WAYANG BAGI MASA DEPAN JATI DIRI BANGSA INDONESIA Soeprapto, Sri; ., Jirzanah
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

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Abstract

AbstractWayang becomes one of evidences of Indonesians history in a cultural transformation. Wayang stories become more various by the Hindu’s stories influences which are Ramayana and Mahabharata. Both of Hindu’s stories influence on creating newwayang stories, but the old stories are not discarded.A thought about grandeur values of human life with its excellence and weakness symbolizes three choices of valueshierarchy of the wayang story. First, matter values concerningabout worldly pleasure. Second, spiritual values, they are truth,goodness, and beauty values. Three, religious values, they areholiness and eternity values. A consideration based on the needs of values hierarchy and way of thinking is that a modernization process does not need to eliminate the roles of spiritual and religious values. Religious values are brought into being sources of reference to settle life problems. Spiritual values are kept being put in a hierarchy which is more glorious than worldly values. An urgent problem in the framework of developing nation identity is the ideal type of Indonesian in the future. The ideal type of Indonesian should has three dimensions: bio individual, social organizational, and theological dimension.Keyword: Wayang, values hierarchy, modernization.
WAROK DALAM SEJARAH KESENIAN REOG PONOROGO (Perspektif Eksistensialisme) Kencanasari, Lisa Sulistyaning
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

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Abstract

AbstractWarok as one of Reog Ponorogo performance elements contains a philosophical value. In the history of reog, the figure of Warok is a leader personality who is willing to sacrifice himself for the sake of public needs rather than himself or his group. The struggling value that is a role model for national youth relates to morality. Warok assumed that policies of the king which is influenced by his wife (the queen) harm public needs so that the problem must be overcome soon.The emphasize of this research is the value of bravery and willing to struggle for public needs which is deeply rooted inWarok’s soul regarding the unity and welfare of their kingdom.Stand for the truth and public needs is one of the principals of Warok in guarding the unity of their kingdom although they have to fight against their own king. Warok use the reog performance as a cynicism aimed to the king. They never doubt their decision and action so that it could be a guidance for national morality concept of Indonesia.Keyword: Warok, Warok’s existence, Reog Ponorogo.
KONSEP URANG SABANA URANG DALAM PEPATAH ADAT MINANGKABAU Mustansyir, Rizal; Munir, Misnal
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

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Abstract

AbstractAccording to Wilhelm Dilthey’s hermeneutic perspective,there are six points in reinterpreting the Minangkabau’s traditional aphorism “Urang sabana urang”. First, understanding of Minangkabau’s way of life is a general process, included in an ordinary life which is expressed in the aphorism. Second, theexpression of the aphorism is called “ausdruck”, Minangkabau’sexpression of life experiment and historicity. Third, humancharacteristics in Minangkabau’s aphorism consist of: “urang,urang-urang, tampan urang, angkuh-angkuh urang, urangurangan, urang sabana urang”. Fourth, “urang sabana urang” is a man who has excellent characteristics. Fifth, the globalization influence and the modern culture have changed Minangkabau’s insight of “urang sabana urang” concept so that it needs a reinterpretation in order to be understood by youth of Minang. Sixth, the epistemological dimension in Minangkabau’s aphorism synthesizes an empirical aspect and rationality. The metaphysical dimension of the aphorism shows a relation between tradition and religion so that it arise the principle of “adat basandi syarak, syarak basandi kitabullah”. The axiological dimension in the aphorism is seen as a criterion of values which is an obligation for Minangs to prevent their identity as” urang sabana urang”.Keyword: urang sabana urang, adat basandi syarak, syarakbasandi kitabullah, Minangkabau custom aphorism.
DEKONSTRUKSI PEMAHAMAN BUDAYA JAWA TENTANG HAKIKAT DAN HUBUNGAN KAWULA-GUSTI PADA LAKON WAYANG ”SEMAR KUNING” Tjahyadi, Sindung
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

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Abstract

AbstractIn the Javanese minds, the essence and relationship of manand God are the cornerstone to build a holistic view of genealogy and direction of life. The wayang/ puppet story of “Semar Kuning” is one of some exemplary narrations which comprehends the relation of man-God in common people perspectives in the case that the legitimacy of King-God is questioned metaphysically and ethically.The character of Semar in the Javanese world has a centralsymbolic and mystical role to bring a harmony and overcome adisorder in the natural and social life. The central symbolic role of Semar in protecting and taking care of the world is based onJavanese understanding of the man-God relationship which tends to accept its relationship in ontical sense. Although this tendency is a part of religious perspective mainstream at the time, it still keeps the magi function of the “wayang kulit” performance to overcome cosmic and ethical disharmony in the world. In the ethical terminology, the ethical discourse that had been given in the wayang/ puppet story of “Semar Kuning” is a virtue ethics which shows bad and good moral attitudes.Keyword: Deconstruction, Javanese Perspectives, the man-Godrelationship, Semar Kuning, Wayang/ puppet.
PENGHAYATAN KETUHANAN MENURUT ALIRAN KEBATINAN PAGUYUBAN SUMARAH Saputro, Fendi Gatot
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

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Abstract

AbstractWhat philosophers observe, it also becomes an interest formost people, is reaching the truth, and it covers various questions raising in human minds. According to mystic of Paguyuban Sumarah, existence of God is a private and personal experience. It means human can meet God. Therefore, it is needed a way or method, namely Sujud Sumarah.Paguyuban Sumarah is an organized mystical divinity groupthat has teachings, such as “Manunggaling Kawula lan Gusti” and “Jumbuhing Kawula lan Gusti”. The teachings can be practiced by doing “Sujud Sumarah”. “Sujud Sumarah” is a way to know the Truth essence by bowing motionless silently, uniting the “trimurti” (imagination, sense or feeling, and mind) where its direction is in the middle of chest through stages of “eneng, ening, eling”. The Paguyuban Sumarah understands God as an immanent and transcendent being, and professes the ideology of monotheistic monism: there is only one Truth, God, the Great Unity, the One; God as the Absolute Substance, and the basic of all things, the One Origin of Mind and Body, Spiritual and Body; and God is different from all creatures and creations (a dichotomy).Keyword: Paguyuban Sumarah, Sujud Sumarah, MonotheisticMonism, Immanent-Transcendent, ManunggalingKawula Lan Gusti, Jumbuhing Kawula Lan Gusti.
PENGHAYATAN KETUHANAN MENURUT ALIRAN KEBATINAN PAGUYUBAN SUMARAH Saputro, Fendi Gatot
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (65.615 KB) | DOI: 10.22146/jf.3443

Abstract

AbstractWhat philosophers observe, it also becomes an interest formost people, is reaching the truth, and it covers various questions raising in human minds. According to mystic of Paguyuban Sumarah, existence of God is a private and personal experience. It means human can meet God. Therefore, it is needed a way or method, namely Sujud Sumarah.Paguyuban Sumarah is an organized mystical divinity groupthat has teachings, such as “Manunggaling Kawula lan Gusti” and “Jumbuhing Kawula lan Gusti”. The teachings can be practiced by doing “Sujud Sumarah”. “Sujud Sumarah” is a way to know the Truth essence by bowing motionless silently, uniting the “trimurti” (imagination, sense or feeling, and mind) where its direction is in the middle of chest through stages of “eneng, ening, eling”. The Paguyuban Sumarah understands God as an immanent and transcendent being, and professes the ideology of monotheistic monism: there is only one Truth, God, the Great Unity, the One; God as the Absolute Substance, and the basic of all things, the One Origin of Mind and Body, Spiritual and Body; and God is different from all creatures and creations (a dichotomy).Keyword: Paguyuban Sumarah, Sujud Sumarah, MonotheisticMonism, Immanent-Transcendent, ManunggalingKawula Lan Gusti, Jumbuhing Kawula Lan Gusti.
TRANSFORMASI NILAI-NILAI DAN ALAM PEMIKIRAN WAYANG BAGI MASA DEPAN JATI DIRI BANGSA INDONESIA Soeprapto, Sri; Jirzanah, Jirzanah
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (61.334 KB) | DOI: 10.22146/jf.3444

Abstract

AbstractWayang becomes one of evidences of Indonesians history in a cultural transformation. Wayang stories become more various by the Hindu’s stories influences which are Ramayana and Mahabharata. Both of Hindu’s stories influence on creating newwayang stories, but the old stories are not discarded.A thought about grandeur values of human life with its excellence and weakness symbolizes three choices of valueshierarchy of the wayang story. First, matter values concerningabout worldly pleasure. Second, spiritual values, they are truth,goodness, and beauty values. Three, religious values, they areholiness and eternity values. A consideration based on the needs of values hierarchy and way of thinking is that a modernization process does not need to eliminate the roles of spiritual and religious values. Religious values are brought into being sources of reference to settle life problems. Spiritual values are kept being put in a hierarchy which is more glorious than worldly values. An urgent problem in the framework of developing nation identity is the ideal type of Indonesian in the future. The ideal type of Indonesian should has three dimensions: bio individual, social organizational, and theological dimension.Keyword: Wayang, values hierarchy, modernization.
WAROK DALAM SEJARAH KESENIAN REOG PONOROGO (Perspektif Eksistensialisme) Kencanasari, Lisa Sulistyaning
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (61.215 KB) | DOI: 10.22146/jf.3446

Abstract

AbstractWarok as one of Reog Ponorogo performance elements contains a philosophical value. In the history of reog, the figure of Warok is a leader personality who is willing to sacrifice himself for the sake of public needs rather than himself or his group. The struggling value that is a role model for national youth relates to morality. Warok assumed that policies of the king which is influenced by his wife (the queen) harm public needs so that the problem must be overcome soon.The emphasize of this research is the value of bravery and willing to struggle for public needs which is deeply rooted inWarok’s soul regarding the unity and welfare of their kingdom.Stand for the truth and public needs is one of the principals of Warok in guarding the unity of their kingdom although they have to fight against their own king. Warok use the reog performance as a cynicism aimed to the king. They never doubt their decision and action so that it could be a guidance for national morality concept of Indonesia.Keyword: Warok, Warok’s existence, Reog Ponorogo.
KONSEP URANG SABANA URANG DALAM PEPATAH ADAT MINANGKABAU Mustansyir, Rizal; Munir, Misnal
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (45.141 KB) | DOI: 10.22146/jf.3445

Abstract

AbstractAccording to Wilhelm Dilthey’s hermeneutic perspective,there are six points in reinterpreting the Minangkabau’s traditional aphorism “Urang sabana urang”. First, understanding of Minangkabau’s way of life is a general process, included in an ordinary life which is expressed in the aphorism. Second, theexpression of the aphorism is called “ausdruck”, Minangkabau’sexpression of life experiment and historicity. Third, humancharacteristics in Minangkabau’s aphorism consist of: “urang,urang-urang, tampan urang, angkuh-angkuh urang, urangurangan, urang sabana urang”. Fourth, “urang sabana urang” is a man who has excellent characteristics. Fifth, the globalization influence and the modern culture have changed Minangkabau’s insight of “urang sabana urang” concept so that it needs a reinterpretation in order to be understood by youth of Minang. Sixth, the epistemological dimension in Minangkabau’s aphorism synthesizes an empirical aspect and rationality. The metaphysical dimension of the aphorism shows a relation between tradition and religion so that it arise the principle of “adat basandi syarak, syarak basandi kitabullah”. The axiological dimension in the aphorism is seen as a criterion of values which is an obligation for Minangs to prevent their identity as” urang sabana urang”.Keyword: urang sabana urang, adat basandi syarak, syarakbasandi kitabullah, Minangkabau custom aphorism.
DEKONSTRUKSI PEMAHAMAN BUDAYA JAWA TENTANG HAKIKAT DAN HUBUNGAN KAWULA-GUSTI PADA LAKON WAYANG ”SEMAR KUNING” Tjahyadi, Sindung
Jurnal Filsafat "WISDOM" Vol 19, No 2 (2009)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (77.384 KB) | DOI: 10.22146/jf.3441

Abstract

AbstractIn the Javanese minds, the essence and relationship of manand God are the cornerstone to build a holistic view of genealogy and direction of life. The wayang/ puppet story of “Semar Kuning” is one of some exemplary narrations which comprehends the relation of man-God in common people perspectives in the case that the legitimacy of King-God is questioned metaphysically and ethically.The character of Semar in the Javanese world has a centralsymbolic and mystical role to bring a harmony and overcome adisorder in the natural and social life. The central symbolic role of Semar in protecting and taking care of the world is based onJavanese understanding of the man-God relationship which tends to accept its relationship in ontical sense. Although this tendency is a part of religious perspective mainstream at the time, it still keeps the magi function of the “wayang kulit” performance to overcome cosmic and ethical disharmony in the world. In the ethical terminology, the ethical discourse that had been given in the wayang/ puppet story of “Semar Kuning” is a virtue ethics which shows bad and good moral attitudes.Keyword: Deconstruction, Javanese Perspectives, the man-Godrelationship, Semar Kuning, Wayang/ puppet.

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