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I Nyoman Darma Putra
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JURNAL KAJIAN BALI Fakultas Ilmu Budaya Universitas Udayana Jln Nias 13 Denpasar 80114
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Jurnal Kajian Bali
Published by Universitas Udayana
ISSN : 20884443     EISSN : 25800698     DOI : https://doi.org/10.24843/JKB
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The Jurnal Kajian Bali (Journal of Bali Studies) is an area study journal that specializes in publishing research-based articles about Bali. The topics of articles about Bali that can be published are very diverse including Balinese culture, politics, music, language, architecture, literature, history, mass media, popular culture, tourism, economy, environment, health, law, management, religion, and Balinese customs. The journal would also like to publish articles on Bali with comparative approaches. The Jurnal Kajian Bali (Journal of Bali Studies) is published twice a year, every April and October. Published articles are reviewed in a single blinded manner. The Jurnal Kajian Bali (Journal of Bali Studies) was first published in April 2011 by the Center for Balinese Studies, University of Udayana. Starting from April 2019, the journal is published jointly by the Center for Balinese Studies and the Center of Excellence in Tourism, University of Udayana. However, starting April 2020, the Jurnal Kajian Bali (Journal of Bali Studies) was published by the Center for Cultural Research and the Center of Excellence in Tourism, University of Udayana. This change occurred because of the reorganization of research centers at Udayana University from the end of 2019.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 13 Documents
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Search results for , issue "Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI" : 13 Documents clear
Penguatan Ideologi Patriarki melalui Ritual Aci Ketiga di Desa Tenganan Dauh Tukad, Karangasem, Bali I Wayan Ardika
Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (812.575 KB) | DOI: 10.24843/JKB.2018.v08.i01.p07

Abstract

The villagers of Tenganan Dauh Tukad, Karangasem, Bali conducted aci ketiga or ceremony that occur in May every year. The ceremony mainly conducted by the traditional gentlemen youth organization called sekaa Teruna. During this ceremony the young ladies group or Sekaa daha are not involved. This article explores the ideology why the ceremony were only conducted by sekaa teruna without involving sekaa daha? What is the meaning of aci ketiga for sekaa teruna or youth organization Data are collected using observation, deep interview, and library srudies. Data were analyzed through interpretative qualitatively. Theories of power and kmowledge, ideology and semiotic were applied in this research. The result indicate that saya play dominant roles in aci ketiga ceremony. He has to plan, act, and manage and responsibility the success of the ceremony. Aci ketiga ceremony can be seen as a media to preserve and practice as well as strenghterning the patriarchy ideology at the village of Tenganan Dauh Tukad.
“The Legend of Balinese Goddesses”: Komodifikasi Seni Pertunjukan Hibrid dalam Pariwisata Bali Gede Suardana; I Nyoman Darma Putra; Nengah Bawa Atmaja
Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (497.614 KB) | DOI: 10.24843/JKB.2018.v08.i01.p03

Abstract

This article examines the commodification of hybrid performing arts in Bali tourism, especially the “Bali Agung - The Legend of Balinese Goddesses” performed regularly at Bali Safari and Marine Park, Gianyar. Data were collected by observation techniques, interviews, and literature review, then discussed with commodity theory and cultural tourism ideology.The study shos that hybridity in this performance is evident from the blended of cultural elements of Bali, China, and Western technology. Hybrid tourism performing arts produced can be communal and institutional in ownership. The hybrid tourism performing art is communal because it is created without copyright so it belongs to the people of Bali, while the hybrid performing arts is institutional because it is created with copyright so that ownership and pro t is only enjoyed by the industry that ‘recreated dan performed’ it. Although di erent, communal and institutional hybrid tourism performing arts have been able to become arts that give new color to the rich variety of Balinese art and culture.
Antara Partisipasi dan Mobilisasi: Perempuan dalam Kancah Politik Praktis di Kabupaten Jembrana, Bali I Nyoman Sukiada
Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (437.98 KB) | DOI: 10.24843/JKB.2018.v08.i01.p12

Abstract

Representation of women in Jembrana Regency Legislative Institution in 2009 election reached 20%. Although it has not reached 30% in accordance with the mandate of Law No. 10 of 2008, the representation of women in the Legislative Institution of Jembrana Regency is the highest among the regencies/cities in Bali. When closely examined, the participation of women in the political sphere has deconstructed itself due to a struggle of power and mobilization. Automatically the law that sets the quota of women’s involvement in practical politics is 30%, especially those si ing in the legislative institution can signal a practice of mobilization. Within certain limits, the process of mobilization appears in the election of women legislators, because women are not really interested in practical politics, but are mobilized by the state, political parties and by the closest people such as husbands. The paper aims to explain the election of female legislators in Jembrana Regency Legislative Institution which indicates that there has been a struggle of power between participation and mobilization.

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