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Balai Bahasa Jawa Timur, Jalan Siwalanpanji, Buduran, Sidoarjo 61252, Indonesia
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INDONESIA
ATAVISME JURNAL ILMIAH KAJIAN SASTRA
Published by Balai Bahasa Jawa Timur
ISSN : 1410900X     EISSN : 25035215     DOI : 10.24257
Core Subject : Education,
Languange, Linguistic, Communication & Media
Atavisme adalah jurnal yang bertujuan mempublikasikan hasil- hasil penelitian sastra, baik sastra Indonesia, sastra daerah maupun sastra asing. Seluruh artikel yang terbit telah melewati proses penelaahan oleh mitra bestari dan penyuntingan oleh redaksi pelaksana. Atavisme diterbitkan oleh Balai Bahasa Provinsi Jawa Timur. Terbit dua kali dalam satu tahun, pada bulan Juni dan Desember.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 8 Documents
 1 
Search results for , issue "Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007" : 8 Documents clear
MEMBACA ULANG GAGASAN GENRE SASTRA HIZIB Mashuri, Mashuri
ATAVISME Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6700.99 KB) | DOI: 10.24257/atavisme.v10i1.235.109-113

Abstract

RESENSI BUKU Sastra Hizib oleh Murtadho Hadi. Yogyakarta: Pustaka Pesantren, 2007. Cetakan I. Halaman 109 + xi. Diresensi oleh Mashuri, Surabaya
REPRESENTASI HOMOSEKSUALITAS DALAM FILM INDONESIA KONTEMPORER Maimunah, Maimunah
ATAVISME Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5253.62 KB) | DOI: 10.24257/atavisme.v10i1.231.59-73

Abstract

This paper examines the emergence of non-normative sexual orientations in contemporary Indonesian films. Unlike the representation of sexuality in New Order Indonesian films, which centred on the female reproductive role and presented the nation as constructed of heterosexual families rather than individual citizens, a number of 200()s Indonesian films can be seen as negotiations of new understandings of sexual diversity and individual subjectivity. These films represent a challenge to monolithic and essentialist constructions of sexuality in Indonesia, and portray characters and situations in ways that seem to fulfil the five selection criteria which Griffin and Benshoff (2006) apply to the definition of 'queer' cinema. As such, they are indicative of a paradigm shift in Indonesian cinema, which needs to be studied in association with broader patterns of social and political change. The paper describes three categories in the representation of sexual minorities in contemporary Indonesian films. The first category is represented by films such as Arisanl and , Gie, which portray characters and situations deal with male homosexual subjectivity or homoeroticism. The second category concerns films of this type that portray female characters, such as Detik Terakhirand TentangDia. In the third category are films which depict waria (male to female transgender characters) and transsexuals, represented by Panggil Aku Puspa and Realita Cinta dan Rock n Roll. The paper examines these films in the light of Boellstorff's (2005) study of gay and lesbi communities and subjectivities in Indonesia, as a way of situating them in a larger cultural picture. It suggests that the makers of these films are attempting to change the perception of their audiences about non-normative sexualities, and investigates the strategic devices used by the film makers to subvert censorship codes and social taboos in a country where homosexual behaviour is accommodated, but homosexual identities remain outside the range of socially and culturally-sanctioned subjectivities.
MANTRA ORANG JAWA: TINJAUAN SINGKAT Sulistiati, Sulistiati
ATAVISME Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3981.197 KB) | DOI: 10.24257/atavisme.v10i1.230.47-58

Abstract

Indonesian is known to be very religious society. It can be seen through the good growth of literature works both oral and written, such as "poem" and "incantation". Incantation exists among society after poets use their high ability and power of creation. Society believes that incantation has a magic power. Through incantation, we can observe how far does the function of it among society as written in Mantra OrangJawa by Sapardi Djoko Damono.
FUNGSI EHABLA PADA MASYARAKAT SENTANI, PAPUA Modouw, Wigati Yektiningtyas
ATAVISME Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6117.124 KB) | DOI: 10.24257/atavisme.v10i1.228.1-20

Abstract

Ehabla is one of oral poetry in Sentani, Papua that is almost extinct. It is sung spontaneously, without background of notes and memorization. The singer prepares plot and theme that will be elaborated in the performance, Ehabla can be transcribed into 4 lines that is dominated by repetition and parallelism. The first line is repeated in the third line, the second line is repeated in the fourth line. Essentially, the third and the fourth lines are the repetition of the first and the second lines. The repetition is enriched by synonym and reduplication. Ehabla that expresses the socio-cultural life of Sentani people can be used as media of (1) education (pedagogical system) that teaches hard work, cooperation, pride, respecting tradition, proud of birthplace, respecting natural environment; (2) reflection of Sentani people's idealization on ideal village, ideal society, and ideal leaders; (3) legitimacy of traditions; (4) forcing and watching; (5) sharpening the emotion of religion and belief; and (6) entertainment. For Sentani people who live in some remote areas in some islands, the singing and function of ehabla are still responded even though its socialization is not positively responded by the young generation. For Sentani people who live near the city, the singing and function of ehabla are not again responded by both old and young generation. This is caused by the influence of new traditions, technology, and globalization. The only function that is still alive is the function of entertainment.
ASPEK RELIGIUSITAS NOVEL FATIMAH CHEN CHEN KARYA MOTINGGO BUSYE Sujamo, Sujamo
ATAVISME Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3383.96 KB) | DOI: 10.24257/atavisme.v10i1.233.85-94

Abstract

Religiosity is the attitude, behavior, and insight of someone reflecting the quality of his/her personality. Religiosity is not only someone's knowledge about a religion, but also the value of the religion that he./sheapplied on his/her daily life in relation with The Almighty, other people, and nature. Religiosity is sometimes expressed in a literary work. As a literary work, a novel can also reveal religiosity through the characters' attitudes and behaviors in line with the plot of the novel. To understand the aspects of religiosity in a literary work, e.g. a novel, someone should read the work carefully and then reflect the characters' attitudes and behaviors in it referring to the values and rules of a religion related to the novel. Fatimah Chen Chen, a novel written by Motinggo Busye, is a kind of literary work that can be analyzed to find out the aspects of religiosity in it. Generally, they can be identified four aspects of religiosity in Fatimah Chen Chen, they are making a choice, being patient, being watchful, and being faithful.
REPRESENTASI PRIBUMI DALAM NJAI DASIMA VERSI TH. MANUSAMA Sungkowati, Yulitin
ATAVISME Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5716.725 KB) | DOI: 10.24257/atavisme.v10i1.229.31-45

Abstract

Nyai Dasima story accurately reflects some problems deal with the politics of identity and the complexity of relation between colonized. The politics of identity strategy which is implemented by colonizers could be traced in literary works. Th. Manusama Njai Dasima that is written in colonial era reflects its strategy in the representation of pribumi or 'native' as a villainous and greedy character. Claiming for Islamic value, the native is portrayed as a bandit who greedily holds up the white's wealth. The natives are also depicted easily killing each other merely due to material goods. In order to influence the readers, colonizers strive to destroy the native reputation and Islamic value. As a part of colonialist, Th. Manusama, as a part of the colonizer, has an intention to enhance the hegemonic colonial power by represents that the natives voluntarily accept colonial power by represents that the natives voluntarily accept colonialism.
PERAN MEDIA MASSA DALAM PERKEMBANGAN PUISI INDONESIA MODERN SEBELUM KEMERDEKAAN Mahmud, Amir
ATAVISME Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v10i1.42.21-29

Abstract

Pre-independence poems have been categorized as a struggle against the government and, on the other side, as a media to increase the nationalism of young natives to their country and nation. In the subsequent development, poem column in magazines is not only used as a media of poets creativity but also used as a media in propagandizing dissatisfaction to the colonialist. Native people not only need creativity space but also want to get a sense of justice, to get herness, freedom in expressing an opinion, and freedom from as an instrument of propaganda which fights for right to live free from the colonialist fetters. In addition to used as media to struggle, advice, propagandize, and get justice, pre-independence poem is also used to express the intellectual ideas of the young.
REPRESENTASI DALAM HIKAYAT SITI MARIAH VERSI SURAT KABAR BINTANG TIMUR Susanto, Dwi
ATAVISME Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v10i1.234.95-107

Abstract

The HSM BT indicated of the Self and the Other relation that was complex. The complexity could be seen at the character of representation. The phenomenon of representation was showed within ambivalence, hybrid, floating of identity, and hazy. The play and strategy were done in orde to get space and free from shackling and shadows of colonial power and bias. Strategy and representation of story telling, narrator position, identity political, and gender relation was to the be way to reach and change colonial bias. This paper aims to expose the power and domination of colonial space and time. This paper also shows colonial zone. This paper used postcolonial paradigm in particular representation the Self and the Other. This paper had concluded that the power and shadows of colonial always get space and time at relation and aspect human relation, gender, images, identity, etc. Each of way to avoid colonial shadows and bias always followed by another colonial of ways. The tone heterogeneity and plurality were taken as tolls to repress and lie of freedom way the Other

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