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INDONESIA
IJCAS (International Journal of Creative and Arts Studies)
Published by Institut Seni Indonesia Yogyakarta
ISSN : 2339191X     EISSN : 24069760     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Recently, the value of arts studies in higher education level is often phrased in enrichment terms- helping scholars find their voices, and tapping into their undiscovered talents. IJCAS focuses on the important efforts of input and output quality rising of art education today through the experiences exchange among educators, artists, and researchers with their very own background and specializations. Its primary goals is to promote pioneering research on creative and arts studies also to foster the sort of newest point of views from art field or non-art field to widely open to support each other. The journal aims to stimulate an interdisciplinary paradigm that embraces multiple perspectives and applies this paradigm to become an effective tool in art higher institution-wide reform and fixing some of biggest educational challenges to the urban imperative that defines this century. IJCAS will publish thoughtprovoking interdisciplinary articles, reviews, commentary, visual and multi-media works that engage critical issues, themes and debates related to the arts, humanities and social sciences. Topics of special interest to IJCAS include ethnomusicology, cultural creation, social inclusion, social change, cultural management, creative industry, arts education, performing arts, and visual arts.
Arjuna Subject : -
Articles 180 Documents
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Transmission and Innovation of Kasidah (Lagu Islam) in Indonesian (1975~) Take a Case Study on Nasida Ria Kasidah Modern in Semarang Ning-Hui Hung
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 1 (2017): June 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i1.1954

Abstract

Indonesian Islamic music has its own performance occasion, musical function, music characteristic, and the style of musical performance. It has lyrics that represent direct relationship between Moslems and God in religion ceremonies. However, the musical structures are changed due to external stimulation coming along with the changes of Indonesian social structure during its development especially in 1975. Kasidah, a sort of Indonesian Islamic music, is the best exemplification to manifest the interaction between social development and music cultural changes, peculiarly performed by the music group of Qasidah Modern Nasida Ria in Semarang, Indonesia. The reason is that kasidah is more liberal than other Islamic music genres in Indonesia, especially on musical performance, usage on instruments, etc. This research sees “music” as a communication system of sound which passes through social usage and cultural contexts in Ethnomusicological perspective. The focus of discussion in on this group to explore some topics in order to comprehend the interaction between social structural development and the innovation of kasidah musical structure in Indonesia, such as the transmission and development of the group Qasidah Modern Nasida Ria, innovation of the group Qasidah Modern Nasida Ria and its music, and the musical function of modern kasidah. By which to understand the current development of kasidah in Indonesia, explore the concept and the role of the word „modern‟ plays in the development of modern kasidah, and point out the cultural syncretism and impact occured in the development of modern kasidah.
Some Analytical Consideration on Indonesian Metal Music Gianluca Cellini
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 1 (2017): June 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i1.1956

Abstract

The widespread of metal music had crossed the borders of its native lands as a musical and socio-cultural phenomenon that emerged many studies mostly starting from sociological standpoint. By emphasizing the musicological aspect, this paper tried to show how the theoretical proposals of some scholars may be reflected in particular metal music through structural analysis approach. The analysis of a particular folk metal music in Indonesia showed the inclination of its instruments to mimic the interlocking of Balinese Gamelan in terms of patterns, hierarchy, and scale. The character of folk metal music in Indonesia was explained as the rebellion against a world unrestrained consumerism yet in the same time was an attempt to follow the post-modern need to find meeting points that is practicable. This paper suggested to insert the phenomenon of Indonesian metal music in the broader framework of worldwide expansion of this genre.
The Socio-technical Constitution of Resilience: Structures, Practices, and Epistemologies Kurniawan Adi Saputro
IJCAS (International Journal of Creative and Arts Studies) Vol 3, No 1 (2016): June 2016
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v3i1.2075

Abstract

Malaysian Siam Music in Northern Malaysia and Its Representation Chayuti Tassanawongwara
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 2 (2017): December 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i2.1963

Abstract

Some of the Thais were left behind in some parts of the land which once a Thailand’s territory. In the colonialism era, after Kelantan, Terangganu, Perlis and Kedah were annexed to Malaysia several decades ago by British, the Malaysian Siam who have chosen to stay put became the citizens of Malaysia despite being defined as Thais. The livelihood conditions of different nationalities are vital tools to distinguish one ethnic race from others. The first Malaysian Siam who ventured their way from South Thailand to settle in the land known as Melayu can be traced as far back as 300-500 years ago during the reign of King Boromma Trailokanat of Ayudhya era. There was an evidence of migration from then North Thailand downwards to the land of Melayu and inhabited at Sai Buri town. Today, the Malaysian Siams are densely populated across Kelantan, Perak, Perlis and Kedah. In this regard, it is a hard decision to choose the appropriate tools to represent the cultural identity. Music, in all possibilities, could be a likely solution to representation of cultural identity by importing them from its land of origin to reflect the unity of Thai people and the Malaysian Siam. Once the music is allowed to make its impact in protecting the identity of the Thai. This paper shall redound to the representation of Malaysian Siam in northern Malaysia, locally states of Perlis and Kedah, especially music in current use. The paper shall thoroughly present the result of analysis how the Malaysian Siam uses music to strengthen their cultural identity by the process of representation through a focusing on the theory of liminality.
Interdisciplinary and Globalisation Issue at the International Conference for Interdisciplinary Studies 2014 (ICIS) in South Korea Prayanto Widyo Harsanto
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 2 (2015): December 2015
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v2i2.2071

Abstract

The Study of Solar Incident on Planar Surface for Kinetic Art Waiyawat Saitum
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 2 (2017): December 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i2.1974

Abstract

In future, renewable energy will become mainstream global energy source because it flows all the time, also the solar energy. The sun always directly emits light through the earth, depending on how we utilize it. The study will fill the gap that the most of photovoltaic panel facing to the same direction against solar incident for maximum efficiently. It would be better if photovoltaic appliance to have aesthetic and capability in the same time. But changing planar surface angle for artistic purpose also need to consideration of efficiency for solar energy. The purpose of this study is to explore the most appropriate angle of solar incident that impacts directly to the planar surface, which will leads to gain maximum electric energy from photovoltaic cell. The variation angle of planar surfaces will be discovered could possibly produce energy to be applied for any purposes. The additional sources of other renewable energy gadgets may install to generate more electric power. These planar surfaces can be composited together into many new shapes and forms for researcher to create more impressive artwork. In this study, the chosen material was Monocrystalline solar cell (mono-Si) to generate energy, wood and glass for kinetic sculpture. The procedures of study were as follow: 1. Specific location by Latitude will be achieved I. Altitude II. Seasons III. Sunlight direction IV. Sunrise and Sunset time 2. Calculate Solar radiation from each Photovoltaic cell for energy gain. 3. Compares output energy and mechanic usage for Kinetic Art 4. Increases capability of solar incident by improving angle of planar surface or multiply. Results of this research will be the search of artistic identity in art forms, it will be guideline for designers to develop potential Kinetic arts and or further creative works.
Visual Methods in Social Research on Lanna Mural Painting: A Case Study of Wat Phumin, Nan Province Tawipas Pichaichanarong
IJCAS (International Journal of Creative and Arts Studies) Vol 3, No 2 (2016): December 2016
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v3i2.1842

Abstract

According to most of tourists who have visited Thai temples and have seen Thai mural paintings with untrained eyes, they might not understand a story on walls at first sight. It may be because Thai mural paintings look confusing, crowded with colorful figures that appears similar in detail and character, leaving no place to focus one’s attention (David K. Wyatt, 2004). Thai mural painting is a disparate of the visual arts because of conventions that are entirely its own. This research is designed to study the capability of Thai and Foreign tourists in order to apprehend Lanna mural painting through visual methods in social research. For Methodology, questionnaires were used by collecting the data from the total of 411 Thai and foreign tourists who have been visited Wat Phumin, Nan province. At the same time, qualitative method was used by collecting the data form tourists who have been visited Wat Phumin, Nan province. The data then were analyzed using mean, descriptive statistics, and qualitative data. This study concludes that the comprehension of Lanna mural painting at first sight from Thai and foreign tourists at Wat Phumin, Nan province are not positive. In addition, the results reported that our respondents have verified that there is no direction in order to understand stories on Lanna mural painting from the beginning. Furthermore, the results reported that our respondents have established visual methods in social research in order to discover more effective solutions to facilitate Thai and foreign tourists to obtain the information of the storytelling in Lanna mural painting at first sight as possible.
International Symposium on practice as research (ISpar) (Controversies, Challenges, Conceptualisations East-West perfectives) Asep Hidayat Wirayudha
IJCAS (International Journal of Creative and Arts Studies) Vol 5, No 1 (2018): June 2018
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v5i1.2218

Abstract

Art as the Manifestation of Embodiment in the Age of Modern technology Ferdinand Indrajaya
IJCAS (International Journal of Creative and Arts Studies) Vol 5, No 1 (2018): June 2018
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v5i1.2209

Abstract

It is undeniable that modern technology has been penetrating our contemporary life in myriad aspects. From the water we drink, foods we eat, to the installed applications inour phone. Hence modern technology has become one dominating worldview on itsown which skips our reflection upon it. Its rapid growth stems from the dismissal oftradition and simultaneously with the tremendous scientific discoveries with its inherentinstrumental rationality. It actively participates in serving the irrational dimension ofour cybernetics-contemporary life. Thus it is not a neutral ensemble of devices, butnormatively-prescriptive directs our being in achieving our goals mechanically. AsHeidegger said, it enframes our being in the world in a disembodied fashion. Enframing,is the quintessence of modern technology. Merleau-Ponty, as another ardent critic, alsostated that modern technology is essentially manipulative. Under the heading of scientism(and or cybernetics), it anesthetizes humanity as its own manipulandum. Contrastingwith such view, art potentially re-attunes our relation with things. From Merleau-Ponty’sphenomenological perspective, art (especially painting) powerfully shows the prereflectiveand embodied contact with the world. This paper is an attempt to show the roleofart in a life that has been eclipsed by the modern technological worldview.
Alternatives Formation of Bricks Pattern from Trowulan through parametric design Stephanus Evert Indrawan
IJCAS (International Journal of Creative and Arts Studies) Vol 5, No 1 (2018): June 2018
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v5i1.2214

Abstract

This research is a continuation of the potential mapping from Trowulan Art and Crafts commodity based on its material which consist of Terracotta, Stone and Brass. Studies are limited to Terracotta and bricks as its products. Terracotta of Trowulan has a distinctive color texture and the product that based on this material are mostly sculpture, roofs tile, roofs ornament and bricks. Bricks are the most common material for building construction and being exposed in a common principles of bricks formation. This recent research aims to find an alternative principles of bricks formation through parametric design approach. The software that being used are Rhinoceros and Grasshopper plug ins. Product of studies are parametric script that enables designer to make a well calculated simulation and shorten the prototyping process. It is also implemented as design module or designs pattern that can be developed manually by handworkers.

Page 9 of 18 | Total Record : 180

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