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E-Journal Of Cultural Studies

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Published by Universitas Udayana

ISSN : 23382449 EISSN : - DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.

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Articles 5 Documents

Search results for , issue "Volume 10, Number 2, May 2017" : 5 Documents clear

DECONSTRUCTING EMPOWERMENT OF PEOPLE WITH DISABILITIES AT GIANYAR SENANG HATI FOUNDATION, BALI Wahyuni, Anak Agung Nyoman Sri; Wirawan, AA Bagus; Kumbara, Anak Agung Ngurah Anom
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Globalization extraordinarily affects the Senang Hati Foundation. The roles played by the agents of empowerment such as the Non-government OrganizationS and government are enormous. The government should pay attention to every citizen, including those with disabilities as they also need justness, as stated in the Five Principles ‘Pancasila’ and the 1945 Constitution and the Act Number 4 of 1997 concerning people with disabilities, which was then changed into the Act of the Republic of Indonesia Number 8 of 2016 concerning people with disabilities. This present study is intended to identify the empowerment of the people with disabilities at the Gianyar Senang Hati Foundation, Bali. The qualitative method is used. The data were taken from the primary data source and secondary data source. The data were obtained through observation, in-depth interview, and library research. The theory of hegemony, the theory of deconstruction, and the theory of social practice are used in the present study. The result of the study shows as follows. First, the Foundation has four programs which are implemented to empower people with disabilities. They are social program, educational program, health program, and economic program. Second, the obstacles the Foundation faces can be divided into two. They are the internal obstacle and external obstacle. Third, the obstacle affects the existence of the Foundation, its management, its members, the government, donators and society. The finding of the study is that the Foundation has not been able to empower all of its members yet. In addition, the agents of the empowerment of people with disabilities have different interests.

MARGINALIZATION OF BEDEKEH RITUAL PERFORMED BY AKIT ETHNIC GROUP IN RUPAT ISLAND, BENGKALIS REGENCY, RIAU PROVINCE IN THE ERA OF GLOBALIZATON Suroyo, Suroyo; Kumbara, Anak Agung Ngurah Anom; Suarka, I Nyoman; MPSS, Pudentia
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

This present study is intended to explore, identify, comprehend and describe the phenomenon of the bedekeh ritual performed by the Akit ethnic group in Riau Island, Bengkalis Regency, Riau Province in the era of globalization. The Oang Akit (those who belong to the Akit ethnic group) believe that all diseases are believed to result from the interference of invisible spirits or what is locally referred to as Antu (Hantu=Ghost), their ancestors, the treatment of other people or what is referred to as disantet (black magic practice), and curses. The bedekeh ritual is a cultural important element; it is not only performed to stimulate emotion but it is also performed to make the relationship among people and between people and the cosmos in harmony. Globalization has developed human life and changed the people’s way of life, including the Akit ethnic group. The data in the present study were collected using the techniques of observation, in-depth interview, library research, and documentation. Based on what was explored and the method used to analyze the data, it was found that the bedekeh tradition is still performed by the Akit ethnic group; however, its existence is getting marginalized by the internal and external factors. The modern epistemology (Modern-Western) in which rationality is considered more important than other things has caused the therapy performed by the Akit ethnic group to shift. Hegemony resulting from the penetration of the culture belonging to the non Akit ethnic groups has also caused the bedekeh ritual to be marginalized.

THE BARONG LANDUNG PERFORMING ART FROM THE PERSPECTIVE OF CULTURAL ACCULTURATION Cerita, I Nyoman; Wirawan, AA Bagus; Suarka, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The Barong Landung performing art, as the acculturation of the Balinese culture and Chinese culture, has opened the new history of the relationship between the Balinese culture and Chinese culture. The acculturation has also become the peak of the Chinese cultural impact on the Balinese culture in general and the Balinese performing art in particular. Moreover, Balong Landung has also been considered the symbolic appearance of the Balinese King, Sri Aji Jaya Pangus, and his wife, Kang Cing Wie, who governed from 1099 to 1103 Caka Year. The qualitative method was used in the present study and the data were collected through library research. The data were collected through the secondary data source. The primary data were collected through interview, observation, and documentation techniques. The result of the study shows that the barong landung performing art is a traditional Balinese performing art which has been affected by the Chinese culture. It has been strongly integrated into the elements of the people’s performing art and culture in every region of Bali. In Bali it reflects the humanity-oriented culture. It can be classified as the sacred, magical, and religious performing art and is performed as part of the traditional and religious rituals in Bali.

COMPASSIONATE CAPITALISM IN HOTEL INDUSTRY IN UBUD, BALI Sanjaya, I Wayan Kiki; Mudana, I Gede
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

This present study analyzes the success of the practice performed by the investors in hotel industry using the ideology of the compassionate capitalism. The study was conducted in Ubud as the habitus of the investors in hotel industry. The area has the characteristic of tending to be resistant and strongly bound to customs and traditions, and is skeptical to the gradual modern impact. The problem of the study is what the practice of the compassionate capitalism performed by the investors of hotel industry in Ubud like. The study is intended to identify the form of the practice performed by the investors in hotel industry in Ubud as a tourist destination, Gianyar Regency, Bali. The qualitative-interpretative method was used. The data were collected using observation, interview and documentation techniques. The data were analyzed through data reduction, data presentation, and conclusion drawing using the theories of cultural studies which are eclectically related. The result of the study identifies that the investors in hotel industry in Ubud perform their practices by: (1) using the Company Social Responsibilities (CSR) as the basis for performing their practice in hotel industry; (2) adopting the local genius stated in the community-based tourism, CBT). The finding of the study indicates that the investors use the structural pattern of the compassionate capitalism which adapts to capitalism in the case study of hotel industry.

THE BACKGROUND OF MARKET IDEOLOGY IN THE DEVELOPMENT OF BELADIRI AIKIDO IN BALI Nurita, Wayan; Suarka, I Nyoman; Wirawan, AA Bagus; Dhana, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Quite a lot of Balinese people nowadays are pursuing different martial arts coming from other nations, among others is Aikido. Aikido as one of the martial arts of Japan can be accepted and is growing well in Bali which has the background of market ideology as one of the impacts of globalization. The development process of Aikidoin Bali both in addition to the number of training venues (Dojo) and improving the quality of the participants’ techniques (Aikidoka) under the supervisionof Bali Aikido Master Organization (Bari Aikikai) which has been established since 1997. By questioning what kind of ideology is working in the development of Aikido Martial Arts in Bali, this research is a qualitative research which applies the Hypereality theory of Jean Baudrillard. Result of the research shows that the development of aikido martial arts in Bali both in the development of the dojo and the aikidokaare in the process to reach certain levels. In order to reach both, the allocation of time and funds are required. Bari aikikai is a Japan subordinate of aikidomartial arts organization (Nihon Aikikai). Everything related to the development of aikido martial art in Bali is done through Bari Aikikai. The Japanese as the cultural owner and discourse producer play an important role in relation to the market ideology in it. This condition and realitycan be seen in the development process of aikido martial art in Bali. Both the dojo and aikidoka managers spend a lot of money in terms of training in the form of compulsory dues and other dues payment. This research also found a new paradigm that behind the acceptance and development of aikidomartial artsas the globalization of culture, there is market ideology behind the discourse.

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