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Prediction of Behavioral Patterns of Number Students Using Artificial Neural Networks. Endah Nurjanah; Dyah Nur Rochmah; Bagus Wirawan
Mulia International Journal in Science and Technical Vol 1 No 2 (2018): December
Publisher : Universitas Mulia

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This study aims to predict student behavior patterns so they can predict based on the number of students. To achieve optimal results, this study uses Artificial Neural Networks with the Backpropagation method. A case study was conducted at the Faculty of Computer Science, X University. The data used is data on the number of students in the academic year two years ago as training data and the school year data is two years after that as testing data. Furthermore, the data are analyzed with several network architecture patterns, and the best design will be chosen to be implemented into the Matlab program. The system results show a correlation between the number of students that occur.

TRANSFORMATION OF TRADITION OF BARONG NGELAWANG IN TOURISM AREA OF UBUD, GIANYAR, BALI Sukerna, I Nyoman; Wirawan, Anak Agung Bagus; Kumbara, Anak Agung Ngurah Anom; Sukerta, Pande Made
E-Jurnal Kajian Budaya (Online Journal of Cultural Studies) Vol 9, No 1 (2016): February 2016
Publisher : E-Jurnal Kajian Budaya (Online Journal of Cultural Studies)

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Globalization carries new values and touches all aspects of life, one of which is the tradition of barong ngelawang. This present study is intended to discuss the pattern of transformation, ideology and meaning of the tradition of barong ngelawang in the tourism area of Ubud, Gianyar, Bali. The study views the tradition of barong ngelawang as a text of which the context, why and how it is performed should be understood. The theory of social practice, the theory of ideology, and the theory of semiotics were used to analyze the data. The descriptive and interpretative method was employed. The result of the study shows that the tradition of barong ngelawang in Ubud was transformed from being a scared performance into a secular performance, and from a secular performance into a sacred performance. The transformation also took place in the space dimension. The ideologies which led to the activity of barong ngelawang were the religious ideology and solidarity ideology. The secular activity of barong ngelawang was dominated by the ideology of creativity and the economic ideology. From the ideological context, the meanings which could be revealed from the activity of barong ngelawang were the religious meaning and artistic meaning. From the superstructure context, the meanings that could be revealed were the social stratification meaning, the job description meaning, and the educational meaning. From the infrastructure context, the meaning which could be revealed was the economic meaning.

RELIGIOUS IDEOLOGY OF THE TRADITION OF MAKOTEK IN THE ERA OF GLOBALIZATION Pradana, Gede Yoga Kharisma; Suarka, I Nyoman; Wirawan, AA Bagus; Dhana, I Nyoman
E-Jurnal Kajian Budaya (Online Journal of Cultural Studies) Vol 9, No 1 (2016): February 2016
Publisher : E-Jurnal Kajian Budaya (Online Journal of Cultural Studies)

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Makotek is a cultural tradition which is performed as a ritual to ward off misfortune by the people living at Munggu Village, Badung Regency. It is performed once in six months, namely, every Kuningan Feast Day. It has been inherited from generation to generation as an oral tradition. In the era of globalization, many parties and cultural components are involved in its performance. It is still performed until now. However, the people living at Munggu Village do not close themselves to modernity. The data were collected through observation, interview, library research and documentary techniques. The informants were determined using the purposive and snowball technique. All the data were analyzed in order to draw conclusions. The result of the study shows that the religious ideology which has inspired the people living at Munggu Traditional Village to perform the tradition of Makotek. Ideologically, they believe that by performing the tradition of Makotek, they can protect their resources and the human unity in the middle of the social dynamics in the era of globalization. It is performed in stages, in accordance with the tradition they have adhered to since a long time ago. The performance of the tradition of Makotek at Munggu Village has been able to strengthen their belief in the existence of Ida Sang Hyang Widhi, Almighty God. In addition, such a religious practice is the supernatural source of happiness and health as it is believed to be able ward off misfortune.

DECONSTRUCTING THE IDEOLOGY OF RESISTANCE SHOWN BY THE PEOPLE LIVING AT CANDIKUNING VILLAGE TO THE MANAGEMENT OF EKA KARYA BALI BOTANICAL GARDEN Sujana, I Wayan; Wirawan, AA Bagus; Sirtha, I Nyoman; Dhana, I Nyoman
E-Jurnal Kajian Budaya (Online Journal of Cultural Studies) Vol 9, No 1 (2016): February 2016
Publisher : E-Jurnal Kajian Budaya (Online Journal of Cultural Studies)

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The people living at Candikuning Village are not involved in the management of the Eka Karya Bali Botanical Garden; however, they intend to enjoy the retribution which is received by the Botanical Garden, for which they show their resistance to the management. This article is intended to understand the ideology which has inspired the local people to argue that they are entitled to the retribution received by the Eka Karya Bali Botanical Garden. The data were collected through in-depth interview, observation, and documentation techniques. The data were critically analyzed using the deconstruction method. Based on the analysis of the facts which had inspired the resistance shown by the local people living at Candi Kuning Village to the management of the Bali Eka Karya Botanical Garden, it could be understood that the geopolitical ideology was used as the basis of the resistance. Therefore, the management of the Bali Eka Karya Botanical Garden should give some of the retribution they received to the local people. The Botanical garden is located at Candikuning Village or part of the area of Candikuning Village. However, the village had never received any retribution from the Botanical Garden. The management should remember the proverb “di mana bumi dipijak di situ langit dijunjung” (we should adjust ourselves to the environment where we stay), based on the philosophy of Tri Hita Karana, meaning that the management should give retribution to the temple located at the area of the Botanical Garden.

PRACTICE OF POWER OF MEDICAL AUTHORITY OF THE MENTAL HOSPITAL ON THE PSYCHIATRIC PATIENT WITH STIGMA Putro, Bambang Dharwiyanto; Kumbara, AA Ngurah Anom; Wirawan, A.A. Bagus
E-Journal of Cultural Studies Volume 11, Number 1, February 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The matters pertaining to mental disorders are complex as they are not only related to the medical professionalism, patients, their families and society but they are also related to the stigma they have and the protection of their dignity and status. Stigma is like a prison in the social relation constructed by the apparatuses that contribute to development, the regime of knowledge, and modernism on behalf of normalization. By applying the point of view of cultural studies, namely siding with those who are suppressed, this present study is intended to identify the form of the stigma which the psychiatric patients have resulting from the practice of power of the medical authority implemented by the Mental Hospital. Observation and in-depth interview methods were employed in the present study. The data were collected through life story and library research. The collected data were analyzed descriptively, qualitatively and interpretatively using the relevant critical theories such as the theory of discourse, the theory of deconstruction, and the theory of hegemony. The result of the study shows that there are two forms of the stigma which the psychiatric patients suffer from; they are the public stigma (the stigma brought about by society) and the self-stigma (the stigma brought about the patients and their families). The factors which contribute to the stigma of mental disorders can be classified into two; they are the external and internal factors as the translation of the hegemony of power and the domination of the authority of social and medical apparatus over the psychiatric patients leading to the social and identity gap. This shows the form of the struggle involving power in order to strengthen the domination of the apparatus in different aspects of life. The psychiatric patients cannot speak and are so marginalized that they have almost never been heard. The society’s social control through the saving mission of the Mental Hospital is implemented through the nursing practice and the controlling mechanism it performs in which the authority of the medical doctors is dominant enough to show that they have power in the Mental Hospital.

DECONSTRUCTING EMPOWERMENT OF PEOPLE WITH DISABILITIES AT GIANYAR SENANG HATI FOUNDATION, BALI Wahyuni, Anak Agung Nyoman Sri; Wirawan, AA Bagus; Kumbara, Anak Agung Ngurah Anom
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Globalization extraordinarily affects the Senang Hati Foundation. The roles played by the agents of empowerment such as the Non-government OrganizationS and government are enormous. The government should pay attention to every citizen, including those with disabilities as they also need justness, as stated in the Five Principles ‘Pancasila’ and the 1945 Constitution and the Act Number 4 of 1997 concerning people with disabilities, which was then changed into the Act of the Republic of Indonesia Number 8 of 2016 concerning people with disabilities. This present study is intended to identify the empowerment of the people with disabilities at the Gianyar Senang Hati Foundation, Bali. The qualitative method is used. The data were taken from the primary data source and secondary data source. The data were obtained through observation, in-depth interview, and library research. The theory of hegemony, the theory of deconstruction, and the theory of social practice are used in the present study. The result of the study shows as follows. First, the Foundation has four programs which are implemented to empower people with disabilities. They are social program, educational program, health program, and economic program. Second, the obstacles the Foundation faces can be divided into two. They are the internal obstacle and external obstacle. Third, the obstacle affects the existence of the Foundation, its management, its members, the government, donators and society. The finding of the study is that the Foundation has not been able to empower all of its members yet. In addition, the agents of the empowerment of people with disabilities have different interests.

CARTOON VISUALIZATION AS SOCIAL REPRESENTATION IN BOG-BOG BALI CARTOON MAGAZINE 2011/2012 EDITION Swandi, I Wayan; Wirawan, AA Bagus; Artayasa, I Nyoman; Mudana, I Gede
E-Journal of Cultural Studies Volume 9, Number 4, November 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Bog-Bog cartoon was a mass media production which was rich in strong artistic and Balinese cultural values. Social changes cannot be avoided since Bali became a global tourist destination. On one hand, Bali cannot be avoided from being attracted by the global strength; on the other hand, attempts are perpetually made to maintain its cultural identity. The descriptive method was used in the present study, which was intended to explain how the Bog-Bog cartoon was visualized and what meanings were hidden in it.

RELIGIOUS IDEOLOGY OF THE TRADITION OF MAKOTEK IN THE ERA OF GLOBALIZATION Pradana, Gede Yoga Kharisma; Suarka, I Nyoman; Wirawan, A.A. Bagus; Dhana, I Nyoman
E-Journal of Cultural Studies Vol 9 No 1 (2016): Volume 9, Number 1, February 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Makotek is a cultural tradition which is performed as a ritual to ward off misfortune by the people living at Munggu Village, Badung Regency. It is performed once in six months, namely, every Kuningan Feast Day. It has been inherited from generation to generation as an oral tradition. In the era of globalization, many parties and cultural components are involved in its performance. It is still performed until now. However, the people living at Munggu Village do not close themselves to modernity. The data were collected through observation, interview, library research and documentary techniques. The informants were determined using the purposive and snowball technique. All the data were analyzed in order to draw conclusions. The result of the study shows that the religious ideology which has inspired the people living at Munggu Traditional Village to perform the tradition of Makotek. Ideologically, they believe that by performing the tradition of Makotek, they can protect their resources and the human unity in the middle of the social dynamics in the era of globalization. It is performed in stages, in accordance with the tradition they have adhered to since a long time ago. The performance of the tradition of Makotek at Munggu Village has been able to strengthen their belief in the existence of Ida Sang Hyang Widhi, Almighty God. In addition, such a religious practice is the supernatural source of happiness and health as it is believed to be able ward off misfortune.

COMMODIFICATION OF CUTURAL HERITAGE AS TOURIST ATTRACTION AT PENATARAN SASIH TEMPLE, PEJENG, GIANYAR Raka, A.A. Gede Raka; Ardika, I Wayan Ardika; Wirawan, A.A. Bagus Wirawan; Setiawan, I Ketut Setiawan
E-Journal of Cultural Studies Vol 8 No 2 (2015): Volume 8, Number 2, May 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Penataran Sasih Temple with the cultural heritage it has is located at Pejeng Village, Gianyar, and is commodified as a tourist attraction. There are three problems which are formulated in the present study. They are (1) what was the cultural heritage which Penataran Sasih Temple, Pejeng, Gianyar, has like; (2) how the process of commodification of the cultural heritage which the Penataran Sasih Temple has took place; (3) what were the impact and meaning of the commodification of the cultural heritage which the Pentaran Sasih Temple has on the people living at Pejeng Village. In general, this present study is intended to identify the commodification of the cultural heritage which the Penataran Sasih Temple has. In particular, this present study is intended to identify the form of the commodification of the cultural heritage, understand the process of the commodification, and explain the impact and meaning of the commodification. The qualitative method was used in the present study. The data were collected through observation, in-depth interview, and library research. The data were analyzed descriptively and qualitatively. It could be inferred that the cultural heritages included (a) the kettledrum “Bulan Pejeng”, the other cultural heritages, and the religious ritual; (b) the commodified cultural heritages were distributed by the government, profit organizations, academicians, and traditional organizations; and (c) the commodified cultural heritages were consumed by the local society, non Balinese society, and international society.

THE DISCOURSE OF PADANG RESTAURANTS IN GUS TF SAKAI’S NOVEL ULAR KEEMPAT Fadlillah, Fadlillah; Wirawan, AA Bagus; Cika, I Wayan
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The topic of the research is the novel titled Ular Keempat (the Fourth Snake) by Gus tf Sakai. It is focused on the text of Rumah Makan Padang (Padang restaurants) in the novel based on the study of cultural studies literature. In the final part of the story of Ular Keempat, there is a side text of Rumah Makan Padang. The main point of the research is the archeology of Rumah Makan Padang. The approaches used are the Foucault‘s discourse and Derrida‘s deconstruction. The result of the study shows that the essence of the story of Hajj trip in the articulation of Minangkabau people‘s view of life can be revealed in some texts. First, text of Padang was the episteme discourse built by the Dutch East Indies goverment. Second, the discourse of Minangkabau Sufistic culture systemically was demolished by the Dutch East Indies government. Third, the discourse of Minangkabau culture was systemically controlled by the Dutch East Indies government. Fourth, the discourse of Dutch colonial‘s liberal culture is actually continued by the Indonesian government towards Minangkabau culture. Fifth, the literary approach can be applied by studying the metaphors and cultural hospitality. Through this research it can be argued that the text of Hajj trip, in the novel of Ular Keempat, is a manifestation of the essence of merantau text empirically. Life for Minangkabau people is actually migration and after life is the true home; this is theirlife view. Thus, Minangkabau culture is actually a sufistic culture, and surau is the center of Minangkabau culture.

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