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ETNOSIA : Jurnal Etnografi Indonesia
Published by Universitas Hasanuddin
ISSN : 25279313     EISSN : 25489747     DOI : https://doi.org/10.31947/etnosia.v9i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
ETNOSIA : Jurnal Etnografi Indonesia Jurnal Etnografi Indonesia (Etnosia) diterbitkan 2 kali setahun (Juni & Desember) dengan tujuan untuk mengembangkan ilmu antropologi sosial dan budaya di Indonesia. Redaksi mengandung para penulis untuk mengirimkan artikel yang termasuk dalam kriteria hasil penelitian etnografi pada kelimpok tertentu, hasil peneltiian terapan di bidang antropologi, teori/metodologi dalam ilmu antropologi atau ilmu-ilmu sosial lainnya, dan tinjuan buku terhadap buku teks antropologi atau ilmu sosial lainnya. Jurnal ini menggunakan system peer review dalam pemilihan naskah yang akan diterbitkan. Kriteria dari artikel yang dikirimkan mencakup jenis artikel berikut ini: Artikel ini menyajikan hasil penelitian etnografis / kualitatif dalam topik tertentu dan terkait dengan kelompok etnis / sosial di Indonesia; Artikel ini adalah diskusi yang terinci mengenai penelitian terapan dan kolaboratif dengan keterlibatan kuat antara penulis dan subjek kolaborator dalam menerapkan program intervensi atau inisiatif pembangunan lainnya yang menekankan pada isu-isu sosial, politik, dan budaya; Sebuah tulisan teoretis yang menguraikan teori sosial dan budaya yang terkait dengan wacana teoretis antropologi, terutama antropologi Indonesia; Terakhir, artikel tersebut merupakan tinjauan kritis terhadap referensi antropologi dan buku etnografi lainnya yang harus diterbitkan setidaknya dalam 3 tahun terakhir.
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Articles 13 Documents
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Search results for , issue "Vol. 7 No. 2 (2022)" : 13 Documents clear
Similar but not the same: The study of weavings cultural materials diversity in Sumba Wicaksono, Mochammad Arief
ETNOSIA : Jurnal Etnografi Indonesia Vol. 7 No. 2 (2022)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v7i2.23723

Abstract

This paper aims to show that cultural materials, which are often considered cultural and area-bounded, turn out to have a diversity that depends on each place's social, cultural, economic, and geographical dynamics. This paper will focus on cultural materials in the form of Sumba weaving cloth. This paper is based on research with a qualitative approach, especially with observation methods in several weaving centers in Sumba and in-depth interviews with weaving artisans. The result of this study is that Sumba weavings cloth has local characteristics that depend on environmental potential, social, economic, historical, and cultural aspects, as well as the knowledge of its weavers from each region in Sumba. This diversity is reflected in the manufacturing techniques, coloring techniques, and various motifs adorn the weaving process.
Cultural Policy: Some initiatives and trends to manage cultural diversity in Indonesia Purwanto, Semiarto Aji
ETNOSIA : Jurnal Etnografi Indonesia Vol. 7 No. 2 (2022)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v7i2.24827

Abstract

This article discusses the cultural policy in the state level. The discussion on cultural policy cannot be separated from the idea of ​​the state's interest in maintaining citizens' trust in government programs. The strong role of the state in formulating cultural policies is often seen as the hegemony of the state over society, in the perspective of governmentality, as if the state has the power to determine what its citizens may do.  In Indonesia, cultural policies have also been tried to be implemented from time to time. However, some of our cultural policies tend to look at the macro and general aspects. Local initiatives are indeed seen, but in the end, macro ideas are taken into consideration. Besides being aimed at tourism, the development of local culture is also carried out by referring to certain standards that come from outside the community context. One of the standards that is currently popular is to identify a tradition and then trying to convince the public that the tradition has the right to be included in the category of national intangible cultural heritage.  I try to reformulate cultural policies, in the context of Indonesia, which has diverse traditions, amid this global change, as an effort to maintain the dynamic of local traditions. It can be pursued primarily by protecting traditional (adat) communities and their cultural works. It is not a question of 'extinction' or 'sustainability' but how these traditions can develop in the community, become part of the community, and rediscover its relevance to conditions outside the rapidly growing community.
Islamic education values in groom’s traditional makeup Kebesaran Banten Mutimmatul Faidah; Festiana, Ailsa; Muntazeri, Eliya Najma
ETNOSIA : Jurnal Etnografi Indonesia Vol. 7 No. 2 (2022)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v7i2.21018

Abstract

Banten is the westernmost region of Java island that is famous for its religiosity and distinctive culture. This study aimed to describe the characteristics of the groom’s makeup for Kebesaran Banten (The Name of the Groom’s makeup) and reveal the value of Islamic education for the bride and groom. This qualitative study used Spradley’s ethnographic research approach. Data were collected using in-depth interviews, participant observation, and documentation. The results revealed that the groom of Kebesaran Banten had natural soft makeup encrusted with golden makutaraja (crown) and a necklace of jasmine on the chest. The clothes were made of red, green, or black velvet, decorated with the side cloth of the Banten Sultanate and a shoulder sash. The groom wore trousers and sandals of the same color. At the waist, a dagger and a short spear were tucked in with a jasmine flower garland. This make-up represented Islamic culture that combined Javanese Hindu, Chinese, and European cultures. The value of Islamic education was manifested in the values of faith, morals, physical, rationality, psychological, sexual, and social. This makeup could be developed as a medium for internalizing the value of Islamic education for brides in forming a happy family based on faith. Overall, this make-up depicts the husband's figure as a family leader who is faithful, visionary, hardworking, maintaining family honor, and full of love. 

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