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The Role of Arts and Ethics in the ‘Work in Progress’ Grade X Textbook through Content Analysis Erika Grace Juliana Manurung; Yenni Erlita; Lia Lisyati; Lovita Christiani Napitupulu; Junus Situmorang; Samantha Yohana Situmorang
QISTINA: Jurnal Multidisiplin Indonesia Vol. 5 No. 1 (2026): June 2026
Publisher : CV. Rayyan Dwi Bharata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57235/qistina.v5i1.8608

Abstract

The portrayal and function of the arts and moral principles in the Grade X English textbook Work in Progress are examined in this study. The study looks at the text, pictures, and educational activities in the textbook to determine how these components are presented using a qualitative content analysis method. The results demonstrate how the arts are mirrored in narratives, visuals, and culturally rich resources that foster students' involvement and creativity. In the meantime, ethical principles like cooperation, respect, and accountability are ingrained in discussions, texts, and assignments, assisting students in making connections between what they are learning and actual circumstances. These components not only enhance the educational process but also aid in the growth of students' critical thinking and character. In general, the incorporation of ethics and the arts contributes significantly to the textbook's increased relevance, meaning, and interactivity for students.
Quantifying Urban Street Transformation: Integrating Informal Economic Activity Intensity (IIAEI) and Spatial Occupation Ratio (SOR) in Medan City I Gede Wyana Lokantara; Rafika Hilmi Nasution; Lia Lisyati
Jurnal Perkotaan Vol. 18 No. 1 (2026): Juni 2026
Publisher : Universitas Katolik Indonesia Atma Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25170/perkotaan.v18i1.7911

Abstract

Informal economic activities significantly influence the spatial and functional transformation of urban street corridors; however, their quantitative impact has not been examined in depth. This study analyzes the restructuring of street space by informal activities by integrating spatial pattern analysis (linear, spot, and mixed) with two quantitative indicators: the Informal Economic Activity Intensity Index (IIAEI) and the Spatial Occupation Ratio (SOR). Empirical data from three urban corridors in Medan City demonstrate that street space transformation occurs systematically through the interaction between activity intensity and spatial distribution. The findings indicate a non-linear relationship between activity intensity and spatial occupation, with SOR reaching up to 100 percent in several corridor segments. Concentrated activities result in high spatial pressure even at lower intensity levels, whereas dispersed activities lead to lower pressure despite higher activity counts. This interaction yields three distinct corridor typologies: high-pressure corridors, concentration-based hotspots, and transitional corridors. This study introduces a novel quantitative framework that operationalizes the relationship between informal economic activities and street space transformation by integrating IIAEI and SOR, enabling a measurable and comparative assessment of spatial pressure. The integration of IIAEI and SOR enables an objective, comparative assessment of spatial pressure. The results underscore the need to transition from control-oriented policies to integrative, data-driven approaches, thereby positioning urban street space as an adaptive and inclusive socio-economic environment.
GENDERED POWER AND DISCURSIVE CONTROL: WOMEN'S SUBJECTIVITY IN NJO CHEONG SENG'S ZOEBAIDAH Sartika Sari; Lia Lisyati; Umar Mukhtar Siregar
Jurnal Ilmiah Bina Bahasa Vol 19 No 1 (2026): Jurnal Ilmiah Bina Bahasa
Publisher : Direktorat Riset dan Pengabdian kepada Masyarakat, Universitas Bina Darma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33557/q2kmbz38

Abstract

This research examines the novel Zoebaidah (1940) by Njo Cheong Seng, a prolific Peranakan Chinese author of the early 20th century. This novel was published amidst the dominance of patriarchal discourse in Peranakan Chinese literature, which was mostly written by men. Using feminist narratology, this study analyzes how narrative techniques focused on characterization, focalization, and dialogue construct female subjectivity and negotiate power relations in the text. The research findings reveal that Zoebaidah is constructed ambiguously. She is presented as an intelligent and powerful woman, but is unable to free herself from cultural and customary control. This restrictive cultural construction is what Zoebaidah fights against. She is shown to have critical awareness and the courage to fight against oppressive structures. Zoebaidah's negotiation of patriarchal authority, her rejection of forced marriage, and her willingness to sacrifice personal interests for the sake of shared peace represent a subversive model of femininity. With these findings, this study offers a counter-discourse on women's freedom, identity, and agency, while articulating a critique of patriarchal structures through the construction of resistive and empowered female characters.