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All Journal Jurnal Bisnis dan Komunikasi Digital Journal Of Public Policy (Social Politics) Sciences (Polisci) Perspektif Administrasi Publik dan hukum Dialogika : Jurnal Penelitian Komunikasi dan Sosialisasi
Novicky Alban Adiputra
Universitas Swadaya Gunung Jati, Cirebon
Humanities Computer Science & IT Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Response of the Kebon Jambu Islamic Boarding School to the Framing of the Television Broadcast of the Xpose Uncensored Trans7 Program: A Case Study of the October 13, 2025 Broadcast Muhammad Dzulfikar; Farida Nurfalah; Novicky Alban Adiputra
Jurnal Polisci Vol 3 No 5 (2026): Vol 3 No 5 May 2026
Publisher : ann4publisher@gmail.com

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62885/polisci.v3i5.1165

Abstract

Background. Television media has a strategic role in shaping social reality through the framing process, including in representing religious institutions such as Islamic boarding schools. The October 13, 2025 edition of Xpose Uncensored Trans7 showcases pesantren through narratives and visuals that cause controversy and influence public perception. Aims. This study aims to analyze the framing of pesantren in the Xpose Uncensored Trans7 show and examine the response of the Kebon Jambu Islamic Boarding School to the framing. This study uses a qualitative approach with a case study method. Data was obtained through in-depth interviews with caregivers, managers, and students of the Kebon Jambu Islamic Boarding School, as well as through documentary documentation and supporting literature. Data analysis was carried out using Robert N. Entman's framing theory. Results. The results of the study show that the Xpose Uncensored Trans7 show frames pesantren reducively and tends to ignore the context of pesantren values, traditions, and educational relationships. The response of the Kebon Jambu Islamic Boarding School shows a critical and reflective attitude through the rejection of media stigma and efforts to maintain the cultural identity of the Islamic boarding school. Conclusion. This study concludes that pesantren play an active role in responding to media construction, thus emphasizing the importance of journalistic practices that are contextual and sensitive to cultural values.
Communication Management for the UGJ Tancap Qris Event Regarding Literacy in Digital Payment Systems Ananda Farhan Tamamala; Khaerudin Imawan; Novicky Alban Adiputra
Jurnal Bisnis dan Komunikasi Digital Vol. 3 No. 2 (2026): February 2026
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/jbkd.v3i2.5735

Abstract

The development of digital payment systems using the Indonesian Standard Quick Response Code (QRIS) calls for improved digital literacy, particularly among college students. One of the efforts undertaken is through event-based outreach activities, such as the UGJ TANCAP QRIS event organized by the Indonesian New Generation (GENBI) chapter at Swadaya Gunung Jati University (UGJ) in Cirebon. This study aims to analyze the application of communication management in organizing the event and its impact on improving students’ digital payment system literacy. This study uses a qualitative approach with a descriptive mode. Data were collected through in-depth interviews with GENBI executives, the organizing committee, and event participants, as well as supporting documentation. Data analysis was conducted using thematic analysis. The results indicate that communication management in the UGJ TANCAP QRIS event was implemented through four main stages: planning, organizing, execution, and evaluation of communication. Clear message planning, an organized communication structure, a communicative and interactive communication style, and post-event evaluation positively contributed to the effectiveness of information delivery. The research findings also indicate an increase in students’ understanding and interest in the use of QRIS after participating in the activity. This study concludes that well-planned and coordinated communication management plays a crucial role in supporting the success of digital payment system outreach activities within the university environment.
The Construction of Resistance in the Lyrics of the Song “Bayar Bayar Bayar” by the Band Sukatani Ahmad Mubarok; Khaerudin Imawan; Novicky Alban Adiputra
Perspektif Administrasi Publik dan hukum Vol. 3 No. 3 (2026): Juli: Perspektif Administrasi Publik dan hukum
Publisher : Asosiasi Peneliti Dan Pengajar Ilmu Sosial Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/perspektif.v3i3.1097

Abstract

This study analyzes the creation of meanings of resistance and social criticism in the lyrics of the song "Bayar Bayar Bayar" by the band Sukatani, which went viral in the Indonesian digital public sphere. This study uses Roland Barthes's semiotics approach to interpret the meanings on the three levels of denotation, connotation, and myth. The data in this study were song lyrics, which were qualitatively analyzed with a descriptive-interpretive method. At the denotative level, it refers to the practice of "paying" in various activities involving the police. On the connotative level, repetition of "pay" suggests the idea that extortion has become an informal mechanism that is already established and practiced between society and the police. The myth level indicates the normalization of social reality, which is perceived as a practice of extortion that is common, and not usually critically examined. The phenomenon of viral popularity of "Bayar Bayar Bayar" affirms that music is the space of symbolic resistance that articulates the public's dissatisfaction with the abuse of power and violation of public rights. This study adds a value to communication and semiotics research in which song lyrics have become a space for producing meaning, social criticism and ideology in the digital sphere.
The Construction of Resistance in the Lyrics of the Song “Bayar Bayar Bayar” by The Band Sukatani Ahmad Mubarok; Khaerudin Imawan; Novicky Alban Adiputra
Dialogika : Jurnal Penelitian Komunikasi dan Sosialisasi Vol. 2 No. 2 (2026): Mei: Dialogika : Jurnal Penelitian Komunikasi dan Sosialisasi
Publisher : Asosiasi Peneliti dan Pengajar Ilmu Sosial Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/dialogika.v2i2.1113

Abstract

This study analyzes the creation of meanings of resistance and social criticism in the lyrics of the song "Bayar Bayar Bayar" by the band Sukatani, which went viral in the Indonesian digital public sphere. This study uses Roland Barthes's semiotics approach to interpret the meanings on the three levels of denotation, connotation, and myth. The data in this study were song lyrics, which were qualitatively analyzed with a descriptive-interpretive method. At the denotative level, it refers to the practice of "paying" in various activities involving the police. On the connotative level, repetition of "pay" suggests the idea that extortion has become an informal mechanism that is already established and practiced between society and the police. The myth level indicates the normalization of social reality, which is perceived as a practice of extortion that is common, and not usually critically examined. The phenomenon of viral popularity of "Bayar Bayar Bayar" affirms that music is the space of symbolic resistance that articulates the public's dissatisfaction with the abuse of power and violation of public rights. This study adds a value to communication and semiotics research in which song lyrics have become a space for producing meaning, social criticism and ideology in the digital sphere.
Co-Authors Ahmad Mubarok Ananda Farhan Tamamala Farida Nurfalah Khaerudin Imawan Muhammad Dzulfikar