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All Journal Kamaya: Jurnal Ilmu Agama Ganaya: Jurnal Ilmu Sosial dan Humaniora
I Nengah Bawa Atmaja
Institut Agama Hindu Negeri Mpu Kuturan Singaraja
Religion Arts Humanities Economics, Econometrics & Finance Education Social Sciences Other

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Akulturasi Visual dan Arsitektur Keagamaan di Kemaliq Lingsar Lombok Barat Reza Septaria; I Nengah Bawa Atmaja; Ni Luh Gede Hadriani
Kamaya: Jurnal Ilmu Agama Vol 9 No 3 (2026): Article in Press
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v9i3.5584

Abstract

Kemaliq Lingsar, part of the Lingsar Temple Complex in West Lombok Regency, is a sacred space born from the encounter between Balinese Hinduism and Sasak Wetu Telu Islam. Previous studies on Lingsar have largely emphasized social interaction, ritual communication, and tourism, while the visual and architectural dimensions of acculturation have received limited scholarly attention. This study aims to examine the forms of Balinese Hindu acculturation manifested in the architecture, spatial arrangement, visual symbols, and religious ritual practices of Kemaliq Lingsar, and to interpret their philosophical and social meanings. This research employed a descriptive qualitative approach with data collected through observation, visual documentation, interviews with three informants, and literature study, then analyzed using a semiotic framework of denotation and connotation. The results show that Balinese Hindu elements, such as the paduraksa (roofed) gate, guardian statues, sacred stone, holy water, and the philosophy of Tri Hita Karana, have been selectively adapted and reinterpreted within the cosmology of the Sasak Wetu Telu community without erasing local identity. Notably, the worship space still faces the qibla rather than the Balinese kaja-kelod axis, indicating that the acculturation operates on the visual and practical layers while the fundamental religious orientation remains Islamic-Sasak. Many Hindu visual elements accumulated gradually through interfaith donation and are now preserved by regulation. The study concludes that Kemaliq Lingsar represents a living model of religious harmony and cultural tolerance rooted in local wisdom.
Transformasi Sistem Pertunjukan Jegog Dalam Pariwisata Budaya: Pelestarian Budaya Dan Penguatan Identitas Komunitas Di Desa Adat Kertha Jaya Pendem I Wayan Sunardi; I Nengah Bawa Atmaja; I Nyoman Raka
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 9 No 3 (2026): Article in Press
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v9i3.5653

Abstract

Jegog, a large bamboo musical ensemble originating from Jembrana, has increasingly expanded from communal performances into cultural tourism. This study examines the factors driving its transformation, the changes in its performance system, and the implications for cultural preservation and community identity in Kertha Jaya Pendem Customary Village. The study employed a qualitative descriptive approach with ethnographic and phenomenological orientations. Data were collected from September to October 2025 through non-participant observation, semi-structured interviews with four key informants, and documentation, and were analyzed using an interactive model involving data reduction, data display, and conclusion drawing. The findings show that the transformation of Jegog is driven by internal factors, including regeneration, artistic creativity, changing group orientations, and limited resources, as well as external factors such as tourism demand, government facilitation, media exposure, and technological development. The performance system has changed through shorter duration, selective and communicative repertoires, rearranged sequences, faster tempo, strengthened visual choreography, more elaborate costumes and stage settings, shifts in performance spaces, and more interactive audience relations. These changes increase performance opportunities, public recognition, youth participation, and economic benefits, but may weaken cultural meaning when technical skills are transmitted without adequate historical, social, and customary understanding. The main finding is a two-context adaptation model, in which inherited conventions are maintained in customary and communal performances, while controlled innovation is permitted in tourism performances. This model demonstrates that transformation can support cultural preservation when the community retains authority over the boundaries and meanings of change.
Co-Authors I Nyoman Raka I Wayan Sunardi Ni Luh Gede Hadriani Reza Septaria