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Tandiyo Pradekso

Jurusan Ilmu Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Diponegoro

Author-ID : 10350632

Social Sciences

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PERSEPSI ANAK PADA ACARA TELEVISI Tandiyo Pradekso
JURNAL ILMU SOSIAL Vol 14, No 2 (2015)
Publisher : Faculty of Social and Political Sciences, Universitas Diponegoro

The poor quality of television program available to Indonesian children and the escalating cases of antisocialand delinquency among children are undeniably the hard fact. But linking the two in a causal relationship isa mere speculation that oversimplifying the issue. At the conceptual level in the study of mass communication,there are theories based on the perspective of the limited influence of the mass media. Theories such as those ofKlapper’s phenomenistic, DeFleur’s individual differences and social category, selective processes theory, andSeymour Feshbach’s catharsis theory, are all discouraging the behavioral effect of mass communication. Mediainfluence on children is determined by their comprehension in TV viewing. By about age 8 or 9 (Huston et.al),children are about as accurate as adults in judging whether a television program is presenting fiction or fact.There are arguments on how children perceive the reality out of the television. First, Aletha C. Hustonexplained that perceptions of reality occur on two dimensions: factuality and social realism. Second, Gunter andMcAleer pointed out that children use three categories of television versus real-life comparisons. These include thecategory of the ‘actual’, the ‘possible’, and the ‘impossible’. The third explanation dealt with the way childrenevaluate characters in television programs. Findings revealed that perception on factuality was dominant inprograms such as news, sports, infotainment, talk-show, variety-show, music, and reality-show. Perception ofsocial realism was dominant in cartoons, movies, and soap-operas. Similar to those of factuality, the actualcategory appeared predominantly in news, sports, religion, talk-show, variety-show, music, and reality-show. Thepossible was slightly highlighted in cartoons, movies, and soap-operas. While the impossible also seemeddominant in cartoons, movies, and soap-operas. Conceptually, the 4 children’s favorite characters are the humorof the characters; the strength of the characters; the attractiveness of the characters; and the activity level of thecharacters. Humor was dominant in cartoons, talk-show, and variety-show. Strength was central in sports andmovies, and attractive in infotainment and talk-show. There were no active characters significantly perceived inany television programs.

PENGARUH PERUBAHAN BENTUK KELEMBAGAAN PROGRAM KB PADA PENGELOLAAN KAMPANYE PROGRAM KB DI TINGKAT FRONTLINER Djoko Setyabudi; Hapsari Dwiningtyas S; Tandiyo Pradekso
JURNAL ILMU SOSIAL Vol 6, No 1 (2007)
Publisher : Faculty of Social and Political Sciences, Universitas Diponegoro

This research is aimed at examining the effects of the form of family planning institutions on the ways family planning frontliner (PLKB) in Central Java manage their campaign programs. The research findings indicate that the form of family planning institutions, the number of tasks, and incentives given to PLKB, influence the performance of PLKB. another important factor which is significant to the frontliner’s performances is not the form of the institutions, but the way the campaign is managed in each of family planning institution.

POLA JARINGAN KOMUNIKASI MASYARAKAT MISKIN untuk PROGRAM-PROGRAM PENANGGULANGAN KEMISKINAN (ANALISIS JARINGAN KOMUNIKASI DI DUKUH TEGAL MIRING, DESA LUWEH, KABUPATEN SEMARANG) Tandiyo Pradekso
JURNAL ILMU SOSIAL Vol 8, No 1 (2009)
Publisher : Faculty of Social and Political Sciences, Universitas Diponegoro

The research mainly argues that there are communication and socialization problems in the goverment’s programs in decreasing the rate of poverty in Indonesia. Using communication network analysis, this research indicate that the communication network’s pattern’s of three poverty related programs (BLT, Raskin, and Askeskin) are centralized in nature. The centralized pattern means a lact of dyadic communications which relates to the low communication gratification for the networks members. The society disappointment and distrust to the programs is also caused by the low quality of data collection about poor households and lack of honest communication of the officers who are involved to the programs.

PERAN DAN POSISI PUBLIC RELATIONS DALAM HOSPITALITY INDUSTRY Tandiyo Pradekso; Yanuar Luqman; Taufik Suprihatini
JURNAL ILMU SOSIAL Vol 12, No 2 (2013)
Publisher : Faculty of Social and Political Sciences, Universitas Diponegoro

The role of public relations in hospitality industry had been significantly increasing along with the rapid growth of the industry. A study of the issue in 2 respective hospitals and a hotel indicates that each had set a different level of position within the management. Regardless to the type of the organization, public relations with the higher level of position had a better access to resources and decision making, which consecutively put them as expert prescriber. Converssely, a stumpy management value had dispose public relations as a merely communication techni cian. Organizational culture and communication climate were considered as determinants to how the management perceives public relations.

Co-Authors Djoko Setyabudi Hapsari Dwiningtyas S Taufik Suprihatini Yanuar Luqman

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