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All Journal ELS Journal On Interdisciplinary Studies in Humanities Dzil Majaz
Muhammad Nurhasan
Universitas Islam Negeri Sunan Gunung Djati Bandung
Languange, Linguistic, Communication & Media Social Sciences Other

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Representasi Identitas, Penindasan, dan Perlawanan dalam Puisi Bitaqat Huwiyyah Karya Mahmoud Darwis Nur Amalia Muthmainah; Khomisah Khomisah; Muhammad Nurhasan
Dzil Majaz: Journal of Arabic Literature Vol. 4 No. 2 (2026): Articles in Press
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar, Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/dzilmajaz.v4i2.899

Abstract

This research focuses on how identity, oppression, and resistance are depicted in the poem Biṭāqat Huwiyyah (Identity Card) written by Mahmoud Darwish, utilizing Alan Swingewood’s sociological perspective on literature. The poem was chosen for its portrayal of the lived experiences of the Palestinian community affected by conflict, occupation, and identity issues. The aim of the study is to explore how the social context and conditions, along with the author’s perspective, contribute to the poem's meaning and to uncover the different representations of identity, oppression, and resistance found within it. The study uses a descriptive qualitative approach, gathering data through library research and notetaking. The main data includes verses from the poem that illustrate themes of identity, oppression, and resistance. Findings indicate that identity is showcased in the poem through the acknowledgment of Arab-Palestinian identity, emotional bonds to the homeland, and shared historical consciousness. Oppression is depicted through the seizure of land, socio-economic exclusion, and bureaucratic control over personal identity. In contrast, resistance is conveyed through the use of language, symbols, and emotional expressions that challenge occupation and the negation of national identity. Thus, this research helps sociology of literature studies grow by illustrating how identity, oppression, and resistance are shown in the conversation between the author's viewpoint, the social context, and the text. Moreover, it broadens the scope of earlier research on Biṭāqat Huwiyyah, which has mainly concentrate on semiotic and linguistic aspects.
Humanitarian Facts In Fahad Alammari’s Film Alkhallat+: A Study Of Lucien Goldmann's Genetic Structuralism Nur Azizah Arifin; Maman Abdul Djaliel; Muhammad Nurhasan
ELS Journal on Interdisciplinary Studies in Humanities Vol. 9 No. 1 (2026): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v9i1.50080

Abstract

The film Alkhallat+ by Fahad Alammari is a social reflection of modern Saudi Arabian society, rich in human values. This study aims to analyze aspects of humanity, both individually and socially, using Lucien Goldmann's genetic structuralism theory. The method used in this study is descriptive qualitative, with a dialectical analysis technique between the structure of the film text and the social context of contemporary Arab society. Previous studies show that the film Alkhallat+ a study of lucien goldmann’s genetic structuralism has been analyzed through various approaches, such as structural functionalism, pragmatics, and gender deconstruction. However, there has been no study that specifically focuses on the human aspects within the framework of genetic structuralism. Therefore, this study makes an original contribution by revealing the relationship between the individual conflicts of the characters and the collective worldview of society. The results of the study show that this film contains human facts that include moral conflicts, family tensions, gender bias, and social pressures that represent the reality of modern Arab society.
Co-Authors Khomisah Khomisah Maman Abdul Djaliel Nur Amalia Muthmainah Nur Azizah Arifin