Wahid, Arif Rahman
Department Of Architecture, Faculty Of Engineering, Universitas Indonesia

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Tanahku Indonesia: Celebrating the Indigenous Interior Johanes, Mikhael; Wahid, Arif Rahman
Interiority Vol. 1, No. 1
Publisher : UI Scholars Hub

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Tanahku Indonesia was a week-long, architecture and interior design exhibition showing local earth-based materials to reveal their potential as an integral part of Indonesia’s creative economy development. Curated by Yandi Andri Yatmo and Paramita Atmodiwirjo, the exhibition was held in dia.lo.gue Artspace in Central Jakarta, Indonesia from 8 to 12 November 2017. This exhibition attempted to reveal the materiality of earth-based materials across a broad spectrum, which was not limited to the physical presence of the materials, but more as a reflection of knowledge that was grounded on the deep understanding of their context. This multifaceted exhibition showed various earth-based materials gathered from different places within the Indonesian archipelago, as well as the methods and techniques related to the materials, while also revealing their values within architectural and interior design practice in Indonesia.
Inscriptions: Narrating the Spatial Dynamics of the Immaterial Interior Wahid, Arif Rahman; Paramita, Kristanti Dewi; Yatmo, Yandi Andri
Interiority Vol. 4, No. 1
Publisher : UI Scholars Hub

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This paper explores inscription as a projection of the spatial dynamics of a setting, beyond a historical or cultural symbol in a context, and highlights that inscription—a written or carved message on a surface—is an element that immaterially demonstrates a more in-depth narrative of an interior. This paper focuses on exploring inscriptions embedded in various production settings in Jakarta and Central Java, collecting individual and observational accounts on the production of such inscriptions and their meanings. The study suggests that inscriptions demonstrate various roles, from providing information, mediating different spaces and performing as tools to assist activities. Inscriptions may traverse the trajectories of different spaces and exist in different layers of time, creating an interior connection across space and time. These layers and trajectories project the dynamics of material and bodily processes, assembling the immaterial interior.
Cerita yang dikisahkan ulang: Refleksi terhadap pembelajaran narasi pada studio desain tahun pertama Arif Rahman Wahid; Paramita Atmodiwirjo
ARTEKS : Jurnal Teknik Arsitektur Vol 6 No 2 (2021): ARTEKS : Jurnal Teknik Arsitektur | Mei 2021 ~ Agustus 2021
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v6i2.748

Abstract

This paper explores the implementation of narrative learning in first-year architectural design studios and how it can amplify the making, communicating and reflecting aspects of the study. In particular, this paper examines the estrangement technique, which enables an objective view of a story and its telling. The technique allows the students to detach an existing narrative from its context to be analysed, and then recontextualise it. We focus on the main studio project for the first-semester architecture and interior architecture students in Universitas Indonesia as the context of this study. This paper analyses their process, final outputs, and feedback to see the lesson learned from their perspective. The study suggests that learning narrative framework in architectural design studio supports the students to think systematically. In the end, estrangement technique provides the students with a way to retain some aspects of a narrative while playing with others, producing a fresh view on telling stories through enhancing their ambiguity and interaction between design author and their audience.
Spatialising time: Perceiving multiple layers of time in narrative environment Nathania, Kezia; Wahid, Arif Rahman
ARSNET Vol. 2, No. 2
Publisher : UI Scholars Hub

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There is no escape from time; that includes architecture which dominantly discusses the space. This paper aims to explore more about our understanding of the various times within space and its corresponding stories. Notably, this study looks at the context of the narrative environment where stories are imbued in space to enhance their engagement with the audience. Time in a narrative is presented through the narrated time and the real-world time where the audience of the narrative perceives it. Both types of time can be overlapped, whether the audience is consciously aware of that or not. Two case studies are conducted to understand overlapping multiple time layers in the narrative environments. Through a personal visit to Museum Kebangkitan Nasional and participation in the Secret Cinema event, data is gathered by taking photos, looking for official publications, and time-count during the experience. It is found that time can be spatialised through the explicit transition of graphics, a play of lighting, and overall spatial organisation that affect the pace and duration of the narrative in space.