Ida Bagus Wika Krishna
Institut Agama Hindu Negeri Mpu Kuturan

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Eksistensi Dan Regenerasi Komunal Tari Baris Gede di Desa Adat Umeanyar I Putu Merta; Ida Bagus Wika Krishna; I Nyoman Raka
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 9 No 3 (2026): Article in Press
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v9i3.5551

Abstract

This research is motivated by the imbalance in the condition of the Baris Gede Dance at the Puseh Temple in Umeanyar Traditional Village. The physical preservation of the dance remains intact, but there is a weakening in the transmission of values ​​and fragmentation of symbolic meaning among the younger generation due to the process of modernization. The research aims to analyze the relationship between performative practices, symbolic structures, and the dynamics of regeneration challenges, and to formulate a model for cultural preservation at the local level. This study analyzes the relationship between performative practices, symbolic structures, the dynamics of regeneration challenges, and to formulate a model for cultural preservation at the local level. The research method used is qualitative with a case study design and an interpretive ethnographic approach, utilizing participant observation, in-depth interviews, and analysis of traditional documents. The results reveal three main findings: first, the formal physical continuity of the dance is very strong due to the support of customary regulations and collective obligations of ngayah; second, there are serious challenges to communal regeneration in the form of time desynchronization due to work mobility, incidental training, and the shallow internalization of the philosophical meaning of movements (nyongkok, matayungan) and local nomenclature. Third, an operational community-based preservation strategy (community-based safeguarding) is needed through the design of a structured training curriculum integrated with digital video tutorials, strengthening customary decisions (perarem), allocating special funding (dana dresta), and aesthetic control over modern cosmetics. In conclusion, the existence of sacred art is not solely measured by the frequency of physical performances, but rather by the effectiveness of the transmission of cultural and spiritual knowledge that adapts to the realities of modern youth in order to maintain the dance's taksu (spiritual power).
Pura Eka Kahyangan Arena Kontestasi Identitas: Konflik Dan Rekonsiliasi Emik Umat Hindu Di Waode Angkalo, Sulawesi Tenggara Putu Yoga Margaretsa; Ida Bagus Wika Krishna; Ni Luh Gede Hadriani
Kamaya: Jurnal Ilmu Agama Vol 8 No 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v8i4.4865

Abstract

This study examines the internal conflict among Hindu transmigrants in Waode Angkalo Village, North Buton, regarding the interpretation of Pura Eka Kahyangan as a communal worship center. While some groups support the single-temple concept in line with PHDI policy, others advocate for the Tri Kahyangan system as an authentic representation of Balinese Hindu tradition. The research aims to analyze the dynamics of temple interpretation conflicts and explore emic-based resolutions emerging from community practices. A qualitative case study was employed, involving in-depth interviews, participant observation, and document analysis, with interactive data analysis through reduction, display, and conclusion drawing. Findings reveal that since 2007 the Hindu community has split into two factions supporters of Eka Kahyangan and Tri Kahyangan which by 2025 have grown to 32 and 97 households respectively. The conflict is driven by the persistence of Balinese traditions (sima), limited contextual understanding, functional dissatisfaction with the single temple, and political interests of local elites. Initially latent, the conflict evolved into a manifest struggle, turning the temple into a contested arena of identity, authority, and cultural legitimacy. Nevertheless, through the internalization of emic values such as ngayah, mutual cooperation, and deliberation, the temple continues to function as a multivocal symbol mediating tensions, sustaining social cohesion, and strengthening community resilience. This study highlights the significance of an emic approach in understanding intra-religious conflicts within transmigrant Hindu communities.