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All Journal Kamaya: Jurnal Ilmu Agama Ganaya: Jurnal Ilmu Sosial dan Humaniora Jurnal Penelitian Agama Hindu
Ida Bagus Wika Krishna
Institut Agama Hindu Negeri Mpu Kuturan
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Eksistensi Dan Regenerasi Komunal Tari Baris Gede di Desa Adat Umeanyar I Putu Merta; Ida Bagus Wika Krishna; I Nyoman Raka
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 9 No 3 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v9i3.5551

Abstract

This research is motivated by the imbalance in the condition of the Baris Gede Dance at the Puseh Temple in Umeanyar Traditional Village. The physical preservation of the dance remains intact, but there is a weakening in the transmission of values ​​and fragmentation of symbolic meaning among the younger generation due to the process of modernization. The research aims to analyze the relationship between performative practices, symbolic structures, and the dynamics of regeneration challenges, and to formulate a model for cultural preservation at the local level. This study analyzes the relationship between performative practices, symbolic structures, the dynamics of regeneration challenges, and to formulate a model for cultural preservation at the local level. The research method used is qualitative with a case study design and an interpretive ethnographic approach, utilizing participant observation, in-depth interviews, and analysis of traditional documents. The results reveal three main findings: first, the formal physical continuity of the dance is very strong due to the support of customary regulations and collective obligations of ngayah; second, there are serious challenges to communal regeneration in the form of time desynchronization due to work mobility, incidental training, and the shallow internalization of the philosophical meaning of movements (nyongkok, matayungan) and local nomenclature. Third, an operational community-based preservation strategy (community-based safeguarding) is needed through the design of a structured training curriculum integrated with digital video tutorials, strengthening customary decisions (perarem), allocating special funding (dana dresta), and aesthetic control over modern cosmetics. In conclusion, the existence of sacred art is not solely measured by the frequency of physical performances, but rather by the effectiveness of the transmission of cultural and spiritual knowledge that adapts to the realities of modern youth in order to maintain the dance's taksu (spiritual power).
Pura Eka Kahyangan Arena Kontestasi Identitas: Konflik Dan Rekonsiliasi Emik Umat Hindu Di Waode Angkalo, Sulawesi Tenggara Putu Yoga Margaretsa; Ida Bagus Wika Krishna; Ni Luh Gede Hadriani
Kamaya: Jurnal Ilmu Agama Vol 8 No 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v8i4.4865

Abstract

This study examines the internal conflict among Hindu transmigrants in Waode Angkalo Village, North Buton, regarding the interpretation of Pura Eka Kahyangan as a communal worship center. While some groups support the single-temple concept in line with PHDI policy, others advocate for the Tri Kahyangan system as an authentic representation of Balinese Hindu tradition. The research aims to analyze the dynamics of temple interpretation conflicts and explore emic-based resolutions emerging from community practices. A qualitative case study was employed, involving in-depth interviews, participant observation, and document analysis, with interactive data analysis through reduction, display, and conclusion drawing. Findings reveal that since 2007 the Hindu community has split into two factions supporters of Eka Kahyangan and Tri Kahyangan which by 2025 have grown to 32 and 97 households respectively. The conflict is driven by the persistence of Balinese traditions (sima), limited contextual understanding, functional dissatisfaction with the single temple, and political interests of local elites. Initially latent, the conflict evolved into a manifest struggle, turning the temple into a contested arena of identity, authority, and cultural legitimacy. Nevertheless, through the internalization of emic values such as ngayah, mutual cooperation, and deliberation, the temple continues to function as a multivocal symbol mediating tensions, sustaining social cohesion, and strengthening community resilience. This study highlights the significance of an emic approach in understanding intra-religious conflicts within transmigrant Hindu communities.
Pembinaan Agama Hindu Berbasis Tri Kaya Parisudha di Lembaga Pemasyarakatan Kelas IIB Singaraja Gede Aldi Permana Putra; I Nengah Bawa Atmaja; Ida Bagus Wika Krishna
Kamaya: Jurnal Ilmu Agama Vol 9 No 3 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v9i3.5658

Abstract

Religious guidance constitutes an essential component of Indonesia's correctional system in fostering inmates' moral awareness, spiritual transformation, and readiness for social reintegration. However, studies on Hindu Religious Guidance within Correctional Institutions remain limited, particularly those examining inmates' lived experiences and the internalization of Hindu values. This study aims to analyze the meanings constructed through Hindu Religious Guidance, examine the internalization of Tri Kaya Parisudha values, and explore the resulting social and spiritual dynamics among Hindu inmates at Class IIB Singaraja Correctional Institution, Bali. This study employed a qualitative approach with an ethnographic perspective. Informants were purposively selected and included correctional administrators, Hindu religious counselors, correctional officers, and Hindu inmates. Data were collected through in-depth interviews, participant observation, and documentation, and analyzed using the interactive model of Miles, Huberman, and Saldaña. The findings indicate that Hindu Religious Guidance serves not only as a religious activity but also as a process of spiritual transformation that strengthens inmates' ways of thinking, communication patterns, behavior, social relationships, and life orientation in preparation for social reintegration. The internalization of Tri Kaya Parisudha provides the ethical foundation for these changes by encouraging self-reflection, moral responsibility, and constructive interaction with others. The study proposes a conceptual model of Tri Kaya Parisudha-based Hindu Religious Guidance to strengthen inmates' spiritual development and support successful social reintegration.
Sosialisasi dan Internalisasi Nilai Tri Hita Karana dalam Kehidupan Sosial Anak Asuh di Panti Asuhan Narayan Seva Agung Suarnatha; Ida Bagus Wika Krishna; IG Agung Jaya Suryawan
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 9 No 4 (2026): Article in Press
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v9i4.5720

Abstract

An orphanage is not only a place where children’s basic needs are met, but also a social environment in which values are socialized, habituated, interpreted, and internalized through everyday communal life. This study aims to analyze the transformation of Tri Hita Karana values in the lives of children at Narayan Seva Orphanage, Kerobokan Village, Sawan District, Buleleng Regency. The study employed a descriptive-interpretive qualitative design involving eight purposively selected informants, consisting of managers, a religious mentor, caregivers, and children. Data were collected through observation, in-depth interviews, and documentation, and analyzed through data condensation, data display, conclusion drawing, and verification. The findings show that Parahyangan is actualized through prayer, yoga, meditation, and religious routines; Pawongan through communal living, mutual assistance, shared responsibilities, caregiving, and conflict mediation; and Palemahan through cleaning duties, waste management, facility maintenance, and environmental care. Based on informants’ experiences and field observations, internalization develops from rule-based compliance and repeated participation toward reflection, personal meaning-making, and increasingly autonomous action. Indications of transformation were found in religious awareness, social responsibility, emotional self-control, conflict management, and environmental concern. The novelty of this study lies in distinguishing compliance dependent on external rules from internalization characterized by reflection, personal meaning-making, and autonomous action. The study concludes that the transformation of Tri Hita Karana values occurs gradually and nonlinearly through habituation, reflection, internalization, and actualization in everyday life.
Negosiasi Hibriditas dan Ruang Ketiga Dalam Seni Lukis Wayang Kaca Nagasepaha: Dialektika Tradisi Lokal Hindu dan Modernitas Bali Utara Ida Bagus Wika Krishna; Ida Bagus Gede Paramita; Krisna Sukma Yogiswari
Jurnal Penelitian Agama Hindu Vol 10 No 4 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v10i4.5564

Abstract

This study examines Nagasepaha Glass Wayang Painting (Seni Lukis Wayang Kaca Nagasepaha/SLWKN) in North Bali as a traditional art form rooted in Hindu-Balinese narratives, symbols, aesthetics, and religiosity, while facing sustainability challenges arising from socio-economic changes and limited regeneration. This study aims to analyze the negotiation between Hindu-Balinese tradition and modernity and to identify strategies for sustaining SLWKN. A qualitative approach with a case study design was employed. Data were collected through participant observation, in-depth interviews, and documentation involving active painters, descendants of Jro Dalang Diah, younger generations, village officials, and collectors selected purposively, and were analyzed using Homi K. Bhabha’s theories of hybridity and the third space. The findings reveal that cultural negotiation occurs contextually and at different levels across three domains, forming a spectrum of hybridity. The ritual domain demonstrates strong attachment to sacred functions, traditional conventions (pakem), and Hindu-Balinese values, thereby limiting the space for innovation; the commercial domain demonstrates adaptation to functional and market demands; while the collector domain provides greater space for reinterpretation and artistic innovation. SLWKN is sustained through six strategies: adapting to changing times, strengthening artistic quality, developing art networks, promoting regeneration, optimizing public spaces, and utilizing media. The principles of seken-tulus-dadi and the practices of matatamba, memedek, and nunas tirta further affirm the Hindu-Balinese religious-cultural dimension of these preservation efforts. The study concludes that SLWKN hybridity is contextual and gradational; its sustainability depends on the community’s ability to maintain its Hindu-Balinese value base while selectively creating space for transformation within the third space, enabling the tradition to remain living and relevant.
Co-Authors Agung Suarnatha Gede Aldi Permana Putra I Nengah Bawa Atmaja I Nyoman Raka I Putu Merta Ida Bagus Gede Paramita IG Agung Jaya Suryawan Krisna Sukma Yogiswari Ni Luh Gede Hadriani Putu Yoga Margaretsa