Ida Bagus Gede Paramita
Institut Agama Hindu Negeri Mpu Kuturan

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Model Pengembangan Kawasan Wisata Taman Sri Widari Berbasis Tri Hita Karana di Desa Munduk Bestala Buleleng Ni Made Fani Agustina; Ida Bagus Gede Paramita; Pradna Lagatama
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 8 No 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v8i4.4783

Abstract

Taman Sri Widari area (KWTSW) in Munduk Bestala Village has diverse potential for natural, cultural, and man-made tourism. However, this area has not been managed within an integrated and sustainable development model. This research aims to (1) identify the tourism potential in KWTSW that is suitable for development based on Tri Hita Karana; (2) identify supporting and inhibiting factors for development; and (3) design and recommend a development model based on the principles of Tri Hita Karana. This research uses a qualitative approach with case study methods. Data was collected through observation, interviews, and document analysis, and analyzed using the Miles & Huberman model, SWOT analysis, and data triangulation for validation. KWTSW has the potential for spring sources, trekking, bathing pools, and meditation sites. The results can contribute as a reference in designing tourism potential based on local wisdom in KWTSW as it encompasses potential analysis to development models. Internal and external factors are analyzed as the basis for designing the development model. The proposed model is the Ecoculture tourism package of Taman Sri Widari based on Tri Hita Karana, which includes three tourist activities such as bathing in natural pools, trekking, and meditation.
Negosiasi Hibriditas dan Ruang Ketiga Dalam Seni Lukis Wayang Kaca Nagasepaha: Dialektika Tradisi Lokal Hindu dan Modernitas Bali Utara Ida Bagus Wika Krishna; Ida Bagus Gede Paramita; Krisna Sukma Yogiswari
Jurnal Penelitian Agama Hindu Vol 10 No 4 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v10i4.5564

Abstract

This study examines Nagasepaha Glass Wayang Painting (Seni Lukis Wayang Kaca Nagasepaha/SLWKN) in North Bali as a traditional art form rooted in Hindu-Balinese narratives, symbols, aesthetics, and religiosity, while facing sustainability challenges arising from socio-economic changes and limited regeneration. This study aims to analyze the negotiation between Hindu-Balinese tradition and modernity and to identify strategies for sustaining SLWKN. A qualitative approach with a case study design was employed. Data were collected through participant observation, in-depth interviews, and documentation involving active painters, descendants of Jro Dalang Diah, younger generations, village officials, and collectors selected purposively, and were analyzed using Homi K. Bhabha’s theories of hybridity and the third space. The findings reveal that cultural negotiation occurs contextually and at different levels across three domains, forming a spectrum of hybridity. The ritual domain demonstrates strong attachment to sacred functions, traditional conventions (pakem), and Hindu-Balinese values, thereby limiting the space for innovation; the commercial domain demonstrates adaptation to functional and market demands; while the collector domain provides greater space for reinterpretation and artistic innovation. SLWKN is sustained through six strategies: adapting to changing times, strengthening artistic quality, developing art networks, promoting regeneration, optimizing public spaces, and utilizing media. The principles of seken-tulus-dadi and the practices of matatamba, memedek, and nunas tirta further affirm the Hindu-Balinese religious-cultural dimension of these preservation efforts. The study concludes that SLWKN hybridity is contextual and gradational; its sustainability depends on the community’s ability to maintain its Hindu-Balinese value base while selectively creating space for transformation within the third space, enabling the tradition to remain living and relevant.