Nuramila
Prodi Pendidikan Bahasa dan Sastra Indonesia, Universitas Negeri Gorontalo, Gorontalo, Indonesia

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The Meaning of Symbols in the Lyrics of Balinese Songs by Dek Ulik: A Semiotic Study by Roland Barthes Ni Komang Mahatma Devi S. Yadnyaseni; Ellyana Hinta; Nuramila
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 3 (2026): Mei 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i3.1463

Abstract

Contemporary Balinese music, particularly the works of Dek Ulik, has experienced rapid development in the digital era, but the younger generation’s appreciation of the depth of symbolic meaning contained within it is still very limited. This study aims to describe the symbolic signs in the lyrics of Balinese songs by Dek Ulik that reflect the culture and society of Balinese society, analyze the meaning of each symbol found, and describe its relevance to learning Indonesian. This study uses a descriptive qualitative approach with Roland Barthes’s semiotic analysis method that dissects meaning through three levels, namely denotation, connotation, and myth. The object of the study is the lyrics of five Balinese songs by Dek Ulik, namely Ratih Kamajaya, Sanjiwani, Tresna Kanti Pawah, Suksma Hyang Widhi, and Nyerahang Dewek. The results show that the lyrics of these songs contain various signs that through the process of cultural convention develop into symbols. Each symbol has layers of meaning, ranging from literal meaning to ideological meaning that reflects the life views of Balinese Hindu society. Furthermore, these symbols have substantive relevance to Indonesian language learning in the Independent Curriculum in Phases D, E, and F. This study concludes that the lyrics of the song Dek Ulik are not merely a product of entertainment art, but rather a semiotic construction rich in cultural, philosophical, and ideological content of the Balinese people. This finding also confirms that regional artworks have great potential as contextual and authentic teaching materials in Indonesian language learning.
Metaphors in Nadin Amizah's Song Lyrics from the Album Untuk Dunia, Cinta dan Kotornya: A Cognitive Semantic Study Jihan Febrianti Mokoginta; Dakia N. Djou; Nuramila
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 2 (2026): Maret 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i2.1300

Abstract

This study examines metaphors in Nadin Amizah's song lyrics from the album "Untuk Dunia, Cinta, dan Kotornya" using a cognitive semantic approach. The focus of the study includes the types of metaphors, their functions, and the meanings constructed through their use in the lyrics. The research questions focus on how metaphors are conceptually constructed, how they function in constructing poetic meaning, and how cognitive meaning patterns represent emotional and relational experiences in the lyrics. This study employed a qualitative descriptive method with an interactive model analysis of Miles and Huberman, which included data reduction, data presentation, and conclusion drawing. The types of metaphors were identified based on Lakoff and Johnson's conceptual metaphor theory, while the functions of metaphors were analyzed using Newmark's theory. Cognitive semantic meaning was examined through a mapping between the source and target domains to understand the construction of inner experience in metaphorical language. The results showed 67 metaphors, divided into structural, orientational, and ontological (container and personification) metaphors. The metaphorical functions found include referential functions, aesthetic functions, and dual functions. In addition, several cognitive meaning patterns were found, namely emotions as space or container, relationships as journeys, inner wounds as physical damage and burdens, the recovery process as a movement towards stability, and emotions as active agents. These findings confirm that metaphors in song lyrics not only function as aesthetic elements, but also as cognitive mechanisms that shape the way the lyric subject understands and represents inner experiences.