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Ellyana Hinta
Prodi Pendidikan Bahasa dan Sastra Indonesia, Universitas Negeri Gorontalo, Gorontalo, Indonesia
Education Languange, Linguistic, Communication & Media Other

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Sociolinguistic Variations in the Novel Ronggeng Dukuh Paruk by Ahmad Tohar Nur Ameliya Hasan; Ellyana Hinta; Muslimin; Sayama Malabar
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 3 (2026): Mei 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i3.1640

Abstract

This study aims to describe the sociolinguistic variation in the novel Ronggeng Dukuh Paruk by Ahmad Tohari based on age and gender, and explain its relevance in learning Indonesian language and literature. Research was conducted on the novel Ronggeng Dukuh Paruk by Ahmad Tohari as a source of research data. The research population was in the form of all the speeches of the characters in the novel Ronggeng Dukuh Paruk, while the research sample was in the form of the speech of the characters that contained sociolectic variations. The research instrument uses the researcher as the main instrument with the help of a data card. Data collection is carried out through reading techniques, tagging techniques, and recording techniques. The collected data was analyzed using a qualitative descriptive method through the stages of data reduction, data presentation, and conclusion drawn. The results of the study show that in the novel Ronggeng Dukuh Paruk there are various forms of sociolinguistic variation that reflect the social conditions of the people of Dukuh Paruk. This variation is seen through the use of local vocabulary, traditional expressions, and forms of speech that show the social identity of the speaker. Based on age, it was found that there was a difference in language use between older characters and younger characters. Older characters tend to use speech that is loaded with the values of local traditions and culture, while younger characters use simpler and more direct language. Based on the type of gender, there are differences in word choice and speaking styles between male and female figures that reflect their respective social roles in society. This research has relevance in learning Indonesian language, especially in novel analysis materials and sociolinguistic studies. The research findings can be used as teaching materials to improve students’ understanding of the relationship between language, society, and culture represented in literary works.
The Meaning of Symbols in the Lyrics of Balinese Songs by Dek Ulik: A Semiotic Study by Roland Barthes Ni Komang Mahatma Devi S. Yadnyaseni; Ellyana Hinta; Nuramila
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 3 (2026): Mei 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i3.1463

Abstract

Contemporary Balinese music, particularly the works of Dek Ulik, has experienced rapid development in the digital era, but the younger generation’s appreciation of the depth of symbolic meaning contained within it is still very limited. This study aims to describe the symbolic signs in the lyrics of Balinese songs by Dek Ulik that reflect the culture and society of Balinese society, analyze the meaning of each symbol found, and describe its relevance to learning Indonesian. This study uses a descriptive qualitative approach with Roland Barthes’s semiotic analysis method that dissects meaning through three levels, namely denotation, connotation, and myth. The object of the study is the lyrics of five Balinese songs by Dek Ulik, namely Ratih Kamajaya, Sanjiwani, Tresna Kanti Pawah, Suksma Hyang Widhi, and Nyerahang Dewek. The results show that the lyrics of these songs contain various signs that through the process of cultural convention develop into symbols. Each symbol has layers of meaning, ranging from literal meaning to ideological meaning that reflects the life views of Balinese Hindu society. Furthermore, these symbols have substantive relevance to Indonesian language learning in the Independent Curriculum in Phases D, E, and F. This study concludes that the lyrics of the song Dek Ulik are not merely a product of entertainment art, but rather a semiotic construction rich in cultural, philosophical, and ideological content of the Balinese people. This finding also confirms that regional artworks have great potential as contextual and authentic teaching materials in Indonesian language learning.
Discourse in Linda's Voice Recording on the News of the Tragedy of Vina Cirebon's Murder and Death Sandi S Nani; Sayama Malabar; Ellyana Hinta
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026 | inprogress
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i4.1547

Abstract

This study aims to describe the forms of discourse in Linda’s voice recordings related to the news of the Vina Cirebon murder and death tragedy, the factors influencing the use of discourse, the forms of forensic language employed, and their relevance to Indonesian language learning. The research was conducted in 2025 using Linda’s voice recordings obtained from YouTube as the research object. The population consisted of all utterances contained in the recordings, while the sample included utterances containing elements of forensic discourse. The researcher served as the primary research instrument, supported by data transcripts. Data were analyzed using forensic discourse analysis based on Coulthard and Johnson’s framework, focusing on word choice, utterance structure, linguistic patterns, and the speaker’s social and emotional context. The findings reveal that the discourse in Linda’s voice recordings consists of narrative discourse, denial, self-defense, and emotional expressions. The use of discourse is influenced by emotional conditions, speech situations, personal experiences, and the speaker’s social context. The identified forms of forensic language include word repetition, vowel prolongation, pauses, paralinguistic elements, and disfluencies that reflect the speaker’s emotional state. Furthermore, the findings demonstrate their relevance to Indonesian language learning, particularly in listening, reading and viewing, and speaking activities through the use of audiovisual texts as contextual and authentic learning materials.
Analysis of Language Style in the Song Lyrics in Nadin Amizah's Album For the World, Love and Dirt: Stilistica Study Puput Novel Pakaya; Sitti Rachmi Masie; Ellyana Hinta
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 1 (2026): Januari 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i1.1024

Abstract

Songs are a form of literary work that combine melody and rhythm. This study examines the figurative language and the meaning of figurative expressions found in Nadin Amizah’s album “Untuk Dunia, Cinta, dan Kotornya” (For the World, Love, and Its Filth). The purpose of this research is to: (1) describe the types of figurative language and the meanings contained in the figurative expressions used in the lyrics of Nadin Amizah’s songs in the album “Untuk Dunia, Cinta, dan Kotornya.” The method used is descriptive with a qualitative research type. The research data includes lyrics from the song album “For the World, Love, and Dirty” by Nadin Amizah. The data source of this research is the song lyrics. Data collection techniques include reading, understanding, and grouping data from the results of observation guidelines, namely figurative language style in Nadin Amizah’s song lyrics in the album “For the World, Love, and Dirty”. Data was analyzed by first selecting narratives, identifying, classifying, analyzing, and presenting the results in descriptive form. The research began with reading the data, classifying, analyzing, describing, and concluding with a summary of the results. The results of this study show that the lyrics in the album “Untuk Dunia, Cinta, dan Kotornya” contain seven types of figurative language: metaphor, simile, personification, allusion, antonomasia, sarcasm, and innuendo. Across these seven types, a total of twenty-eight lyrical excerpts were identified. The analysis of the meanings of figurative language also produced similar findings, with seven types of figurative expressions and twenty-eight lyrical excerpts containing figurative meaning.
Village Toponymy in the Lyrics of North Bolaang Mongondow Regional Songs Bulangita Lipu Huta Hikma Nurcahyani Humokor; Moh. Karmin Baruadi; Ellyana Hinta
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 1 (2026): Januari 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i1.1029

Abstract

Penelitian ini membahas toponimi dalam lirik lagu daerah Bulangita Lipu Huta, serta aspek-aspek toponimi dalam lirik lagu daerah Bulangita Lipu Huta. Toponimi desa dalam lirik lagu daerah Bulangita Lipu Huta, serta aspek-aspek toponimi dalam lagu daerah Bulangita Lipu Huta. Tujuan penelitian ini adalah: (1) Mendeskripsikan toponimi desa dalam lirik lagu daerah Bulangita Lipu Huta, dan (2) Mendeskripsikan aspek-aspek toponimi dalam lirik lagu daerah Bulangita Lipu Huta. Penelitian ini dilaksanakan di Kabupaten Bolaang Mongondow, pada tanggal 27 Mei hingga 19 Juni 2025. Penelitian ini menggunakan teori antropolinguistik dan teori toponimi menurut Sudaryat yang membagi ke dalam tiga aspek yakni aspek perwujudan, kemasyarakatan dan kebudayaan. Data penelitian ini meliputi lirik lagu daerah Bulangita Lipu Huta. Sumber data penelitian ini diperoleh dari lirik lagu, serta didukung oleh hasil wawancara dan dokumen sejarah desa. Metode penelitian ini menggunakan metode deskriptif. Teknik pengumpulan data dilakukan melalui dokumentasi terhadap lirik lagu Bulangita Lipu Huta, wawancara dengan informan, serta data yang diambil dari dokumen sejarah desa. Teknik analisis data penelitian ini yakni, reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan (1) Toponimi desa dalam lirik lagu Bulangita Lipu Huta mencerminkan keberadaan 17 desa yang masing-masing memiliki makna historis dan kultural yang kuat. Nama-nama desa tersebut tidak hanya menjadi penanda geografis, tetapi juga merekam sejarah lokal, latar belakang sosial dan historis masyarakat, mengandung nilai-nilia spiritual dan mitos serta kepercayaan masyarakat setempat. (2) Aspek toponimi yang ditemukan terdiri dari aspek perwujudan yakni 12 desa, aspek kemasyarakatan lima desa, dan aspek kebudayaan satu desa.
The Meaning of Moyosingog's Oral Poetry at the Oya' Traditional Ceremony of the Bolaang Mongondow Tribe Dewi Safitri Labuang; Ellyana Hinta; Zilfa Ahmad Bagtayan
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 1 (2026): Januari 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i1.1106

Abstract

Moyosingog' oral poetry is a form of oral literature that thrives in the Bolaang Mongondow community, particularly during the oya' traditional ceremony. This oral poetry contains words, phrases, and sentences that represent the cultural values, customs, and social systems of the Bolaang Mongondow community, expressed through meaningful symbols. This research focuses on two issues, namely verbal symbols and nonverbal symbols contained in the Moyosingog' oral poetry in the oya' traditional ceremony of the Bolaang Mongondow Tribe. The purpose of this research is to describe the verbal symbols and nonverbal symbols in the Moyosingog' oral poetry. This research uses a descriptive method with a qualitative approach that aims to reveal the concretization of the meaning of the Moyosingog' oral poetry in the context of the oya' traditional ceremony. The research was conducted in Motabang Village, Bolaang Mongondow Regency, with data collection techniques in the form of observation, interviews, and documentation of the speakers of the Moyosingog' oral poetry and traditional figures involved in the implementation of the ceremony. The results of the study indicate that there are two speakers of the Moyosingog' oral poetry, namely representatives from the female and male parties, and three types of important customs were found mentioned in the oral poetry, namely Guman, Guat, and Gama. The symbols found consist of 18 verbal symbols and 5 nonverbal symbols, each of which has a denotative and connotative meaning. The conclusion of this study shows that the Moyosingog' oral poetry in the oya' traditional ceremony is a tradition of discussing marriage customs and giving oya' customs to the mother of the prospective bride which contains cultural values, social norms, and local wisdom of the Bolaang Mongondow Tribe.
Co-Authors Dewi Safitri Labuang Hikma Nurcahyani Humokor Moh. Karmin Baruadi Muslimin Ni Komang Mahatma Devi S. Yadnyaseni Nur Ameliya Hasan Nuramila Puput Novel Pakaya Sandi S Nani Sayama Malabar Sitti Rachmi Masie Zilfa Ahmad Bagtayan