Article Per Year (5 Year)
p-Index From 2021 - 2026
0.61
P-Index
This Author published in this journals
All Journal Anaphora: Journal of Language. Literary and Cultural Studies Jurnal Ilmiah Multidisiplin Amsir
Dian Oktavia
Universitas Dr. Soetomo Surabaya
Religion Arts Humanities Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Other

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Daijin’s Moral Responsibility in Suzume no Tojimari (2022) Alvina Salshabilla Linjani Putri; Muhammad Ilham Rahmansyah; Dian Oktavia; Happy Julia Rahmadianti; Rommel Utungga Pasopati; Anicleta Yuliastuti
Jurnal Ilmiah Multidisiplin Amsir Vol. 4 No. 2 (2026): Juni
Publisher : AhInstitute of Research and Community Service (LP2M) Institute of Social Sciences and Business Andi Sapada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62861/jimat.v4i2.915

Abstract

This study explores the concept of moral responsibility through the character of Daijin in the animated film Suzume no Tojimari. This study was conducted because there are still few studies that highlight how animated films depict moral responsibility, especially through non-human characters. By analyzing Daijin’s actions, decisions, and their consequences, the research examines how moral agency is portrayed in a fantastical setting. Using textual analysis through qualitative method, the study identifies key themes such as duty, sacrifice, and the conflict between personal desires and collective well-being. The findings reveal that Daijin’s transformation from a reluctant guardian to a figure of responsibility that does personal sacrifice reflects moral responsibility, including reasons-responsiveness, forward-looking responsibility, and reactive attitudes. This study is expected to contribute to moral and film studies by showing that animated films can also be a means of learning ethical values. In conclusion, Suzume no Tojimari offers a thought-provoking exploration of moral responsibility. Daijin's storyline serves as a powerful reminder of the complexities inherent in navigating ethical dilemmas, especially when faced with choices that impact both personal and collective fates.
The Hybridity of Islam, Hinduism, and Modernity in Troloyo Cemetery Dian Oktavia; Erlis Hersetya Firda; Happy Julia Rahmadianti; Hariyono Hariyono; Rommel Utungga Pasopati
Jurnal Ilmiah Multidisiplin Amsir Vol. 4 No. 2 (2026): Juni
Publisher : AhInstitute of Research and Community Service (LP2M) Institute of Social Sciences and Business Andi Sapada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62861/jimat.v4i2.918

Abstract

Troloyo Cemetery, located in Trowulan, Mojokerto, East Java, is a historical burial site that exemplifies the hybridity between Islam, Hindu-Buddhist traditions, and modernity. This study explores the cemetery as a cultural third space, a concept introduced by Homi K. Bhabha (1994), where different belief systems and historical legacies intersect, negotiate, and form new identities. The research applies a qualitative approach through semi-structured interviews and direct observation, focusing on the perceptions of local caretakers and community members. Findings reveal that Islamic elements are present in tombstone inscriptions, Arabic calligraphy, and pilgrimage practices associated with Syekh Jumadil Kubro, a key figure in Javanese Islamization. Simultaneously, Hindu-Buddhist influences persist through architectural structures like kijing and symbols such as Surya Majapahit, while modern features—such as tourism and infrastructure development—further shape the site's identity. Ritual practices like incense burning, flower offerings, and local cosmological concepts highlight syncretic expressions of spirituality rooted in Javanese culture. These complex layers of religiosity and symbolism challenge rigid categorizations of identity, instead revealing a dynamic cultural landscape formed through historical negotiation and continuity. The study concludes that Troloyo Cemetery functions not merely as a sacred Islamic site but as a hybrid space where cultural and religious forms co-exist and evolve, offering a deeper understanding of Indonesia's plural spiritual heritage.
The Representations of Socialist Feminism on Lesley Gore’s You Don't Own Me Rommel Utungga Pasopati; Dian Oktavia; Evangelin Rambu Ayu; Raddine Salsabiyla; Devito Andharu
Anaphora : Journal of Language, Literary, and Cultural Studies Vol. 6 No. 2 (2023): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v6i2.9236

Abstract

This article exposes analysis of socialist feminism through the song of Lesley Gore entitled You Don't Own Me. Popularized in the 1960s, this song conveys the strength of a woman to fight against any dictation and to reject the wishes of men. This is in line with Clara Zetkin’s socialist feminism in which a woman must always be free from any man’s possession. Zetkin bases her thoughts on socialist concepts that emphasize equality between men and women out of any capital accumulation. By using qualitative methods, in the analysis, Gore uplifts women's dignity by rejecting any domestication and dictation done by men. Women must sound their own voices and stand up for their own rights. In conclusion, women are full of uniqueness that must not be reduced as a toy for men. Women are human beings that are never parts of the capital accumulation of men.
Co-Authors Alvina Salshabilla Linjani Putri Anicleta Yuliastuti Devito Andharu Erlis Hersetya Firda Evangelin Rambu Ayu Happy Julia Rahmadianti Hariyono Hariyono Muhammad Ilham Rahmansyah Pasopati, Rommel Utungga Raddine Salsabiyla Rommel Utungga Pasopati