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Analisis Makna di Balik Nama Warung Makan di Langsa Timur Naura Khairani; Nurmala Sari; Dinda Nasywa; Afifah Azzahrah
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 1 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i1.1349

Abstract

This study aims to analyze the patterns, meanings, and factors that influence the naming of food stalls in the area. The method used is descriptive qualitative with an ethnolinguistic approach. Data were collected through direct observation, documentation, and interviews with food stall owners. The results show that the naming of food stalls in East Langsa is influenced by various aspects, such as the identity of the owner (personal or family name), the type of food sold, religious values, and elements of local and popular culture. Unique and contextualized naming is proven to provide a special attraction for consumers. This study contributes to the understanding of linguistic dynamics in the context of micro-enterprises and their relevance to the social and cultural identity of local communities.
Makna Simbolik Pantun dalam Tradisi Lisan Hempang Pintu dan Makan Beradab pada Pernikahan Melayu Langkat Nurmala Sari; Prima Nucifera; Tanita Liasna
Sintaks: Jurnal Bahasa & Sastra Indonesia Vol. 6 No. 2 (2026)
Publisher : Medan Resource Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57251/sin.v6i2.2143

Abstract

Pantun occupies a central position in the Langkat Malay wedding tradition as a medium for transmitting cultural values, social norms, and collective identity; however, the symbolic meanings embedded in the Hempang Pintu and Makan Beradab oral traditions have not been comprehensively examined through Peircean semiotics. This study investigates how icons, indices, and symbols are constructed in pantuns performed during these traditions and explores the cultural meanings they convey. Employing a descriptive qualitative approach, the research analyzed 85 pantun stanzas from four traditional wedding processions using Charles Sanders Peirce's triadic semiotic model, supported by observation, note-taking, and in-depth interviews. The findings identified 20 icons, 28 indices, and 76 symbols, indicating that symbolic signs dominate because pantuns predominantly communicate figurative meanings and culturally shared conventions. The symbolic meanings encompass religiosity, Malay cultural identity, respect for customary traditions, protection of the bride's dignity, and moral guidance for married life. The study contributes a novel systematic mapping of the distribution of icons, indices, and symbols across the four Hempang Pintu and Makan Beradab processions in Hinai District and demonstrates that pantun functions as a dynamic system of cultural communication that plays a vital role in preserving Malay cultural heritage amid ongoing modernization.