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SURVEILLANCE, DIGITAL VIGILANTISM, DAN PERUBAHAN SOSIAL: ANALISIS NARATIF DOKUMENTER CYBER HELL Khoirul Hudah; Syaiful Maulana; Noor Afy Shovmayanti
Jurnal Komunikasi dan Kajian Media Vol. 9 No. 2 (2025): JURNAL KOMUNIKASI DAN KAJIAN MEDIA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/jkkm.v9i2.3154

Abstract

Abstrak: Penelitian ini menganalisis representasi praktik surveillance, digital vigilantism, dan agensi korban dalam dokumenter Cyber Hell: Exposing an Internet Horror. Berangkat dari meningkatnya kejahatan digital, penelitian ini bertujuan menelusuri bagaimana dokumenter tersebut membangun narasi investigatif dan menampilkan peran korban, aparat, jurnalis, serta publik dalam mengungkap kejahatan. Metode yang digunakan adalah studi kasus kualitatif dengan analisis naratif, menggunakan kerangka teori surveillance, digital vigilantism, dan feminisme kritis. Hasil penelitian menunjukkan adanya narasi antagonistik antara pelaku dan aktor institusional, dengan korban digambarkan tidak hanya sebagai pihak yang menderita, tetapi juga sebagai agen resistensi dan perubahan. Surveillance dan digital vigilantism direpresentasikan sebagai mekanisme ganda baik sebagai instrumen kontrol maupun sarana pembongkaran kebenaran dan pendorong transformasi sosial. Dari perspektif feminisme kritis, film ini menantang ketidakadilan patriarkal dan menonjolkan agensi perempuan dalam memperjuangkan keadilan. Dengan demikian, Cyber Hell berfungsi sebagai media advokasi, literasi digital, dan kritik sosial, serta memberikan kontribusi terhadap kajian komunikasi mengenai pengawasan digital, kesetaraan gender, dan perlindungan korban. Kata kunci: komunikasi, digital vigilantism, perubahan sosial, surveillance.
Algorithmic Hegemony and the Political Economy of Digital Media: The Commodification of Political Content on Deddy Corbuzier's YouTube Channel Khoirul Hudah; Luxy Nabela Farez
EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI Vol 9 No 1 (2026): January
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Pembangunan Nasional Veteran Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33822/jep.v9i1.12938

Abstract

Digital transformation has reshaped media ecosystems by positioning YouTube as a dominant platform for producing, distributing, and consuming content within the logic of algorithmic capitalism. However, studies examining how political content creators negotiate power relations within this digital environment, particularly in Indonesia, remain limited. Addressing this gap, this research aims to analyze the political economy practices embedded in Deddy Corbuzier’s “Close The Door” YouTube program using Vincent Mosco’s framework of commodification, spatialization, and structuration. Employing an interpretive qualitative approach, the study investigates ten episodes featuring national political actors published in 2022-2025. Data were collected through digital documentation and analyzed using Miles, Huberman, and Saldaña’s interactive model. The findings reveal that political discussions on the channel are transformed into economic commodities through monetization systems, algorithmic visibility, and high audience engagement. Spatialization emerges through YouTube’s recommendation infrastructure and global data networks that link local content creators with multinational corporate interests such as Google. Structuration is reflected in the reciprocal yet asymmetrical interactions among creators, platforms, audiences, and political elites, collectively shaping symbolic power in the digital sphere. The study concludes that YouTube functions not only as an alternative media space but also as a hegemonic arena governed by digital capitalist logics. These results provide theoretical contributions to the political economy of media in Indonesia and offer practical insights into how algorithmic systems increasingly shape public discourse and redistribute power away from traditional media institutions.