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All Journal Atrat: Jurnal Seni Rupa
Ridwan Septiawan Nugraha
Institut Seni Budaya Indonesia Bandung
Arts Humanities Education Social Sciences

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Kaligrafi Islam sebagai Arena Negosiasi Politik dan Budaya: Relasi Seni, Kekuasaan, dan Identitas Islam di Indonesia Ridwan Septiawan Nugraha; Agus Cahyana; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 14 No 1 (2026): ESTETIKA DAN BUDAYA KONTEMPORER DALAM PERSPEKTIF SENI RUPA, KRIYA, DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v14i1.5042

Abstract

Islamic calligraphy is not only understood as an expression of spiritual beauty but also contains social, political, and cultural dimensions. This study aims to analyze Islamic calligraphy as a site of political and cultural negotiation in Indonesia. The research employs a qualitative approach using library research and discourse analysis of relevant academic literature. The findings show that calligraphy functions as a symbol of power legitimacy in both traditional sultanates and modern institutions, a medium of cultural resistance against colonialism and radicalism, and an instrument of cultural diplomacy in shaping a moderate Islamic identity in Indonesia. These findings emphasize that calligraphy serves as a space of meaning production that reflects the dynamic relationship between art, power, and identity in Indonesian Muslim society. .
Co-Authors Agus Cahyana Asep Miftahul Falah