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All Journal Al-Absah: Journal of Civilization, Language, Literature, and History
Yahya Nur Fadillah
Universitas Islam Negeri Raden Mas Said Surakarta

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Makam Eyang Ki Kebo Kenongo:Titik Temu Sejarah Lokal, Spiritualitas Jawa, Dan Arsitektur Islam Awal: Eyang Ki Kebo Kenongo Tomb: The Intersection Of Local History, Javanese Spirituality, And Early Islamic Architecture Fakehufidin; Viky Khoirul Fuady; Yahya Nur Fadillah
Al-Absah: Journal of Civilization, Language, Literature, and History Vol. 1 No. 2 (2025)
Publisher : Fakultas Adab dan Bahasa UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/alabsah.v1i2.22

Abstract

This research examines the Tomb of Ki Kebo Kenongo in Pengging, Boyolali, as a site rich in historical, archaeological, and religious values in the context of Javanese culture. Ki Kebo Kenongo, or Ki Ageng Pengging, was an important figure during the transition from the Majapahit Kingdom to the Demak Sultanate, known both as a nobleman and as a spiritual figure of Sheikh Siti Jenar's disciple. An interdisciplinary approach is used in thisresearch, including the historical method to trace the genealogy, socio-political role, and spiritual teachings of Ki Kebo Kenongo; the archaeological approach to analyze the structure, materials, and ornaments of the tomb; and the religio-cultural approach to understand the pilgrimage tradition that is still alive in the community. The results show that this tomb is an important spiritual center, reflecting the combination of Islamic values with local wisdom and Javanese culture. The architecture of the tomb shows the acculturation of Hindu-Buddhist and early Islam, with pilgrimage practices reflecting the diversity of the community's religious expressions. Pilgrimage traditions such as prayer recitation, flower sowing, and kenduri emphasize the function of the tomb as a spiritual space as well as a symbol of cultural identity. This study emphasizes the importance of recognizing local sites as part of Indonesia's cultural heritage and national history
Digital Literary Proficiency of 4th Semester Student at UIN Raden Mas Said Surakarta: Kemampuan Literasi Digital Mahasiswa Semester 4 UIN Raden Mas Said Surakarta Idha Aulia Hasanah; Solikha Nur Dzulfiani; Yahya Nur Fadillah
Al-Absah: Journal of Civilization, Language, Literature, and History Vol. 1 No. 2 (2025)
Publisher : Fakultas Adab dan Bahasa UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/alabsah.v1i2.31

Abstract

In today's digital world, being digitally literate is essential for university students to thrive both academically and socially. This research examines the level of digital literacy skills among 4th semester students at UIN Raden Mas Said Surakarta, using Ng’s (2012) framework, which includes the technical, cognitive, and socio-emotional aspects. A descriptive quantitative approach was used, involving a sample of 120 students from different faculties. Data were gathered through a validated questionnaire and examined using descriptive statistics. The results indicate that students have a high level of technical literacy (M = 4. 12), a moderate level of cognitive literacy (M = 3. 41), and a medium-high level of socio-emotional literacy (M = 3. 78). Although many students feel confident in using digital resources (Kirschner and De Bruyckere, 2017), there are still deficiencies in areas such as critical evaluation and digital ethics (List, 2019; Eshet- Alkalai, 2004). The study suggests that universities should incorporate digital literacy training into their curricula to better equip students with the necessary skills for the 21st century (UNESCO, 2018).
Gaya Bahasa dalam Kolom Asal-Usul Karya Mahbub Djunaidi: Kajian Stilistika : Style of Language in Mahbub Djunaidi's Column on the Origins of His Work: A Stylistic Study Fathan Rizki Effendi; Dilfam Aldisya Ervani; Yahya Nur Fadillah
Al-Absah: Journal of Civilization, Language, Literature, and History Vol. 1 No. 2 (2025)
Publisher : Fakultas Adab dan Bahasa UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/alabsah.v1i2.38

Abstract

Penelitian ini bertujuan mendeskripsikan gaya bahasaMahbub Djunaidi dalam kolom Asal-Usul melalui kajianstilistika. Mahbub dikenal sebagai kolumnis yang memadukanhumor, satire, dan kritik sosial-politik dengan bahasa yang sederhana, komunikatif, serta dekat dengan pembaca. Metode penelitian menggunakan pendekatan kualitatif dengan desaindeskriptif-analitik. Data berupa kata, frasa, dan kalimat dalam antologi Asal-Usul: Catatan-Catatan Pilihan dianalisismenggunakan teknik identifikasi, klasifikasi, dan interpretasiberdasarkan teori stilistika. Hasil penelitian menunjukkan bahwaMahbub konsisten menggunakan diksi populis yang akrabdengan bahasa rakyat, majas sindiran dan ironi sebagai saranakritik sosial, serta citraan visual yang kuat untuk memperkuatpesan moral. Struktur kalimat retoris berupa pertanyaanprovokatif juga sering digunakan untuk menggugah kesadaranpembaca tanpa bersifat menggurui. Humor berfungsi sebagaipintu masuk yang membuat tulisan lebih ringan, sedangkansatire mempertajam dimensi kritisnya. Dengan demikian, gayabahasa Mahbub bukan hanya mencerminkan estetika sastra, tetapi juga strategi komunikasi politik yang efektif pada masa Orde Baru. Secara teoretis, penelitian ini memperkaya kajianstilistika di Indonesia dengan menegaskan bahwa teks jurnalistikdapat dianalisis layaknya karya sastra. Secara praktis, temuan ini menegaskan relevansi humor dan satire sebagai instrumenkomunikasi kritis dalam membangun kesadaran publik, baikdalam konteks historis maupun kontemporer.
Co-Authors Dilfam Aldisya Ervani Fakehufidin Fathan Rizki Effendi Idha Aulia Hasanah Solikha Nur Dzulfiani Viky Khoirul Fuady