Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal Edu Cendikia: Jurnal Ilmiah Kependidikan
Mela Farhany
Universitas Islam Riau
Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
Analisis Citraan dalam Kumpulan Puisi Kisah Cinta Kesekian Karya Tia Ragat : An Analysis of Imagery in the Poetry Collection Kisah Cinta Kesekian by Tia Ragat Mela Farhany; Sri Rahayu
Edu Cendikia: Jurnal Ilmiah Kependidikan Vol. 6 No. 02 (2026): Research Articles, August 2026
Publisher : ITScience (Information Technology and Science)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/educendikia.v6i02.9461

Abstract

Stylistics plays a crucial role in establishing the beauty and meaning of poetry. Imagery evokes sensory experiences, enabling readers to visualize, feel, and deeply internalize the poem's content. The poetry collection Kisah Cinta Kesekian by Tia Ragat was selected as the research subject because it uses simple language that is nonetheless rich in imagery, depicting emotional experiences such as longing, loss, hope, and love. This study aims to describe and analyze the forms of imagery found within the collection. A qualitative approach utilizing a descriptive method was employed. The primary data source is the poetry collection Kisah Cinta Kesekian by Tia Ragat, published by Gramedia Pustaka Utama in 2022. The data consist of words, phrases, lines, and stanzas containing imagery. Data collection used the "read-and-note" technique, while data analysis involved identifying, classifying, describing, and interpreting the data. Based on the analysis of imagery in Kisah Cinta Kesekian, the poet employs various types of imagery as a stylistic element to enhance linguistic beauty and reinforce meaning. The analysis reveals six types of imagery: visual, auditory, olfactory, gustatory, tactile, and kinesthetic. These six types appear across various lines of poetry with varying degrees of intensity, depending on the poet's need to depict inner experiences, atmospheres, or objects presented to the reader.
Co-Authors Sri Rahayu