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All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra Poetika: Jurnal Ilmu Sastra JOURNAL OF SCIENCE AND SOCIAL RESEARCH Didaktik : Jurnal Ilmiah PGSD STKIP Subang Mesada: Journal of Innovative Research Jurnal Ilmu Bahasa, Sastra, dan Budaya (BASADYA)
Herning Puspitarini
Magister Ilmu Susastra, Universitas Diponegoro
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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CARNIVALIZATION IN DANARTO’S ASMARALOKA: A STUDY OF BAKHTINIAN DIALOGISM Sri Wahyuningtyas; Herning Puspitarini
POETIKA Vol 9, No 2 (2021): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v9i2.59771

Abstract

Asmaraloka, a novel written by Danarto, is a non-realistic novel that contains many voices, ideas, discourses, and thoughts that construct the carnivalesque elements in the novel. Within the context of diversity and various phenomena in the world, the carnivalization of the story shapes the behaviors and the identities of the characters in it.Drawing on this idea, this study aims to reveal the internal and external elements that contribute to the carnivalization of Asmaraloka. The novel’s text is examined qualitatively using Bakhtinian dialogism and a sociological approach to dialogic behavior for the purpose of understanding the complete construction of meanings as the reflection of the author’s world view.The study finds that there are two categories of carnivalesque elements in Asmaraloka, namely the external and internal elements of carnival. The external carnivalization of the story creates the non-realistic world in it in relation to other texts that contribute to the diversity of ideas/ meanings in the novel. The internal carnivalization of the story generates the following structural aspects: (1) the battlefield as a means of carnival performance, (2) the occurrence of an abnormal human relationship between the characters, (3) the carnivalesque phenomena that are constructed in the story through the dialogues between peace and chaos and between obedience and denial, and (4) the effects of carnivalesque behaviors on the characters’ personality. Asmaraloka merupakan novel nonrealis karya Danarto yang berisi banyak suara, gagasan, wacana, dan pemikiran yang membentuk unsur-unsur karnival di dalamnya. Dalam konteks keberagaman dan berbagai fenomena di dunia, karnivalisasi karya sastra merupakan hal yang dapat mempengaruhi tingkah laku dan pembentukan jati diri para tokoh dalam cerita.Berkaitan dengan gagasan di atas, penelitian ini bertujuan mengungkap karnivalisasi teks Asmaraloka baik yang bersifat internal maupun yang eksternal dan pengaruhnya terhadap pembentukan karakter dari tokoh-tokoh dalam novel Asmaraloka. Penelitian ini menggunakan metode kualitatif. Analisis dilakukan berdasarkan dialogisme Bakhtin dan pendekatan sosiologis pada perilaku dialogis untuk memahami jalinan makna utuh sebagai pandangan dunia pengarang. Hasil penelitian menunjukkan adanya unsur karnival eksternal dan internal yang membangun cerita.Karnivalisasi eksternal membentuk dunia nonrealis dari cerita dan berkaitan dengan teks-teks lain yang berperan membangun keragaman makna dalam Asmaraloka. Karnivalisasi internal cerita mengungkap adanya aspek-aspek berikut ini: (1) medan pertempuran sebagai sarana pertunjukkan, (2) hubungan manusia yang tidak normal yang terjadi antar tokoh, (3) fenomena-fenomena karnivalistik yang terbangun melalui interaksi antara kedamaian dan kekacauan dan juga antara ketaatan dan pengingkaran, dan (4) unsur-unsur karnival yang merupakan dialog antara gagasan pengarang dan fenomena-fenomena sosial di masyarakat.
Alih Wahana Game Touken Ranbu Menjadi Drama Musikal sebagai Representasi Identitas Latar dan Budaya Jepang Sri Wahyuningtyas; Widowati Widowati; Herning Puspitarini
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 13, No 1: Februari 2018
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (649.05 KB) | DOI: 10.14710/nusa.13.1.99-109

Abstract

This paper adopts the phenomenon of electronic literature or hybrid literature in the form of online game namely Touken Ranbu which is converted to a musical drama entitled Touken Ranbu Bakumatsu Tenrouden. The object is examined by using transformation studies which is related to the technology utilization as a means to elevate culture and history to be recognized by society. The problem identification in this paper is analyzing the similarity and difference in the game and musical drama of Touken Ranbu as well as the setting and cultural elements contained in it.The result of this paper is that there are similarity in the theme and differences in additional of characters, plot, and setting. Moreover, the cultural setting and Japan cultural elements which are highlighted in the object are in the form of sword symbol and samurai figure as a symbol of the struggle and life view of the society. Therefore, through a literary work in the form of Touken Ranbu game dan the musical drama, culture and history could be a learning which is bequeathed to the young generation.
PANDANGAN DUNIA PENGARANG DAN RELASI KEKUASAAN DALAM NOVEL MAX HAVELAAR KARYA MULTATULI: KAJIAN STRUKTURALISME GENETIK Puspitarini, Herning; Wahyuningtyas, Sri
JOURNAL OF SCIENCE AND SOCIAL RESEARCH Vol 8, No 4 (2025): November 2025
Publisher : Smart Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54314/jssr.v8i4.4682

Abstract

Abstract: Max Havelaar is a novel that considered murder of colonialism. As a historical novel, its expressed criticism of the colonial era so Max Havelaar is regarded as canon. The formulation of the problem are 1) how the existence of the problematic hero in the Max Havelaar novel based on the background social life author? 2) how historical background that influence the creation of the novel Max Havelaar and relationship with the power relations in the novel? 3) what a world view are successfully expressed through the resolution of the problem by problematic hero in the Max Havelaar novel? To solvethe problemtheauthors useresearch methodsof Sociologyof literaturewith the theory ofgeneticstructuralism. The results oftheanalysisshow thesocial backgroundsof the author'sinfluence on the formation ofthe problematic hero and the oposition, and there are power relations that connect hero problematic on the background of the history of the creation of the novel, so that determine the views of the world the author of the idealistic-humanist and liberalism from the collective subject who described through the dialectic method of understanding-explanations.Keyword: structuralism genetic, a world view, problematic hero, power relationsAbstrak: Max Havelaar merupakan novel yang dianggap membunuh kolonialisme. Sebagai novel sejarah yang mengungkapkan kritik terhadap kolonial Max Havelaar dianggap sebagai karya agung. Rumusan masalah yang diambil yakni 1) bagaimanakah eksistensi tokoh problematik yang terdapat dalam novel Max Havelaar berdasarkan latar kehidupan sosial pengarang? 2) bagaimanakah latar belakang sejarah yang berpengaruh terhadap pembuatan novel Max Havelaar dan hubungannya dengan relasi kekuasaan yang terdapat dalam novel? 3) pandangan dunia seperti apa yang berhasil diungkapkan melalui penyelesaian masalah oleh tokoh problematik dalam novel Max Havelaar? Untuk memecahkan masalah tersebut penulis menggunakan metode penelitian sosiologi sastra dengan teori strukturalisme genetik. Hasil analisis menunjukkan latar belakang sosial pengarang berpengaruh terhadap pembentukan karakter tokoh problematik dengan oposisinya, serta terdapat relasi kekuasaan yang menghubungkan tokoh problematik berdasarkan latar belakang sejarah pembuatan novel, sehingga menentukan pandangan dunia pengarang yang idealis-humanis dan liberalisme dari subjek kolektifnya yang dijelaskan melalui metode dialektika pemahaman-penjelasan.Kata kunci: Strukturalisme genetik, pandangan dunia, tokoh problematik, relasi kekuasaan
Kegagalan Felicity Conditions dan Pelanggaran Maksim Grice dalam Tuturan Fitnah Aparat: Studi Kasus Sudrajat Es Gabus Sabrina, Fadhilah; Alpris, Zai; Aprilia, Saibil; Sihite, Yusnika; Syarifah, Rini; Puspitarini, Herning; Gafari, M. Oky Fardian
Mesada: Journal of Innovative Research Vol. 3 No. 1 (2026): January-June
Publisher : Yayasan Zia Salsabila

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61253/wfpmgm34

Abstract

Dalam penelitian ini, kondisi felicity teori speech acts (Austin & Searle) dan maksim Grice digunakan untuk menganalisis kegagalan komunikatif yang melanggar prinsip pragmatik ketika aparat negara menuduh Sudrajat Es Gabus. Dengan menggunakan pendekatan pragmatik kualitatif, data primer dari transkrip tuturan fitnah aparat di media sosial dan konferensi pers diuji menggunakan checklist felicity conditions (sincerity, preparatory, propositional, essential) dan klasifikasi pelanggaran maksim (Quantity, Quality, Relation, Manner). Mengungkapkan kegagalan sincerity condition karena niat manipulatif dan pelanggaran kualitas karena informasi palsu dan pelanggaran hubungan yang menimbulkan implikasi fitnah.
ANALISIS PRAGMATIK WAR KNETZ VS SEABLINGS DI PLATFORM X Kuswara, Dewi; Puspitarini, Herning; Putri, Dira Shafira; Ashari, Naila; Syahirah, Rania; Mikradi, Wahyu
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 01 (2026): Volume 12 No. 01, Maret 2026 Published
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i01.12260

Abstract

The phenomenon of communication conflict on social media is increasingly rising, one example being the conflict between Knetz and SEAblings on the X platform, which was triggered by an incident at a DAY6 concert in Kuala Lumpur. This conflict developed into a debate characterized by utterances containing satire, mockery, and even insults related to group identity and stereotypes. This study aims to analyze the forms and meanings of utterances within the conflict and to identify the contributing factors through a pragmatic approach. The method used involves data collection techniques such as observation and documentation of posts, comments, and screenshots of interactions on the X platform. The data were then analyzed based on the concepts of speech acts, implicature, and the cooperative principle in pragmatics. The results show that the utterances produced contain non-literal meanings such as satire, sarcasm, and insults. The conflict is influenced by differences in group identity, the use of linguistic stereotypes, fanwar dynamics, and anonymity in online communication. In this context, language functions not only as a tool of communication but also as a means of expressing identity and social conflict. Keyword: Pragmatics, Knetz, SEAblings
Fenomena Tumbler Tuku Di Kai Dalam Perspektif Cyber Pragmatik Charolin, Mika; Valiza, Intan; Harahap, Mesya Fadila Sani; Afarrel, Muhammad Ridho; Manurung, Afriani Sasmita Br; Gafari, Oky Fardian; Puspitarini, Herning
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2026): BASADYA - Januari
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i1.1355

Abstract

The viral phenomenon of "tumbler tuku" at PT Kereta Api Indonesia (KAI) is one example of the dynamics of digital communication in the social media era. This case began with a passenger's complaint posted on social media and then escalated into a communication crisis involving multiple parties. The purpose of this research is to examine this phenomenon from a cyberpragmatic perspective, particularly regarding how context functions to understand the intent of utterances in the digital space. This study uses a descriptive qualitative approach by examining utterances on social media, institutional responses, and media coverage. The results indicate that utterances on social media tend to be emotional and judgmental, which can lead to misunderstandings. The virtual context plays a crucial role in rectifying, affirming, clarifying, and underlying the intent of utterances from a cyberpragmatic perspective. Conflicts in the digital public space increase due to misinterpretation of context.
Analisis Tutur Dan Tindak Tutur Dalam Media Sosial: Studi Kasus Sea-Blings Vs Knetz Andini, Adinda; Lubis, Delfira Almuharomah; Nainggolan, Ledy Novwanty; Hutasoit, Shema Eklesiya; Pakpahan, Wijar; Puspitarini, Herning; Gafari, Oky Fardian
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2026): BASADYA - Januari
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i1.1357

Abstract

Social media has become a space for interaction that allows users to express themselves quickly and openly. This often gives rise to debate, especially when involving communities with different cultural backgrounds, such as the Sea-Blings and Knetz. This study aims to analyze the forms of speech and speech acts that emerge in interactions between these two groups on social media. This study uses a pragmatic approach with a focus on the study of speech and speech acts, along with descriptive quantitative methods. The research data consists of written utterances obtained from social media posts and comment columns. The data are then classified based on the type of speech act (locutionary, illocutionary, and perlocutionary), and the type of illocutionary function (expressive, directive, assertive, and commissive). Furthermore, the data are analyzed quantitatively to determine the frequency and trends of each type of speech act. The results show that expressive and directive speech acts are the most dominant forms in interactions between the Sea-Blings and Knetz. These utterances are generally used to convey emotions, criticism, defense, and affirmation of group attitudes and identities. Differences in cultural background and perspective influence how speakers convey and interpret speech, potentially leading to misunderstandings and verbal conflict. This research is expected to provide insight into language usage patterns on social media and raise user awareness of the importance of using polite, wise, and contextually appropriate language in online communication.
Ketidaksantunan Berbahasa Di Media Sosial: Kajian Pragmatik Terhadap Kasus Dwi Sasetyaningtyas Andini, Try Widya; Hapiz, Naina Ikhdina; Lubis, Qesya Balqis; Andari, Zaskia Putri; Akrima, Shintya; Puspitarini, Herning
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2026): BASADYA - Januari
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i1.1364

Abstract

The phenomenon of communication on social media often gives rise to various forms of linguistic impoliteness influenced by emotional factors, freedom of expression, and the lack of social control. One case that attracted public attention is the statement made by Dwi Sasetyaningtyas, an alumna and recipient of the LPDP scholarship, which went viral and triggered diverse responses from the public. This study aims to analyze the implicatures, speech acts, and forms of linguistic impoliteness that emerge in online discussions related to the case. The method used is qualitative with a descriptive approach. The data were obtained from posts and comments on social media related to the phenomenon, and then analyzed using a pragmatic framework. The results show that linguistic impoliteness appears in the form of direct accusations, insults, sarcasm, and the use of emotional language. In addition, implicatures were found that imply criticism toward the individuals involved, as well as various types of speech acts, such as expressive, directive, and declarative. These findings indicate that communication on social media not only functions as a means of conveying information but also as a space for expressing opinions that can potentially lead to conflict if not accompanied by an awareness of linguistic ethics.
Tindak Tutur Netizen Pada Kontroversi Kasus Bunuh Diri Anak Sd Di NTT Kusmariati, Kusmariati; Nababan, Melyanty; Sitanggang, Melinda Maria; Barus, Irfansyah; Tamba, Yuni; Puspitarini, Herning; Gafari, Oky Fardian
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2026): BASADYA - Januari
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i1.1370

Abstract

This article investigates linguistic phenomena in digital spaces arising as a response to a humanitarian tragedy intersecting with controversial public policy. The primary focus of this research is the analysis of netizen speech acts on the social media platform X (formerly Twitter) following the suicide of a fourth-grade elementary student, YBS, in Ngada Regency, East Nusa Tenggara (NTT) in January 2026. This tragedy became a national discourse as it was triggered by the victim's inability to purchase stationery, amidst a heated debate regarding the allocation of the IDR 335 trillion Free Nutritious Meal (MBG) budget, which consumes a significant portion of education funds in the 2026 State Budget. Utilizing a critical pragmatic approach, this research aims to identify types of illocutionary acts, their pragmatic functions, and the politeness and impoliteness strategies employed as instruments of social criticism. The research method is qualitative descriptive, using the non-participatory observation technique (SBLC) on 47 netizen utterances. Findings indicate a dominance of expressive (38.3%) and directive (34.0%) speech acts, reflecting an escalation from collective emotion into structured political demands. This study confirms that social media has transformed into a digital arena where linguistic power is exercised to dismantle structural injustice and demand state accountability for fundamental educational rights.  
Analisis Tindak Tutur Ilokusi Dominan Dalam Komentar Masyarakat Terhadap Video Kekerasan Aparat Terhadap Pelajar Di Media Sosial Ameria, Cristin; Manullang, Delima Br; Vanesa, Lusia Gita; Rismauli Natalia; Yusuf, Syahiba Nadin; Gafari, Oky Fardian; Puspitarini, Herning
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2026): BASADYA - Januari
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i1.1372

Abstract

This study aims to analyze the dominant types of illocutionary speech acts found in public comments on social media related to the video of violence by Brimob officers against students in Tual City. This issue is important because the use of excessive force, or police brutality, triggers strong emotional reactions on digital platforms like TikTok. Using a descriptive qualitative approach and Searle's pragmatic theory, this research examines netizen comments collected through documentation and note-taking. The results show that expressive and directive illocutionary speech acts dominate the conversation. Expressive acts serve as a means for shared anger and empathy, while directive acts manifest as public demands for a thorough investigation. These findings suggest that language on social media works not only as a communication tool but also as a method of social control and mass mobilization that pressures law enforcement to uphold accountability and professionalism.
Co-Authors Afarrel, Muhammad Ridho Akrima, Shintya Alpris, Zai Ameria, Cristin Andari, Zaskia Putri Andini, Adinda Andini, Try Widya Aprilia, Saibil Ashari, Naila Barus, Irfansyah Charolin, Mika Hapiz, Naina Ikhdina Harahap, Mesya Fadila Sani Hutasoit, Shema Eklesiya Kusmariati, Kusmariati Kuswara, Dewi Lubis, Delfira Almuharomah Lubis, Qesya Balqis M. Oky Fardian Gafari Manullang, Delima Br Manurung, Afriani Sasmita Br Mikradi, Wahyu Nababan, Melyanty Nainggolan, Ledy Novwanty Pakpahan, Wijar Putri, Dira Shafira Rismauli Natalia Sabrina, Fadhilah Sihite, Yusnika Sitanggang, Melinda Maria Sri Wahyuningtyas Sri Wahyuningtyas Sri Wahyuningtyas, Sri Syahirah, Rania Syarifah, Rini Tamba, Yuni Valiza, Intan Vanesa, Lusia Gita Widowati Widowati Yusuf, Syahiba Nadin