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CARNIVALIZATION IN DANARTO’S ASMARALOKA: A STUDY OF BAKHTINIAN DIALOGISM Sri Wahyuningtyas; Herning Puspitarini
POETIKA Vol 9, No 2 (2021): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v9i2.59771

Abstract

Asmaraloka, a novel written by Danarto, is a non-realistic novel that contains many voices, ideas, discourses, and thoughts that construct the carnivalesque elements in the novel. Within the context of diversity and various phenomena in the world, the carnivalization of the story shapes the behaviors and the identities of the characters in it.Drawing on this idea, this study aims to reveal the internal and external elements that contribute to the carnivalization of Asmaraloka. The novel’s text is examined qualitatively using Bakhtinian dialogism and a sociological approach to dialogic behavior for the purpose of understanding the complete construction of meanings as the reflection of the author’s world view.The study finds that there are two categories of carnivalesque elements in Asmaraloka, namely the external and internal elements of carnival. The external carnivalization of the story creates the non-realistic world in it in relation to other texts that contribute to the diversity of ideas/ meanings in the novel. The internal carnivalization of the story generates the following structural aspects: (1) the battlefield as a means of carnival performance, (2) the occurrence of an abnormal human relationship between the characters, (3) the carnivalesque phenomena that are constructed in the story through the dialogues between peace and chaos and between obedience and denial, and (4) the effects of carnivalesque behaviors on the characters’ personality. Asmaraloka merupakan novel nonrealis karya Danarto yang berisi banyak suara, gagasan, wacana, dan pemikiran yang membentuk unsur-unsur karnival di dalamnya. Dalam konteks keberagaman dan berbagai fenomena di dunia, karnivalisasi karya sastra merupakan hal yang dapat mempengaruhi tingkah laku dan pembentukan jati diri para tokoh dalam cerita.Berkaitan dengan gagasan di atas, penelitian ini bertujuan mengungkap karnivalisasi teks Asmaraloka baik yang bersifat internal maupun yang eksternal dan pengaruhnya terhadap pembentukan karakter dari tokoh-tokoh dalam novel Asmaraloka. Penelitian ini menggunakan metode kualitatif. Analisis dilakukan berdasarkan dialogisme Bakhtin dan pendekatan sosiologis pada perilaku dialogis untuk memahami jalinan makna utuh sebagai pandangan dunia pengarang. Hasil penelitian menunjukkan adanya unsur karnival eksternal dan internal yang membangun cerita.Karnivalisasi eksternal membentuk dunia nonrealis dari cerita dan berkaitan dengan teks-teks lain yang berperan membangun keragaman makna dalam Asmaraloka. Karnivalisasi internal cerita mengungkap adanya aspek-aspek berikut ini: (1) medan pertempuran sebagai sarana pertunjukkan, (2) hubungan manusia yang tidak normal yang terjadi antar tokoh, (3) fenomena-fenomena karnivalistik yang terbangun melalui interaksi antara kedamaian dan kekacauan dan juga antara ketaatan dan pengingkaran, dan (4) unsur-unsur karnival yang merupakan dialog antara gagasan pengarang dan fenomena-fenomena sosial di masyarakat.
Alih Wahana Game Touken Ranbu Menjadi Drama Musikal sebagai Representasi Identitas Latar dan Budaya Jepang Sri Wahyuningtyas; Widowati Widowati; Herning Puspitarini
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 13, No 1: Februari 2018
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (649.05 KB) | DOI: 10.14710/nusa.13.1.99-109

Abstract

This paper adopts the phenomenon of electronic literature or hybrid literature in the form of online game namely Touken Ranbu which is converted to a musical drama entitled Touken Ranbu Bakumatsu Tenrouden. The object is examined by using transformation studies which is related to the technology utilization as a means to elevate culture and history to be recognized by society. The problem identification in this paper is analyzing the similarity and difference in the game and musical drama of Touken Ranbu as well as the setting and cultural elements contained in it.The result of this paper is that there are similarity in the theme and differences in additional of characters, plot, and setting. Moreover, the cultural setting and Japan cultural elements which are highlighted in the object are in the form of sword symbol and samurai figure as a symbol of the struggle and life view of the society. Therefore, through a literary work in the form of Touken Ranbu game dan the musical drama, culture and history could be a learning which is bequeathed to the young generation.
PANDANGAN DUNIA PENGARANG DAN RELASI KEKUASAAN DALAM NOVEL MAX HAVELAAR KARYA MULTATULI: KAJIAN STRUKTURALISME GENETIK Puspitarini, Herning; Wahyuningtyas, Sri
JOURNAL OF SCIENCE AND SOCIAL RESEARCH Vol 8, No 4 (2025): November 2025
Publisher : Smart Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54314/jssr.v8i4.4682

Abstract

Abstract: Max Havelaar is a novel that considered murder of colonialism. As a historical novel, its expressed criticism of the colonial era so Max Havelaar is regarded as canon. The formulation of the problem are 1) how the existence of the problematic hero in the Max Havelaar novel based on the background social life author? 2) how historical background that influence the creation of the novel Max Havelaar and relationship with the power relations in the novel? 3) what a world view are successfully expressed through the resolution of the problem by problematic hero in the Max Havelaar novel? To solvethe problemtheauthors useresearch methodsof Sociologyof literaturewith the theory ofgeneticstructuralism. The results oftheanalysisshow thesocial backgroundsof the author'sinfluence on the formation ofthe problematic hero and the oposition, and there are power relations that connect hero problematic on the background of the history of the creation of the novel, so that determine the views of the world the author of the idealistic-humanist and liberalism from the collective subject who described through the dialectic method of understanding-explanations.Keyword: structuralism genetic, a world view, problematic hero, power relationsAbstrak: Max Havelaar merupakan novel yang dianggap membunuh kolonialisme. Sebagai novel sejarah yang mengungkapkan kritik terhadap kolonial Max Havelaar dianggap sebagai karya agung. Rumusan masalah yang diambil yakni 1) bagaimanakah eksistensi tokoh problematik yang terdapat dalam novel Max Havelaar berdasarkan latar kehidupan sosial pengarang? 2) bagaimanakah latar belakang sejarah yang berpengaruh terhadap pembuatan novel Max Havelaar dan hubungannya dengan relasi kekuasaan yang terdapat dalam novel? 3) pandangan dunia seperti apa yang berhasil diungkapkan melalui penyelesaian masalah oleh tokoh problematik dalam novel Max Havelaar? Untuk memecahkan masalah tersebut penulis menggunakan metode penelitian sosiologi sastra dengan teori strukturalisme genetik. Hasil analisis menunjukkan latar belakang sosial pengarang berpengaruh terhadap pembentukan karakter tokoh problematik dengan oposisinya, serta terdapat relasi kekuasaan yang menghubungkan tokoh problematik berdasarkan latar belakang sejarah pembuatan novel, sehingga menentukan pandangan dunia pengarang yang idealis-humanis dan liberalisme dari subjek kolektifnya yang dijelaskan melalui metode dialektika pemahaman-penjelasan.Kata kunci: Strukturalisme genetik, pandangan dunia, tokoh problematik, relasi kekuasaan
ANALISIS PRAGMATIK WAR KNETZ VS SEABLINGS DI PLATFORM X Kuswara, Dewi; Puspitarini, Herning; Putri, Dira Shafira; Ashari, Naila; Syahirah, Rania; Mikradi, Wahyu
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 01 (2026): Volume 12 No. 01, Maret 2026 Published
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i01.12260

Abstract

The phenomenon of communication conflict on social media is increasingly rising, one example being the conflict between Knetz and SEAblings on the X platform, which was triggered by an incident at a DAY6 concert in Kuala Lumpur. This conflict developed into a debate characterized by utterances containing satire, mockery, and even insults related to group identity and stereotypes. This study aims to analyze the forms and meanings of utterances within the conflict and to identify the contributing factors through a pragmatic approach. The method used involves data collection techniques such as observation and documentation of posts, comments, and screenshots of interactions on the X platform. The data were then analyzed based on the concepts of speech acts, implicature, and the cooperative principle in pragmatics. The results show that the utterances produced contain non-literal meanings such as satire, sarcasm, and insults. The conflict is influenced by differences in group identity, the use of linguistic stereotypes, fanwar dynamics, and anonymity in online communication. In this context, language functions not only as a tool of communication but also as a means of expressing identity and social conflict. Keyword: Pragmatics, Knetz, SEAblings
Analisis Ketidaksempurnaan Bahasa dalam Fenomena Viral Bayi Monyet Punch: Kajian Pragmatik Purba, Dela Pebina; Sihite, Yeni Fungky; Puspitarini, Herning; Siregar, Dwi Palentin; Nababan, Erika; Sigalingging, Febrina Dwiputri; Gaol, Rahel Naomi Lumban
Indo-MathEdu Intellectuals Journal Vol. 7 No. 2 (2026): Indo-MathEdu Intellectuals Journal
Publisher : Lembaga Intelektual Muda (LIM) Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54373/imeij.v7i2.5276

Abstract

The rise of social media has encouraged the use of language that is concise, informal and often grammatically incomplete, yet remains effective in conveying meaning. The viral phenomenon of the ‘Monkey Baby Punch’ serves as an interesting example of how linguistic imperfections are utilised in digital communication. This study aims to identify forms of linguistic imperfection in netizens’ comments and to analyse the pragmatic meanings contained within them. The study employs a descriptive qualitative approach. Data in the form of netizens’ comments were collected from various social media platforms using documentation techniques, then selected based on their relevance to the research focus. Data analysis was conducted through the stages of data reduction, classification of linguistic forms, and interpretation of meaning using George Yule’s theory of pragmatics and H. P. Grice’s concept of conversational implicatures. The results of the study indicate that linguistic imperfections manifest in the form of incomplete sentences, the use of informal language, and emotional expressions. Although structurally imperfect, the meaning remains comprehensible due to the shared context between the speaker and the reader. Furthermore, conversational implicatures were identified, demonstrated through the fulfilment or violation of the maxims of quantity, quality, relevance, and manner.