Luccylle Manina Takalumang
Program Studi Pendidikan Seni Drama, Tari, dan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Manado, Tondano 95618, Indonesia

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Liturgical Music Practices in Worship at GMIM Pniel Watulambot Congregation Merary Michela Kainde; Luccylle Manina Takalumang; Franklin E. Dumais
Journal of Theory and Practice in Arts Vol. 1 No. 1 (2026)
Publisher : CV Wahana Publikasi

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This study examines the practice of liturgical music in worship at GMIM Pniel Watulambot Congregation, focusing on musical implementation, the readiness and competence of music ministers, team coordination, and congregational participation. The study was motivated by differences in musical competence, preparation, coordination, and congregational responses observed in regular Sunday worship and special services. A descriptive qualitative approach was employed, with data collected through literature review, direct observation, semi-structured interviews, and documentation. The research was conducted in February 2026 at GMIM Pniel Watulambot Congregation, Minahasa, North Sulawesi, involving members of the music ministry team selected purposively based on their experience and involvement in worship music. Data were analyzed through data condensation, data display, and conclusion drawing and verification. The findings indicate that liturgical music functions not only as accompaniment but also as a medium for creating the worship atmosphere, directing congregational attention, supporting congregational singing, and facilitating the appreciation of liturgical meaning. Musical implementation varies according to the theme and purpose of worship, with special services generally receiving more intensive preparation. Differences were identified in song mastery, pitch accuracy, rhythmic stability, tempo, dynamics, and coordination. Sudden changes in team composition and limited rehearsal time also affected musical consistency and congregational participation. The study concludes that strengthening liturgical music ministry requires continuous competency development, structured rehearsals, effective coordination, and systematic personnel management while maintaining active congregational participation as its primary orientation.
Live Music as a Visitor Experience and Attraction at DoubleD Manado Café Loria Maindoka; Sri Sunarmi; Luccylle Manina Takalumang
Journal of Theory and Practice in Arts Vol. 1 No. 1 (2026)
Publisher : CV Wahana Publikasi

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Abstract

This study examines the implementation of live music at DoubleD Café Manado and its relationship to visitor responses, engagement, and experiences. Live music in cafés is increasingly recognized not merely as entertainment but as an element of the servicescape that contributes to atmosphere and customer experience. This study employed a descriptive qualitative approach to obtain an in-depth understanding of the phenomenon in its natural setting. The research was conducted at DoubleD Café, Sario Kota Baru, Manado, North Sulawesi, Indonesia, over four months. Data were collected through direct observation, semi-structured interviews, literature review, documentation, and audiovisual recording. The participants consisted of seven informants, including the café owner and six visitors. Data were analyzed through data reduction, data display, conclusion drawing and verification, supported by thematic analysis. The findings indicate that live music is regularly performed every two weeks on Saturday evenings for approximately five hours, featuring local musicians and genres such as pop, acoustic, and indie music. The performances are supported by adequate sound equipment, lighting, stage arrangements, and a semi-outdoor setting with Japandi-style decoration. Visitors, predominantly young people and university students, demonstrated active engagement through paying attention to performances, singing along, humming, expressing appreciation, interacting with companions, and remaining at the café until performances ended. The findings suggest that live music functions as entertainment, an atmosphere-creating element, and a visitor attraction that encourages engagement. From the Stimulus–Organism–Response perspective, live music and supporting environmental elements stimulate emotional and experiential responses that shape visitor behavior. Thus, integrating live music with physical environmental management can strengthen café identity, enhance visitor experiences, and potentially encourage satisfaction and revisit intentions.