Sri Sunarmi
Program Studi Pendidikan Seni Drama, Tari, dan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Manado, Tondano 95618, Indonesia

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Bia Music in Batu Village, Likupang, North Minahasa Sri Sunarmi; R. A. Dinar Sri Hartati; Putri Reina Gandawari
Journal of Theory and Practice in Arts Vol. 1 No. 3 (2026)
Publisher : CV Wahana Publikasi

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This study investigates Bia Music in Batu Village, South Likupang District, North Minahasa Regency, North Sulawesi, focusing on its historical development, organological characteristics, sound production, playing techniques, socio-cultural functions, and sustainability. A qualitative descriptive approach was employed, with data collected through literature review, observation, documentation, and interviews with community members, performers, and local cultural informants. Data were analyzed through data reduction, descriptive presentation, interpretation, and cross-source comparison to strengthen validity. The findings indicate that Bia Music originated from the use of marine shells as signaling instruments and subsequently developed into an organized musical ensemble through local creativity and experimentation. Organologically, Bia is classified as an aerophone because its sound is produced through controlled airflow and resonance within the shell cavity. Different shell types and sizes, including Charonia tritonis, Cassis cornuta, and Stramonita haemastoma, are adapted as melodic and accompanying instruments with differentiated pitch functions. Sound characteristics are strongly influenced by shell morphology, cavity dimensions, embouchure, and blowing pressure, while production and tuning require practical knowledge, precision, and repeated comparison with reference pitches. Bia Music currently functions in entertainment, religious activities, community events, cultural festivals, education, tourism, social interaction, and cultural identity formation. However, its continuity faces challenges related to environmental degradation, declining shell availability, performer regeneration, and cultural transmission. The study concludes that Bia Music constitutes living cultural heritage whose sustainability requires integrated strategies involving intergenerational transmission, documentation, cultural education, community participation, institutional support, artistic development, and environmental conservation.
Live Music as a Visitor Experience and Attraction at DoubleD Manado Café Loria Maindoka; Sri Sunarmi; Luccylle Manina Takalumang
Journal of Theory and Practice in Arts Vol. 1 No. 1 (2026)
Publisher : CV Wahana Publikasi

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This study examines the implementation of live music at DoubleD Café Manado and its relationship to visitor responses, engagement, and experiences. Live music in cafés is increasingly recognized not merely as entertainment but as an element of the servicescape that contributes to atmosphere and customer experience. This study employed a descriptive qualitative approach to obtain an in-depth understanding of the phenomenon in its natural setting. The research was conducted at DoubleD Café, Sario Kota Baru, Manado, North Sulawesi, Indonesia, over four months. Data were collected through direct observation, semi-structured interviews, literature review, documentation, and audiovisual recording. The participants consisted of seven informants, including the café owner and six visitors. Data were analyzed through data reduction, data display, conclusion drawing and verification, supported by thematic analysis. The findings indicate that live music is regularly performed every two weeks on Saturday evenings for approximately five hours, featuring local musicians and genres such as pop, acoustic, and indie music. The performances are supported by adequate sound equipment, lighting, stage arrangements, and a semi-outdoor setting with Japandi-style decoration. Visitors, predominantly young people and university students, demonstrated active engagement through paying attention to performances, singing along, humming, expressing appreciation, interacting with companions, and remaining at the café until performances ended. The findings suggest that live music functions as entertainment, an atmosphere-creating element, and a visitor attraction that encourages engagement. From the Stimulus–Organism–Response perspective, live music and supporting environmental elements stimulate emotional and experiential responses that shape visitor behavior. Thus, integrating live music with physical environmental management can strengthen café identity, enhance visitor experiences, and potentially encourage satisfaction and revisit intentions.