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MEDIUM SHIFT AND EXISTENCE OF ORNAMENTS ON PELINGGIH OF SACRED BUILDINGS (TEMPLES) DUE TO THE VOLCANIC IMPACT OF MOUNT AGUNG Sumantra, I Made; Susanto, Moh. Rusnoto; Setem, I Wayan; Dewi, Citra Samara; Selimanorita, Shafa’; Dewobroto, Bambang Trisilo
International Journal of Engagement and Empowerment (IJE2) Vol. 3 No. 3 (2023): International Journal of Engagement and Empowerment
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ije2.v3i3.124

The study of the existence of ornaments on the pelinggih (temple) buildings that utilise the black stone material of Mount Agung is considered to be only a tiny part of the ornamental manifestations applied to the black stone pelinggih building of Mount Agung when compared to the application of pelinggih ornaments using solid stone materials in general. It is done as an economic production that needs to be sold to the public, especially for Hindus in Bali. To explore this, the researcher uses socio-cultural and aesthetic approaches. The presentation of this article aims to describe (1) The form of the pelinggih temple building that has been used in the community as a place of worship. (2) The existence of ornaments, which are applied to the parts of the pelinggih building, according to the existing parts, such as the feet, the body and the top. (3) Factors influencing the creation of pelinggih with black stone material of Mount Agung, featuring ornaments with minimalist patterns. It is hoped that this research can also be used as a basis for future research to find solutions in developing techniques for sculpting or carving ornaments that utilise the black stone material of Mount Agung, using modern tools. The research approach used was descriptive qualitative. Data were collected through field surveys, literature studies, observations and interviews. Data can be collected, processed, classified and reduced, then analysed using textual and contextual analysis and interpretation. Descriptive qualitative research method that describes situations or events to make a description systematically, factually, and accurately about the facts and the characteristics of the population or sample of a particular area (Suryabrata, 2005: 76). Data in verbal form is often contained in different words with the same meaning and long and wide sentences. In conclusion, the description of ornaments on pelinggih (temple) buildings that use the black stone material of Mount Agung is related to the dominant factors that influence the embodiment of decorations. Although the structure and form of the pelinggih in the preparation have followed the ethics or the existing rules, the application of ornaments in detail is minimal, only in the form of basic patterns, both at the bottom feet, body or middle and head or top. There is still a lack of reliable and professional Gunung Agung black stone carvers

THE TABUT FESTIVAL OF BENGKULU AS AN IDEA FOR A PAINTING WORK Anita Sari, Dea; Susanto, Moh. Rusnoto; Cahyono, Nugroho Heri; Dewobroto, Bambang Trisilo
International Journal of Engagement and Empowerment (IJE2) Vol. 4 No. 2 (2024): International Journal of Engagement and Empowerment
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ije2.v4i2.156

Bengkulu is a province in Indonesia. This province also has a tradition that has developed into a highly valued cultural festival called the Ark Festival. This festival was initially held to commemorate the heroic story of the grandson of the Prophet Muhammad PBUH, namely Husein Bin Ali Bin Abi Thalib, who died in battle in Padang Karbela, Iraq. This tradition then continues to develop into a cultural festival, but the value of tradition is still maintained and implemented. The purpose of creating the Bengkulu Ark Festival painting as an idea for creating paintings is to fulfil the desire for expression. In addition, to develop the creativity of ideas and painting techniques. Then, to find a personal style. So that the general public can enjoy the art in the form of paintings. Finally, to create a sense of love for Indonesian culture and to preserve it. In creating the final project, instead of a thesis, the method of creation used is Gustami SP's approach. The three stages of the creation method used are exploration, design, and realization of artworks. This method is appropriate in the process of creating the artwork. The artworks created are all based on the theme of the Bengkulu Ark festival. The primary medium used is canvas, which is the same size as 100 x 100 cm. Up to the realization of the work and accountability, the design process is carried out in a structured manner

Tradisi Selasa Wage Di Malioboro Sebagai Sumber Ide Penciptaan Seni Lukis Kuswardana, Bima Arindra; Dewobroto, Bambang Trisilo; Musfalri, Andrik
CILPA Vol 8 No 1 (2023): Januari
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/cilpa.v8i1.13935

Abstrak “Tradisi Selasa Wage” atau biasa masyarakat sekitar dan para pedagang kaki lima area Malioboro dengan julukan “Jogja Reresik Malioboro Selasa Wage”, salah satu aktivitas sosial dimana kendaraan umum tidak diperbolehkan untuk melintas atau melewati sepanjang Jalan Malioboro, sehingga para wisatawan baik dari lokal maupun mancanegara yang sedang berlibur di Malioboro sangat menikmati suasana tradisional tersebut. Tujuan penciptaan ini adalah menjadikan sebuah media yang dapat mengembangkan sebuah ide, konsep, gagasan, dan teknik lukis dalam menciptakan suatu karya. Mengekspresikan sebuah konsep pada moment aktivitas “Tradisi Selasa Wage” dalam sajian karya lukis kontemporer. Menggali proses kreatif secara Teknik yang pada akhirnya dapat menemukan sebuah karakter yang khas dalam proses kreatifnya. Penciptaan karya ini yang terinspirasi dari aktivitas masyarakat Malioboro melakukan gotong royong, guna untuk menjaga kelestarian, kebersihan lingkungan sepanjang jalan Malioboro. Metode penciptaan dengan melakukan eksplorasi, dari segi eksplorasi visual, eksplorasi bentuk, eksplorasi konsep, eksplorasi teknik, dan analisis data yang meliputi data premier, data sekunder. Tema yang dipilih adalah pengenalan tradisi di daerah Yogyakarta. Hasil penelitian ini menggambarkan suasana kegiatan Tradisi Selasa Wage di Malioboro yang menjadi objek dalam membuat karya-Karya seni Lukis, yang menghasilkan sebanyak 7 karya lukisan dengan berbagai jenis ukuran dan teknik, diantaranya yang berjudul Gelap Malam Tengah Kota, Hiburan Jalanan, Guyup Rukun, Reresik Malioboro, Tarian Anak, Talk Show, dan Berjalan Bebas. Abstrak "Tuesday Wage Tradition" or commonly the local community and street vendors in the Malioboro area with the nickname "Jogja Reresik Malioboro Tuesday Wage", one of the social activities where public vehicles are not allowed to pass or pass along Jalan Malioboro, so tourists both local and foreigners who are on vacation in Malioboro really enjoy the atmosphere of this tradition. The purpose of this creation is to make a medium that can develop an idea, concept, ideas, and painting techniques in creating a work. Expressing a concept at the moment of the “Tuesday Wage Tradition” activity in the presentation of contemporary paintings. Exploring the creative process technically which in the end can find a specific characteristic in the creative process.The creation of this work was inspired by the activities of the Malioboro people doing mutual cooperation, in order to maintain sustainability, clean the environment along the Malioboro road. The creation method is by exploring, in terms of visual exploration, form exploration, concept exploration, technical exploration, and data analysis which includes premier data, secondary data. The chosen theme is the introduction of traditions in the Yogyakarta area, the atmosphere of the Tuesday Wage Tradition activities in Malioboro which are the objects in making works.7 painting works with various types of sizes, techniques, and creation of works in 2021 entitled Dark Midnight City, Street Entertainment, Guyup Rukun, Malioboro Rehearsal, Children's Dance, Talk Show, and Free Walking

Tradisi Selasa Wage Di Malioboro Sebagai Sumber Ide Penciptaan Seni Lukis Kuswardana, Bima Arindra; Dewobroto, Bambang Trisilo; Musfalri, Andrik
CILPA Vol 8 No 1 (2023): Januari
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/cilpa.v8i1.13935

Abstrak “Tradisi Selasa Wage” atau biasa masyarakat sekitar dan para pedagang kaki lima area Malioboro dengan julukan “Jogja Reresik Malioboro Selasa Wage”, salah satu aktivitas sosial dimana kendaraan umum tidak diperbolehkan untuk melintas atau melewati sepanjang Jalan Malioboro, sehingga para wisatawan baik dari lokal maupun mancanegara yang sedang berlibur di Malioboro sangat menikmati suasana tradisional tersebut. Tujuan penciptaan ini adalah menjadikan sebuah media yang dapat mengembangkan sebuah ide, konsep, gagasan, dan teknik lukis dalam menciptakan suatu karya. Mengekspresikan sebuah konsep pada moment aktivitas “Tradisi Selasa Wage” dalam sajian karya lukis kontemporer. Menggali proses kreatif secara Teknik yang pada akhirnya dapat menemukan sebuah karakter yang khas dalam proses kreatifnya. Penciptaan karya ini yang terinspirasi dari aktivitas masyarakat Malioboro melakukan gotong royong, guna untuk menjaga kelestarian, kebersihan lingkungan sepanjang jalan Malioboro. Metode penciptaan dengan melakukan eksplorasi, dari segi eksplorasi visual, eksplorasi bentuk, eksplorasi konsep, eksplorasi teknik, dan analisis data yang meliputi data premier, data sekunder. Tema yang dipilih adalah pengenalan tradisi di daerah Yogyakarta. Hasil penelitian ini menggambarkan suasana kegiatan Tradisi Selasa Wage di Malioboro yang menjadi objek dalam membuat karya-Karya seni Lukis, yang menghasilkan sebanyak 7 karya lukisan dengan berbagai jenis ukuran dan teknik, diantaranya yang berjudul Gelap Malam Tengah Kota, Hiburan Jalanan, Guyup Rukun, Reresik Malioboro, Tarian Anak, Talk Show, dan Berjalan Bebas. Abstrak "Tuesday Wage Tradition" or commonly the local community and street vendors in the Malioboro area with the nickname "Jogja Reresik Malioboro Tuesday Wage", one of the social activities where public vehicles are not allowed to pass or pass along Jalan Malioboro, so tourists both local and foreigners who are on vacation in Malioboro really enjoy the atmosphere of this tradition. The purpose of this creation is to make a medium that can develop an idea, concept, ideas, and painting techniques in creating a work. Expressing a concept at the moment of the “Tuesday Wage Tradition” activity in the presentation of contemporary paintings. Exploring the creative process technically which in the end can find a specific characteristic in the creative process.The creation of this work was inspired by the activities of the Malioboro people doing mutual cooperation, in order to maintain sustainability, clean the environment along the Malioboro road. The creation method is by exploring, in terms of visual exploration, form exploration, concept exploration, technical exploration, and data analysis which includes premier data, secondary data. The chosen theme is the introduction of traditions in the Yogyakarta area, the atmosphere of the Tuesday Wage Tradition activities in Malioboro which are the objects in making works.7 painting works with various types of sizes, techniques, and creation of works in 2021 entitled Dark Midnight City, Street Entertainment, Guyup Rukun, Malioboro Rehearsal, Children's Dance, Talk Show, and Free Walking

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