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SOEGIJA BIOPIC FILM, POLITICAL AFIRMATION, AND POLITICAL IDENTITY: DECONSTRUCTION OF INDONESIAN HISTORIOGRAPHY Kartika, Bambang Aris; Prihatini, Nanik Sri; Hastanto, Sri; Dharsono, Dharsono
Capture : Jurnal Seni Media Rekam Vol. 12 No. 1 (2020)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i1.3111

Soegija's movie is a biopic film based on the historiography of the highest leaders of the people and the Catholic church in Indonesia. Soegija's film is an antithesis of Indonesian historiography so far, especially the historiography of the era of the Indonesian independence revolution. This article discusses the political affirmation and identity politics of Soegija's film from the perspective of Derrida's Deconstruction. Derrida's Deconstruction approach and historical methodology consisting of Heuristics, Hermeneutics, and internal criticism are used to understand the position of Soegija's biopic on Indonesian historiography. The results of the study show that Soegija's film is a biography moving picture of the character Mgr. Albertus Soegijapranata, who narrated historical facts about the national attitude of the Catholic leadership as the first native bishop. In deconstruction, it appears that Soegija's biopic is a representation of the political affirmation and identity politics of educational cultural resistance to the truth of the historical facts of the character Mgr. Albertus Soegijapranata who is in binary opposition to Indonesian historiography.

Governance of flagship events in Surakarta City case studies of Solo International Performing Arts (SIPA), Solo Batik Carnival (SBC), and Solo Keroncong Festival (SKF) Kusumorasri, Irawati; Prihatini, Nanik Sri; Sunarto, Bambang
Gelar: Jurnal Seni Budaya Vol. 21 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4348

The implementation of cultural events or festivals is part of efforts to revitalize the tourism sector in Surakarta City. The cultural event has succeeded in becoming a means of tourism development. The possibilities are present and have given birth to a performance program. The most significant event activities include Solo International Performing Arts (SIPA), Solo Batik Carnival (SBC), and Solo Keroncong Festival (SKF). This research aims to know the governance principles for organizing a good festival or cultural event. Hopefully, understanding the principles of governance to make SIPA, SBC, and SKF become the flagship event in Surakarta city will serve as managerial knowledge useful in developing festivals and cultural events. It is important to study the management of SIPA, SBC, and SKF to find out the characteristics of leading event management so that they are included in the leading criteria. Research produces theoretical solutions, so that festival management has an adaptive and applicable management system for organizing events. The findings will be useful as a reference for other cultural events in the city of Solo. The research uses explanatory methods to find and create concepts that clarify SIPA, SBC, and SKF into three flagship events. Implementing this event is successful because it uses the combined governance between modern management and traditional management. For this reason, the results of this study have significant meaning because they can at least serve as a model in the organization of festivals and cultural events in other places

SOEGIJA BIOPIC FILM, POLITICAL AFIRMATION, AND POLITICAL IDENTITY: DECONSTRUCTION OF INDONESIAN HISTORIOGRAPHY Kartika, Bambang Aris; Prihatini, Nanik Sri; Hastanto, Sri; Dharsono, Dharsono
Capture : Jurnal Seni Media Rekam Vol. 12 No. 1 (2020)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i1.3111

Soegija's movie is a biopic film based on the historiography of the highest leaders of the people and the Catholic church in Indonesia. Soegija's film is an antithesis of Indonesian historiography so far, especially the historiography of the era of the Indonesian independence revolution. This article discusses the political affirmation and identity politics of Soegija's film from the perspective of Derrida's Deconstruction. Derrida's Deconstruction approach and historical methodology consisting of Heuristics, Hermeneutics, and internal criticism are used to understand the position of Soegija's biopic on Indonesian historiography. The results of the study show that Soegija's film is a biography moving picture of the character Mgr. Albertus Soegijapranata, who narrated historical facts about the national attitude of the Catholic leadership as the first native bishop. In deconstruction, it appears that Soegija's biopic is a representation of the political affirmation and identity politics of educational cultural resistance to the truth of the historical facts of the character Mgr. Albertus Soegijapranata who is in binary opposition to Indonesian historiography.

Inovasi Dolalak Lentera Jawa II karya Melania Sinaring Putri Rachmawati, Putri; Prihatini, Nanik Sri
PANGGUNG Vol 29 No 4 (2019): Keragaman Seni dan Inovasi Estetik
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v29i4.1047

ABSTRACTLentera Jawa II Dolalak Dance is a new dance composed by Melania Sinaring Putri in 2014. It was created to represent Indonesia at the festival in Malaysia on 12-15 November 2014. The creation is impressive because there are innovations made by the choreographer. The theory presented in the creation process is the theory of Alma M. Hawkins, which includes exploration, improvisation, and composition. The method used in this research is a qualitative method with ethnochroeology approach. The research findings conclude the forming of a new composition. The form of the performance produced looks masculine but coquettish because of the existence of the more energetic dance movements, large-volumed, and faster movement tempo. The level playing, the line in the floor formation, and energetic dancer’s strength is a result of innovation in this work. The choreography elements are compacted, so they only performed in 8 minutes long.Keywords: Lentera Jawa II Dolalak, creation process, innovation, choreographyABSTRAKTari Dolalak Lentera Jawa II merupakan sebuah karya tari baru yang disusun oleh Melania Sinaring Putri tahun 2014. Karya ini diciptakan untuk mewakili Indonesia pada Festival di Malaysia pada tanggal 12-15 November 2014. Garapan ini menarik karena terdapat inovasi yang dilakukan koreografer. Teori yang dijadikan sebagai pisau bedah proses penciptaan menggunakan teori Alma M. Hawkins, yaitu eksplorasi, improvisasi dan komposisi. Metode yang digunakan dalam penelitian ini adalah metode kualitatif, dengan pendekatan etnokoreologi. Hasil penelitian ini menyimpulkan terbentuknya komposisi baru, bentuk sajian yang dihasilkan terkesan berkarakter gagah namun centil karena gerak tari yang dihasilkan lebih energik, bervolume besar dan adanya tempo gerak yang lebih cepat. Permainan level, garis pada formasi lantai, dan kekuatan pada penari yang energik merupakan hasil dari inovasi pada karya ini. Elemen-elemen koreografi yang dipadatkan menghasilkan pertunjukan yang berdurasi 8 menit.Kata Kunci: Dolalak Lentera Jawa II, proses penciptaan, inovasi, koreografi

Otoritas Estetik pada Pertunjukan Tari Dolalak di Kabupaten Purworejo, Jawa Tengah Prihatini, Nanik Sri
PANGGUNG Vol 33 No 1 (2023): Nilai-Nilai Seni Indonesia: Rekonstruksi, Implementasi, dan Inovasi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i1.2474

The Dolalak dance in Purworejo Regency is interesting to observe because it has developed with a creative appearance. At first Dolalak was presented by male dancers who seemed dashing, but with the presence of female dancers Dolalak appeared coquettish or cool. This happens because of the aesthetic authority exercised by the artists, both the composing artists and the performers. The purpose of this study was to identify and analyze the authority associated with the aesthetic touch performed by a dance leader and choreographer for the Dolalak dance, namely Melania Sinaring Putri. This research is a qualitative research used to look at the cultural phenomena of the Dolalak dance performance with a social approach that uses the theory of authority, the theory of work on, and the theory of dance creation. Data collection was carried out by way of literature study and interviews. The results of this study can be concluded that Dolalak is currently experiencing quite encouraging developments because of the creative touch of the artists as the owners. Keywords: Dolalak, authority, aesthetics, and work on.

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