Hari Pramono, Koko
Sekolah Tinggi Kesenian Wilwatikta

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Pelatihan Eksplorasi Olah Vokal Teater di Sanggar Shedet Srepet Bojonegoro Putri, Ratna Mestikasari; Pramono, Koko Hari; Lestari, Lilis
Gayatri : Jurnal Pengabdian Seni dan Budaya Vol. 3 No. 1 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta (STKW) Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/gayatri.v3i1.60

Abstract

Exploration plays an important role in innovation and development of ideas or concepts in the field of art. By understanding new and complex phenomena of the need for innovation in an artistic process, art groups should be pioneers in developing exploration of traditional art-based works. This community service can develop new methods that are more efficient and in an effective focus of Vocal Theater Exploration Training at the Shedet Srepet Bojonegoro Studio. Exploration in the field of vocal training will make actors able to play ideal roles according to the needs of the character of the character being played. In the vocal exploration training activity at the Shedet Srepet Bojonegoro studio, the PKM team created a vocal creativity scheme in theater with a training method to improve the quality of vocal production for beginner actors. The selection of beginner actors is based on the needs of the studio to recruit regeneration and mentor new members to carry out performance productions on a staging work. Vocal training is considered one of the important elements that must be possessed by an actor, therefore vocal exploration is an important part to support studio activities in producing theater performances.
Pembinaan Tari Salempang Ornas dalam Membangun Kohesi Sosial Masyarakat Kaliunggu Kecamatan Tempeh Kabupaten Lumajang lilis lestari; koko hari pramono
Gayatri : Jurnal Pengabdian Seni dan Budaya Vol. 4 No. 1 (2026): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta (STKW) Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/gayatri.v4i1.82

Abstract

Tari Salempang Ornas merupakan salah satu bentuk seni pertunjukan tradisional yang hidup dan berkembang di tengah masyarakat Desa Kaliungu Kecamatan Tempeh Kabupaten Lumajang sebagai representasi nilai-nilai budaya lokal. Keberadaan tari ini tidak hanya berfungsi sebagai hiburan, tetapi juga memiliki peran penting dalam membangun dan memperkuat kohesi sosial masyarakat. Penelitian ini bertujuan untuk mengkaji perspektif Tari Salempang Ornas dalam membentuk hubungan sosial yang harmonis di tengah keberagaman masyarakat. Penelitian menggunakan pendekatan kualitatif dengan metode deskriptif, melalui teknik observasi, wawancara, dan dokumentasi terhadap pelaku seni serta masyarakat setempat. Hasil penelitian menunjukkan bahwa Tari Salempang Ornas mengandung nilai-nilai kebersamaan, gotong royong, dan solidaritas yang tercermin dalam proses latihan, pementasan, serta partisipasi masyarakat. Interaksi sosial yang terjadi dalam aktivitas kesenian ini mampu mempererat hubungan antar individu dan kelompok, sekaligus memperkuat identitas kolektif masyarakat Lumajang. Selain itu, tari ini juga berfungsi sebagai media komunikasi budaya yang menjembatani perbedaan sosial dan generasi. Dengan demikian, Tari Salempang Ornas memiliki kontribusi signifikan dalam membangun kohesi sosial melalui internalisasi nilai budaya dan praktik sosial yang berkelanjutan.
Budhi Wijaya: a Study of Popular Art in Ludruk Terob Galih Wahyu Dwi Pambudi; Koko Hari Pramono
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 17 No. 1 (2026): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v17i1.143

Abstract

Ludruk is a traditional performing art that is gradually declining in popularity among the public. However, several Ludruk groups have made sustained efforts to revitalize this traditional art form. Combining traditional elements with modern influences has become the strategy adopted by Ludruk Budhi Wijaya from Jombang. This study aims to examine the group’s adaptation strategies, commercial management, and cultural negotiation as a form of popular art. This study employs a qualitative approach using a descriptive-analytical method. Data were collected through observation, interviews, and documentation. The findings indicate that Ludruk Budhi Wijaya has maintained its sustainability by utilizing digital media, including YouTube, TikTok, and Facebook, as strategic promotional platforms. In addition, the group has adaptively commodified its artistic practices by shortening the duration of the remo dance, extending the dagelan segment, adopting modern stage technologies, and incorporating viral trends without entirely abandoning the original pakem. This product diversification strategy has successfully positioned this folk art form as a competitive popular cultural product in the modern market.