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The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear Firdaus, Roihatal Jannati; Sudarwanto, Aan
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5250

This Final Project entitled "The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear". The source of the idea that forms the basis for the creation of works is the weaving craft of the NTT region, especially the Ende region, namely Selendang Semba. On the Semba scarf there is a Morning Star motif which as a unique character so that the creators want to make it an idea for creating batik motifs. The purpose of creating this final project is to apply the Morning Star motif found in the Semba scarf into casual clothing for young women aged 17 year sand over. The methods used in making this work are expression, technique and creation. The process of making batik designs using the strongest character-taking technique found in the semba shawl becomes a batik motif. The making of the batik works uses the written batik process followed by the coloring process in the form of dyed caps with artificial dyes, namely napthol and remashol. The material in the work uses primissima cloth, atype of princess dance, whichhasa smooth character, dense fibers, easily absorbs sweat so it is comfortable when used as casual clothing. The output of this Final Project is in the form of 4 works of women's casual clothing, a fashion catalog, a teaser for the final work process and as cientificarticle. This work is titled "Abhita" and has different titles in each of his works, the clothes are titled : Asha, Sachi, Trisha, Agni.

RASIONALISASI DAN REALITAS BUDAYA JAWA TERHADAP MOTIF GURDA Sudarwanto, Aan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

The article that discusses the motive of the gurda aims to find out more clearly how the position and changes in the gurda motives in the perspective of Javanese society. In addition, it is also to find out the forms of the gurda motif and its application to Javanese culture from several perspectives, namely tradition, modern and postmodern.Changes from tradition to modernism then arrive at postmodern discourse to be interesting, because from there it can be analyzed how far the changes are from aspects of form, structure and application, as well as several causes. Several approaches are used in analyzing these problems. among others, using the concept of Max Weber's rationality and the concept of deconstruction that Derrida proposes.The importance of material objects raised in this article is based on the idea that the gurda motif on batik does not appear suddenly but has undergone a very long journey. The motif that symbolizes the eagle was originally described as more realistic and even anthropomorphic which can be found in various temple realiefs on Java, including Prambanan temple, Penataran temple, jago temple, candi Belahan and Sukuh temple. After becoming a batik motif until the postmodern era also experienced a very interesting dynamic to study so that it could become a model of changing a cultural phenomenon.Â Keywords: motifs of gurda, tradition, modern, postmodern discourse

The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear Firdaus, Roihatal Jannati; Sudarwanto, Aan
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5250

This Final Project entitled "The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear". The source of the idea that forms the basis for the creation of works is the weaving craft of the NTT region, especially the Ende region, namely Selendang Semba. On the Semba scarf there is a Morning Star motif which as a unique character so that the creators want to make it an idea for creating batik motifs. The purpose of creating this final project is to apply the Morning Star motif found in the Semba scarf into casual clothing for young women aged 17 year sand over. The methods used in making this work are expression, technique and creation. The process of making batik designs using the strongest character-taking technique found in the semba shawl becomes a batik motif. The making of the batik works uses the written batik process followed by the coloring process in the form of dyed caps with artificial dyes, namely napthol and remashol. The material in the work uses primissima cloth, atype of princess dance, whichhasa smooth character, dense fibers, easily absorbs sweat so it is comfortable when used as casual clothing. The output of this Final Project is in the form of 4 works of women's casual clothing, a fashion catalog, a teaser for the final work process and as cientificarticle. This work is titled "Abhita" and has different titles in each of his works, the clothes are titled : Asha, Sachi, Trisha, Agni.

PEMBERDAYAAN INDUSTRI KRIYA LOGAM DI DESA TUMANG CEPOGO BOYOLALI Sudarwanto, Aan; Darmojo, Kuntadi Wasi
Batoboh Vol 3, No 1 (2018): Batoboh: Jurnal Pengabdian Pada Masyarakat
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v3i1.376

Pemberdayaan industri kerajinan logam dalam kegiatan Pengabdian kepada masyarakat ini bertujuan untuk meningkatkan daya saing industri yang berorientasi pada produk ekspor, dimana konsentrasi penggunaan bahan baku utama didominasi bahan baku logam seperti tembaga, aluminium dan kuningan yang berada di di Desa Tumang. Penggunaan alat yang sederhana merupakan salah satu mengapa produk kerajinan tidak bisa memenuhi permintaan pasar dalam waktu yang singkat. Sehingga diperlukan strategi bagaimana memecahkan permasalahan tersebut. Disamping itu banyak permasalahan-permasalahan lain yang diperlukan penanganan sehingga kegiatan pemberdayaan ini sangat dibutuhkan. Fokus dari kegiatan pemberdayaan ini lebih diarahkan pada pada aspek peningkatan kualitas produksi Kerajinan logam yang meliputi penguatan sistem produksi, penguatan sumber daya manusia, pemanfaatan teknologi tepat guna, perancangan desain, dan branding produk yang akhirnya bermuara pada eksport hasil produk kerajinan logam.

RASIONALISASI DAN REALITAS BUDAYA JAWA TERHADAP MOTIF GURDA Sudarwanto, Aan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v10i2.2326

The article that discusses the motive of the gurda aims to find out more clearly how the position and changes in the gurda motives in the perspective of Javanese society. In addition, it is also to find out the forms of the gurda motif and its application to Javanese culture from several perspectives, namely tradition, modern and postmodern.Changes from tradition to modernism then arrive at postmodern discourse to be interesting, because from there it can be analyzed how far the changes are from aspects of form, structure and application, as well as several causes. Several approaches are used in analyzing these problems. among others, using the concept of Max Weber's rationality and the concept of deconstruction that Derrida proposes.The importance of material objects raised in this article is based on the idea that the gurda motif on batik does not appear suddenly but has undergone a very long journey. The motif that symbolizes the eagle was originally described as more realistic and even anthropomorphic which can be found in various temple realiefs on Java, including Prambanan temple, Penataran temple, jago temple, candi Belahan and Sukuh temple. After becoming a batik motif until the postmodern era also experienced a very interesting dynamic to study so that it could become a model of changing a cultural phenomenon.Â Keywords: motifs of gurda, tradition, modern, postmodern discourse

Autoethnography In Photography Research Of The Self Kurniawan, Donie Fadjar; Lukistyawan, Purwastya Pratmajaya Adi; Sudarwanto, Aan; Purnomo, Agung; Tuminah, Tuminah
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.10749

The focus of this research is to describe a concept of auto-ethnographic research that is based on an understanding of the ethnographic view. The aim is to encourage those with a background in the arts to get detailed information about this type of auto-ethnographic research. The urgency is to strengthen auto-ethnography into artistic research (about art) from their own experiences. The research departs from the literature review. Data was obtained through literature research by relying on primary data in the form of an article entitled An Autoethnography on Learning About Autoethnography. This article was written by Sarah Wall (2006). The work, Fitting the Methodology with the Research: An exploration of narrative, self-study and Autoethnography written by Mary Lynn Hamilton, Laura Smith & Kristen Worthington (2008) as supporting methodology. The work Artistic Research: The Thoughts And Ideas Of Mika Hannula written by Guntur (2020) to support the artistic. The case study used Self-Reflection in Mirrors in Photographic Works by Sepba Fri Atnin. (2018). The results of the study are first the concept of research on qualitative data sources that come from the researchers themselves. Second, its application in the field of arts such as recording media arts, visual arts, fine arts, dance, and performing arts.

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